Did Toys “R” Us have to fail?
If you’ve read various articles including this Bloomberg article, you might come away thinking that all of what happened to Toys “R” Us began a decade ago (i.e., the early 00s). In fact, you would be so wrong… and so would Bloomberg. Let’s explore.
The 80s
Around 1981 or 1982, I worked at Toys “R” Us. Even at that time, Toys “R” Us ran a questionable business model. A business model that, I might add, even store managers recognized and thought was unsustainable. In fact, after having discussions with store managers at my store, I got an earful about how they thought that the chain would likely fail within a decade if they kept on using that business model. This was the early 80s.
What business model?
Toys “R” Us sowed the seeds of its own destruction at least beginning in the 80s, perhaps as early as the 70s. What questionable business model is this? The model chosen was to operate the stores in the red (otherwise known as losing money) through 80-90% of the year (aka, “90 in the red”). Then, the management hoped to recoup those losses in the final 1-2 months of the year during holiday season sales. It didn’t always work out.
While this model seemed to work to keep most Toys “R” Us stores afloat through the 80s and 90s, it served to keep the company from really turning a solid profit and, ultimately, led to the company’s massive debt load. What that model meant to the stores is fully stocked shelves every day of the year. This was readily apparent walking into any Toys “R” Us store. The stores were not only full, they were positively brimming over with the latest toys. This also meant putting itself into massive debt each year in inventory and then hoping to pay off that debt at the end of the year when most of the stores finally ran “in the black” (read, turning a profit for the year).
Keep in mind that many of the stores didn’t turn a profit, but so long as enough stores did, they could cover for the debt they had been incurred company wide, or at least so that was the idea. Even the store manager at my Toys “R” Us location could see the handwriting on the wall in the early 80s. This store’s business model was not sustainable and I was, even as an standard employee, told this by various managers. These managers didn’t hold back their thoughts.
Bloomberg, Fads and Sustainability
What Bloomberg got right was that even a decade ago, TRU’s debt load had put them underwater. What Bloomberg didn’t address was that this debt began almost 2 decades earlier of overbuying, followed by hoping that a “hit toy” would kick them over the profit line at the end of every year.
“Hit Toys” were Toys “R” Us’s hopeful thing. They needed that Tickle Me Elmo or Nintendo Wii or Lazer Tag or Cabbage Patch Kid fad toy to carry the chain into the new year with profit on the books. Throughout the 80s and 90s, there were a string of these hit toys practically every year. Fad toys which flew off the shelves and brought Toys “R” Us to profitability each year. It was a risky move for Toys “R” Us to bank on a hot fad each year, but there it is.
Unfortunately, relying on this kind of yearly toy fad to sustain a business every year was not only risky, it began to burn Toys “R” Us as these yearly fads began to die off by the late 90s. Even during mid-late 90s, these fads were much less intense than they had been just a few years earlier. By the mid-00s, these fads were practically non-existent. Sure, there were hot toys, but no where near the levels of sales that Tickle Me Elmo or the Cabbage Patch Kid fads offered to Toys “R” Us’s bottom line… particularly when Best Buy, Walmart and Amazon concurrently began diluting the toy profits of TRU.
These fading fads were responsible for killing other toy stores chains as well, such as Kay Bee Toys and even the once high flying, high end FAO Schwarz. These fading fads also left Toys “R” Us holding a huge mound of debt.
Walmart
While Walmart did usurp the title of top toy seller from Toys “R” Us, that’s primarily because Toys “R” Us prices were always on the higher side. Walmart did carry toys, but not all toys. If you wanted something you couldn’t find at Walmart, you went to Toys “R” Us and it was pretty much guaranteed they would carry it (even though it might be out of stock). Walmart didn’t even stock many of these. The toy section in Walmart was always small by comparison. Sure, you could find better deals at Walmart, but only from the toys that they chose to carry.
Walmart was also not very kind to collectors in the 90s. If a collector showed up to buy toys, Walmart would try to do everything to keep that toy item away from the collectors… sometimes even going so far as to banning them from the store simply for buying toys. Does it really matter whose dollars are buying an item? Granted, I wasn’t particularly happy that a collector had gone to Walmart to buy out all of the “good” stock leaving tons of “peg warmers” sitting around that no one wanted. But, that’s how toy collecting worked in the 90s.
The whole collector market kind of died off with the advent of places where collectors could buy case packs, like Entertainment Earth. Instead of having to rummage around Walmart at 3AM (when they stocked new merchandise), you could order a full case of figures, guaranteeing that you’ll get at least one “rare” figure. This meant that the once Walmart and Toys “R” Us shopping locations for collectors became a thing of the past. Collectors took their money online to buy cases and stopped buying at Toys “R” Us. Buying case packs is easier, more convenient and doesn’t require the hassles of dealing with surly underpaid Walmart workers.
Toys “R” Us Kids Grew Up
Kids of the 80s became collectors in the 90s and became families on the 00s. The once popular collector market throughout the 90s fell apart into the 00s because the collector market changed and Toys “R” Us failed to understand this important change. The collector market is (or at least was) also a huge market that kept Toys “R” Us afloat in addition to the end-of-year-fads. However, brands like Hasbro and Mattel didn’t grow with the collector market. Sure, Hasbro tried, but the toys they made were tiny improvements over their (sub)standard toys. Mattel also tried with its collector Barbies, but, again they failed to understand the critical quality needed for what collectors really yearned.
In essence, the toy brands themselves didn’t grow to provide what collectors wanted… which left Toys “R” Us mostly without collector money. However, collector brands did grow up for the collector market outside of Toys “R” Us, including Sideshow and Hot Toys brands. These brands are now considered the premiere collector “toy” brands for adult collectors. These “action figures” are some of the highest end, most expensive, most collectable toys out there, yet these are not sold at Walmart, Target or even Toys “R” Us (before they closed). Though, you can find them on Amazon via third party sellers. This is where Toys “R” Us failed to keep up with the kid-turned-adult collectors. Hot Toys figures cost anywhere between $150-350 per figure; a price point that collectors are more than willing to pay to get that level of craftsmanship. A price point that Toys “R” Us never carried. A quality that not Toys “R” Us nor Walmart nor Target ever carried.
While Toys “R” Us continued to sell these low-end toy products to kids, it failed to grow up and to sell high end collectibles to adults. Ironically, this runs counter to their jingle. The most prestigious type of collectibles that Toys “R” Us sold were the collector Barbies and McFarlane figures, offering price points at $15-40. A price tag that cannot provide the levels of detail, paint jobs and overall craftsmanship that goes into a Hot Toys or Sideshow figure. Adult collectors want high end figures and Sideshow and Hot Toys fill that niche. Toys “R” Us management never recognized this growing trend.
“I don’t want to grow up, I want to be a Toys “R” Us kid”
This jingle is ultimately the rationale that appears to have led Toys “R” Us management down the wrong path. Instead of singing the praises of not growing up, the toy store should have realized that kids grow into adults; adults who still want to buy collectible toys, but who don’t want the junky, low priced Hasbro and Mattel versions. They want premiere brands like Hot Toys offering highly detailed, highly realistic, meticulously crafted and painted figures… not Hasbro’s now antiquated, poorly painted, robot-style 12 inch figures. You might give these cheap toys to your kids, but you wouldn’t display them in a display case.
This collectible market began with highly detailed military figures, but branched out into licenses with Marvel, DC, Star Wars, Warner Brothers and various other large movie franchise brands. Toys “R” Us failed to latch onto this market and, thus, failed to capture the once Toys “R” Us kid who had grown into an adult and now desires these highly detailed collectible toys. As kids grow into adults, tastes change and people want more sophisticated products. Hot Toys and Sideshow found that niche for sophisticated adult tastes. Yet, Toys “R” Us failed to recognize this niche.
If Toys “R” Us had realized this mistake and had added brands like Hot Toys to its shelves, it might have been able to entice the collector’s market back into its stores and pay down some of its debt. Every discount retailer has, so far, failed to realize the adult collectible toy market. However, this lack of foresight hurt Toys “R” Us the most.
Kid Tastes
Additionally, kids tastes have also changed as a result of brands like Hot Toys and products like the iPad. Kids don’t want want to buy Leap or other “toy” or “fake” tablets when they can ask their parents for the real thing. Kids also want the higher end Hot Toys than the poorly crafted Hasbro Ironman figures. While Toys “R” Us did begin carrying Apple products, the stores really thought of these more as a toy rather than treating them as something useful. Best Buy always treated their Apple section with the best possible displays. Toys “R” Us displayed its Apple tablets right next to random other tablets as though they weren’t anything special. I’m not even sure that I’d have felt comfortable buying an Apple tablet from Toys “R” Us. Not only did they have no one versed in this technology on staff, what they carried could have been 2 or even 3 generations old. Toys “R” Us just didn’t treat these products with the respect that they deserved.
As a result of kids changing tastes and higher levels of sophistication, kids really didn’t want much of what was in that toy store after a certain age. This meant that Toys “R” Us was primarily for kids of a certain age and below (probably 8-9 or younger). Even still, these ages were growing up faster.
Toys “R” Us Closure
Did Toys “R” Us have to close? Yes, it did. Without a management team capable of fully understanding the downsides of running its stores using the “90 in the red” model throughout the year (and failing to accommodate the changing tastes of adult collectors), the stores ultimately succumbed to closure. It was inevitable.
What tipped the scale, though, was 2005’s $6.6 billion leveraged buyout of Toys “R” Us by the KKR, Bain Capital, and Vornado Realty Trust; a purchase that saddled the corporation with at least $5 billion in debt, in addition to its already mounting toy inventory debt each operating year. There was simply no way Toys “R” Us could recover from and pay down that debt considering its interest each month.
In fact, it was this very same leveraged buyout that not only trashed Toys “R” Us, it also lost its original private equity investors at least $1.28 billion. Even these private equity firms were ignorant of Toys “R” Us’s “90 in the red” model. You’d think that between three different private equity firms, one would have had brain among them. I guess not. Toys “R” Us was not worth buying strictly because of that business model… and it was especially true when considering saddling an already debt overburdened company with even more debt. It was an insanely stupid buyout made more stupid because of the lack performing even the most basic of fiduciary responsibility. Those private equity firms got exactly what they deserved out of that deal. Make the wrong deal, get the wrong results.
If I had been sitting in the room when this buyout deal was being considered, I would have put the kibosh on that deal pronto. If managers of stores could recognize how badly Toys “R” Us was operating in the 80s, why couldn’t a bunch of suits at three different private equity firms see this before plopping down $6.6 billion?
Overvaluation
If anything, 2005’s TRU sale is a cautionary tale. There are way too many buyouts that are purchased at way too high a value. I’ve seen it happen time and time again. Companies worth maybe $500 million sell for $3 billion? It’s just insane the money that’s being overspent. Would you walk into Walmart and offer to pay $25 for a $5 tube of toothpaste? I don’t think so. So, why do these investors think it’s okay to spend $6.6 billion on a company worth maybe $1 billion at its best… and it was then likely actually worth much less considering the debt that it already carried. Its insane business model should have further reduced its value.
Could Toys “R” Us have been saved?
Probably not. At least, not with its status quo business model. But, it might have been saved IF Toys “R” Us had adopted a more balanced approach to its store sales and more sane merchandise ordering in combination with letting managers actually handle full store merchandising instead of relying on nice looking, but misguided corporate-standard planograms.
Only stock enough merchandise in a specific store that that store can actually sell. Let managers move stock around on shelves and place the merchandise in their store where it’s most likely to sell. Additionally, don’t send stock to a store where the buying demographic isn’t buying that type of merchandise. If Barbies aren’t popular in a particular store’s demographic region, send limited amounts of Barbies there. It’s a waste of money and effort to stock merchandise that doesn’t sell. One of Toys “R” Us’s biggest foibles was its cookie-cutter store approach. That meant it was sending the same stock to all stores regardless of popularity in that local store’s area. It also meant that it way overspent on toys that would never sell at certain stores. Eventually, they simply had to clearance out those toys. Each store’s inventory should have been customized based on buying habits of local consumers and by the local manager. Only the local store team knows what’s the “hot sellers” in their store.
Clearance merchandise is actually a red flag in the retail business. It means that, as a store, you way overspent on merchandise that you couldn’t sell. If you have excessive clearance merchandise, then your merchandise spends are way off. It also means that your buyer is overbuying stuff that isn’t selling. It means you need to rethink your buyer and it means your new buyer needs to rethink how much to spend on similar types of products.
One of Toys “R” Us’s other foibles was its inability to recognize and stock the “hottest toys” rapidly. If you send 5 of something to a store and it sells out in 10 minutes, you need to stock more of it and you need to do it pronto. Yet, it might take Toys “R” Us 30 or more days to get that merchandise back in stock. That’s 30 days of zero sales… sales that could have been had the next day and the day after that. Missed sales were one of TRU’s biggest problems. Having merchandise in stock that you can sell day after day is a huge win. Yet, if the corporate buyers don’t even know to reorder this thing again, the store is blind. This is why the next part was so important to improving TRU.
Instead, this toy chain should have let the local managers have autonomy via cutting merchandise from their store that isn’t selling and placing rush orders on the hottest toys. By letting the managers, you know, actually manage the store’s inventory properly, the stores could have cut costs and raised profits. The managers could have done this by buying more of popular hot sellers in that area, shuffling cold merchandise to other stores that can sell it and cutting non-sellers from the inventory. In fact, managers should have actually had access to every store’s inventory throughout the chain and when that item last sold there. If a particular item is selling hot in one store, but is completely dead in other stores, the hot item store manager should be able to request stock moved from the cold stores to their store. This way, managers could have directly moved inventory from store to store instead of placing orders for more stock, thus causing more debt. Only after the existing in-store inventory was exhausted should a new order need to be placed. The buyers from the chain should have endorsed this manager autonomy.
Unfortunately, that wasn’t a priority for the very rigid corporate run TRU. I could walk into a store in Texas and find specific toys always out of stock. Then walk into a TRU in St. Louis a week later and find twenty of them sitting on the shelf with dust on the top. If stores had been able to request the hottest toys moved from other stores, the chain could have saved a lot of money on new stock orders.
This change in business model could have drastically improved Toys “R” Us’s profitability throughout the year. It probably would have cut down on orders to toy sellers, but something’s got to give when you’re running a retail store chain. If the toy manufacturers had to suffer a little to let Toys “R” Us recover and be a whole lot more profitable, then so be it.
Unfortunately, TRU’s status quo model endured. Even if the leveraged buyout hadn’t occurred in 2005, Toys “R” Us’s fate was pretty much sealed strictly by is “90 in the red” (cookie cutter) mentality. It was only a matter of time before it succumbed to its own debt burden even if it hadn’t incurred a ton more debt after that poor sale. The 2005 unwise sale simply accelerated Toys “R” Us’s already looming demise.
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Star Force Book Series: A Review
While Audible and Amazon both allow you to review individual books separately, they don’t really offer a way to review a book series as a whole. Let’s explore B.V. Larson’s Star Force book series.
SPOILER ALERT: If you wish to read this book series, this review may contain spoilers.
Book Style
Let’s start by how these books are written. Unlike many books which might jump back and forth between several unfolding story arcs between different characters, this book series is written entirely linear with a single story thread told to us in first person by the protagonist. Unfortunately, this linear unfolding is a bit detrimental to this series of books because there are a number of characters who could have benefited from having their own separate story arc. Seeing these events unfold separately from the main character’s story would have given us deeper depth into this universe and its series of unfolding events.
Instead, the author chose to focus entirely on Kyle Riggs, our protagonist of this series, and his specific circumstances, always from Kyle’s point of view. In fact, the book series is almost written as a fictional memoir… as if Kyle is recounting these stories from some distant future rather than being told to us “in the now”. This aspect was neither confirmed nor denied by the author. It’s simply left open.
Swarm
The Book Swarm starts the series. Kyle’s kids are killed by an unknown UFO when they are summarily nabbed by, then ejected from the UFO. When Kyle himself is nabbed by the same UFO, he is able to solve the riddle and remain alive. This is where the entire series sets its foundation for what comes in every later book… sort of.
Unfortunately, there were many missteps in this series along the way. Well, maybe not exactly missteps, but definitely missed opportunities to delve deeper not only into the Kyle’s psyche, but into the psyche of the machines (and ultimately “The Blues”). “The Blues” being the creators of not only the “nano” tech used to create the nano ships that killed Kyle’s kids, but they also created the “macros”. This one race of beings created the entire series of circumstances that set this entire series in motion… and imparts important technology to humanity that allows it to become space faring.
Kyle meets most of his important contacts in this first book including Sandra and Crowe. Other characters would make appearances later on and remain throughout the series. Some characters are killed for various sometimes unexplained reasons. Swarm is the foundation book that lays the groundwork for all that comes in the remaining 8 other “Kyle” novels.
You might be thinking, “9 total novels? I thought there were 14?” Well, kind of. Beginning with the novel Outcast (book 10), this is the first collaborative novel between B. V. Larson and another author. Usually when I see an extra author name on the cover, the lion’s share of work is likely done by the co-author, not the original series author. This means that beginning at Outcast, I’d consider this the beginning of a new series even though it continues with the same numbering scheme and is under the Star Force label.
In fact, because Outcast begins with Cody Riggs, the offspring of Jasmine and Kyle, at a point in the future when he’s “coming of age”, I’d consider this no longer about Kyle Riggs. His story is done and ended at book 9. For me, I consider the series actually complete at book 9. All books after 9 are intended to carry on in this universe, but with an entirely different cast of characters and years later… even though Marvin, the ubiquitous robot, is still at play and so is Kwan.
Let’s Get Started
With the above story groundwork laid, I can begin this review in earnest. One thing that irks me is when authors abscond with pop culture references in works without really giving due credit to any of the original creators. For example, the transport “Rings” in this novel are almost ripped off entirely from Stargate… and in particular, the Stargate SG1 TV series. Most notably, B. V. Larson’s use of not only the ring itself, but absconding with the idea that ‘Ancients’ created the rings, the exact terms used in Stargate SG1. Whenever I run into such references, I have to shake my head.
While I can’t begrudge B. V. Larson being a fan of SG1… hey, I’m a fan of that series too… I can’t really agree with using such blatant copying of ideas right down to the use of the same names.
Other such references include Star Wars, with Phobos… a moon-like space station with a “gravity canon”, in similar form to the planet killer weapon of the Death Star. These references are quite immediately apparent. Another pop culture reference includes the nano technology used throughout the book series. While B. V. Larson uses these nanites in specific ways to improve humanity, the technology was actually again ripped from both Stargate SG1 and Terminator 2. However, in SG1, the “nanos”, actually the Replicators, were enemies and could not at all be tamed and used from the betterment of humanity. The liquid metal described by Kyle always resonated with me in the same way as the T-1000 terminator in T2.
Kyle Riggs
Within this story, Kyle Riggs is our protagonist. He’s the one we are supposed cheer on. In some cases, his actions are worth cheering. In other cases, his actions are questionable and his motives are not explained. In fact, there are many ideas left unexplained in the series and we’ll come to that section of this review a bit later.
Kyle Riggs begins this tale as a computer science teacher turned farmer and ends this tale as emperor over the known earth… who then steps down and goes back to farming with his new kid, Cody, in tow. Basically, the book ends where it begins. In many ways, it’s a contrived tale that comes full circle. What happens between book 1 and book 9 simply fills in Kyle’s gap between these two bookends. That’s not to say that everything that happens between book 1 and book 9 is uninteresting, but know that if you delve too deeply into its meanings, you’ll definitely come up short changed.
Kyle makes his way from school teacher, to nanoship pilot, to nanotized warrior to colonel of the Star Force fleet. It’s a somewhat slow-ish progression predicated by the fact that we have no other character tales unfolding in the background. We can accept this series of events because we are not told of many other characters seeking similar opportunities in the flying fleet. When such characters do present such as Crowe, Kerr or Miklos, they are summarily and rapidly sidelined by all-too-convenient plot lines. In the beginning of this tale, there were hundreds of nanoships. There had to have been at least one other nanoship pilot capable of performing as well or possibly better than Kyle Riggs. We must, therefore, simply accept what’s happening at face value and not question this series of events at all. That Kyle Riggs was the “smartest” and “brightest” of the bunch was something we simply have to accept to buy into this book series. If you can’t buy this concept, then the books won’t work.
Kyle also acts in all sorts of odd ways throughout the run of the novels. At first, he’s a school teacher trapped in a ship fending for his life. He’s steadfastly against what these ships are doing and pro-humanity (and protector of all “biotics”). Later, he converts into a commander over Star Force… which conveniently more or less disappears until they can rebuild. He then changes his tune a bit. He’s still more-or-less pro-human whenever it suits his fancy. He’s brash, impulsive and reckless. He likes to show us that he’s in charge and that he knows what he’s doing. In fact, he tells us that he doesn’t know what he’s doing over and over and over.
This part was a little overdone. We get it. He’s unsure of himself, but he does whatever thing that seems most logical to him at the moment in time, which usually turns out okay. He’s an okay protagonist with a bit of a streak of meanness built-in. Granted, he is sour over his loss when the story begins, but he seems to quickly forget all about that.
It’s really odd, too. He never properly grieves for his kids, yet he goes way over the top when Sandra dies.
The Blues
During the run of the novels, there comes a time when “The Blues” deliver Kyle a dire warning. The Blues claim that Kyle and his team violated some fundamental universal law that you don’t create or link anything to the existing “ring” system or if you do, you’ll face the wrath of the “Ancients”. Yet, the entire series ends out Kyle’s saga without having this event occur. Why even bring up large such a story event and then not even follow through with the thread?
Worse, the warning from the Blues is entirely illogical. Why? Because the Ancients would go after “The Blues”, not the humans. Why would the Ancients do this? Because “The Blues” gave the technology to the humans that let them hook anything to the ring. The Blues gave humans nanotech and brain boxes. These fundamental tools allowed Kyle, in turn, to create Marvin… who, again in turn, then created technology to hook into the ring system. It is, therefore, the Blues who are at fault for allowing additional things to be hooked into the ring system, not the humans.
Without “The Blues”, none of what happened in any of these books would be possible, let alone hooking up to the rings. The Blues are entirely responsible for the mess that occurs after their own meddling with the universe. It is the Blues whom the ancients would wipe, not humanity.
As smart as the Blues are, I was entirely surprised they couldn’t logically deduce this outcome. Yet, it doesn’t much matter after Kyle’s second bombardment of The Blues home world. A bombardment, I might add, that while it might be satisfying for Kyle, there’s no confirmation it actually did anything to the Blues. The only way to wipe out the Blues would be to reduce the Blues home world to star dust. We never get confirmation that Kyle’s second bombardment did anything at all. It just all ends with Kyle’s retirement from Star Force.
Untold Tales
In among what is spun in these books, there are a number of un-closed threads. Let’s explore some of these now:
- Fate of the Nanoship swarm — When the nanoships leave Earth because they have decided it is no longer of interest to them, they take their captive pilots and disappear. Riggs, however, manages to escape this fate, along with Crowe. Though, we don’t find out about Crowe until a bit later. These, apparently, were the only two nanoships convinced to return to Earth? The rest disappeared into the void and we only hear of them again once more in passing and then they are no longer heard from again. We assume them to all be destroyed, but I got the impression that there were many more nanoships that we never learned of their fate. This thread is left hanging.
- Crowe — After Crowe becomes “emperor” on Earth by using his nano factories to outnumber and outgun the planet, we are left with only questions. How did this happen? Why did it happen? Yes, Crowe was basically a scoundrel, we never get the full details of how this coup was accomplished or even why. We get a minimal tale from Jasmine, whose own personal agenda isn’t really known even at the very end. Yes, Crowe was a money hungry person, but was he the kind of person who would do what he was alleged to do on Earth? I’m not so sure. I was never even much convinced that he had taken the nano injections as he always seemed a bit too skittish about doing that. Yet, he manages to become Emperor? Out of sight, out of mind. This is a story that should have been told properly.
- Crowe as a Cyborg — Eventually, Crowe must have become nanotized (or cyborgnized) because he was able to fight a nanotized Riggs and survive. Still, Crowe seemed goldigging, but timid. This isn’t the worst part of Crowe’s tale. When Riggs comes face to face with Crowe to sign the peace accord much later, it turns out that Crowe was a cyborg. Wait.. what? How do we go from mindless automaton robots with limited human portions which mindlessly attack the Riggs pigs ships to thinking, speaking, walking, talking, fighting, rational human looking cyborgs? I’ll let the cyborgs that attack Riggs’s ships slide. Sure, the nanos might be able to create such an abomination with a limited brain box. I can see that. But, replacing a human being entirely with a cyborg? That story line came out of nowhere with entirely no explanation.
- Crowe escapes? — Assuming Crowe is actually smart enough to invent walking, talking cyborg clones… any cyborg created that appears like Crowe is merely a facsimile of Crowe. Not the real thing. Crowe was way too chicken to actually fight Riggs for real. Yet, at the time when Riggs fights cyborg Crowe, not once does this thought cross the minds of Riggs or, more importantly, Jasmine or even Marvin (who can see many, many steps ahead). Probably one of the biggest oversights in the book series.
- Marvin’s Progression — Marvin was created by Riggs from a data stream that was transmitted to his ship. He thought this transmission originated from the Centaurs. Later, we come to find that that wasn’t entirely true. In fact, Marvin surmises his own reasons for his existence. You’ll need to read the novels to know who and why it was transmitted, even though it was never confirmed. Anyway, Marvin acts in increasingly odd ways as the story progresses. At first, Marvin acts mostly like a computer. In the end, Marvin acts contrary to a computer… making decisions that are, in fact, questionable and problematic. Though, many of Marvin’s actions are questionable and problematic. I’m not entirely sure why Riggs really kept him around.
- Sandra — Sandra was Riggs’s love interest for most of the series until B. V. Larson decided it was time to kill her off. I’m not entirely sure the actual reasoning behind her death as nothing was really accomplished, nor did Riggs really mourn her in any meaningful way… unless you count getting drunk for months on end mourning.
- Cyborgs — This is a story that didn’t get told and also needed to. First, we see the mindless half machine, half flesh cyborgs that come attack Riggs ship and Phobos (the Blues death star). Other than being a somewhat convenient plot device that keeps Tolerance (the Blue aboard Phobos) occupied, the story of these things is never explained. Were they nano constructions? Were they some other tech that Crowe managed to get hold of? Were they something not from Earth? Riggs made a lot of assumptions about these cyborg drones that never got explained. Additionally, when Crowe turns out to be a Cyborg, we have no way of knowing if the Crowe cyborg was the same as or entirely different from what Riggs encountered in space.
- Macros defeated? — Were the Macros truly defeated? Time and time again, the macros showed themselves to be a resilient robot species. Sure, they may have had a base located on the dead sun that Riggs destroyed. But, why was it assumed that that was the only base that the Macros had?
Cody Riggs
At the birth of Cody, the series summarily ends seeing Riggs gallivant off to his farm (where the series started) and become a farmer again… never to command a space fleet again. It’s an odd abrupt transition for a character who was methodical about contemplating all of his options. While this section probably should have been under Untold Tales, I found it questionable to bring Cody’s tales into this series as a successor. This tale was about Kyle. When Kyle ended his reign, to me the series was over. Bringing in Cody to carry the torch just doesn’t work… at least not in Outcast. The Outcast book is all over the place and bungling in all of the most inane and trite ways. It tries hard to rekindle what we liked about novels 1-9, but it fails pretty tremendously throughout. While I found each of books 1 through 9 very worthy, even though they are completely told from a single point of view, I found book 10 hard to get through.
Book 10 is disjointed. It starts off on the wrong foot by killing Cody’s girlfriend as the first major event… an entirely unnecessary random thing. Yes, it brings in some measure of action right out of the gate, but it’s the wrong action. The opening action in Swarm at least made sense for the circumstances. The opening of Outcast didn’t actually make any sense. While Cody is Kyle’s offspring, why would anyone have put a hit out on a kid who hasn’t yet done anything? If anything, they would want to hit Kyle, not Cody. That would have been a more suspenseful book opener. Let Cody rescue his dad from yet another assassination attempt.
There were many ways this Cody series opener could have gone and still involved Jasmine and Kyle in more important ways. Instead, Cody’s first book is all about Cody and his first command… not at all about his family.
Ancients
While I have discussed this above, I want to reiterate how much this part of the series relies on Stargate for its premise. The “rings” are almost identical in complexity and functionality to Stargate’s gate rings… right down to them having been built by “Ancients” (a term used in both Stargate and in Star Force).
In books 1-9, “The Blues” warn Kyle Riggs of impending doom from the “Ancients” which, unfortunately as I said above, never materializes within these books. This to me was a huge miss. If you’re going to tease such a power exists in the universe, you should at least show it to us before Kyle’s retirement. I don’t want to see Cody deal with these ancient aliens. I want to see Kyle do it. It was warned on Kyle’s watch, it should be Kyle who handles it.
I’m also generally okay with limited uses of copying from other science fiction as long as you give a nod (in the form of credit) to the material somewhere. Perhaps naming Kyle’s ship “Samantha”. Just give us a nod to the science fiction universe from where you stole your ideas so we both know what you did, can agree to it, smile at the nod and move on. Without a nod like this, it just looks like theft of ideas… and worse, without credit, it simply looks like you can’t come up with your own original ideas. Sure, the transport ring system used in Stargate was an excellent transport device. But, so was the matter transporter in Star Trek. Why didn’t you use that, too?
If the use of the word “Ancients” was supposed to be the nod to Stargate, it failed. Don’t use an obscure reference when giving a nod. Nod by giving us a tongue-in-cheek reference to a main character such as Samantha Carter, Daniel Jackson, Teal’c or Jack O’Neil. Don’t use “Ancients” which makes your theft look more like a theft than a nod. Make us understand that the reference is intended towards another pop culture icon series. The use of the word “Ancients” doesn’t read as a proper nod.
Overall
Books 1 through 9 are decent reads with the exception of a few eye rolling passages here and there, a few logic errors and a few oddities that were included but never followed through. I’d give the whole series a solid 4 out of 5 stars.
If you’re into science fiction which relies heavily on concepts introduced by Stargate, then you may like the Star Force book series. If you’re looking for more original and cerebral science fiction content, you’ll want to keep looking. This is not the book series for you. The books in no way blaze a new, distinct trail in the science fiction universe. Instead, it retreads many older formulas in sometimes new, but sometimes tired ways. The story is mostly fresh, but the technology concepts have already been introduced by the likes of Star Trek, Stargate and Terminator. In these series cases, many times it was done better.
With that said, I’d call the series quits at book 9. Book 10 effectively starts a brand new series set in the same universe, except with Cody (Kyle’s son) at the helm. Cody is okay, but the author tries way too hard to fit Cody into the same mold as Kyle… to the story’s detriment. The setups in book 10 are contrived, unoriginal and, in many ways, juvenile. As I said above, because Cody is so young, the story just doesn’t read as genuine or fresh. It reads as forced. It also reads as a genre change from mature science fiction to young adult. To me, this genre change almost seems like a slap in the face to the readers. Anyway, why is Cody so gung-ho to follow in Kyle’s footsteps? Why did he want to board a starship and head to the skies? What was the urgent urgency of this decision? This wasn’t set up at all.
It seems to me that Kyle and Jasmine would have brought up Cody with ideals of staying on the farm and helping out there… not gallivanting off into the universe on a starship. Cody’s whole premise simply comes out of nowhere with no explanation. One minute Cody is in a barn with Marvin setting stuff on fire and the next minute Cody is aboard a starship heading off to new adventures. It seems to me that Kyle, as headstrong as he is, would have had something to say about that… but where are dad and mom? No where really. Jasmine only makes an inconsequential appearance, long enough to nurse Cody to health. Kyle doesn’t even really make an appearance. Book 10 starts out so weird and progresses to nonsense in short order.
My advice is to read books 1 through 9 and call it quits. Leave book 10 and the rest unread. If you really want to know what happens to Cody, sure go ahead. But, know that Cody’s stories don’t in any way tie into Kyle’s stories. They’re all new adventures in all new universes with all new friends and foes. Basically, with these stories, they’ve thrown out the baby with the bathwater to start a new series starring Cody. Start and end with the “Kyle” books and you’re set. Only do the “Cody” books if you really want this additional post-story content.
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Security Tip: Apple ID locked for security?
This one also doubles as a Rant Time. Having my Apple ID account locked is an issue I face far too often with Apple. Perhaps you do, too? In my case, no one knows my account ID. Yet, I face having to unlock my account frequently because of this issue. I personally think Apple is causing this issue. Let’s explore.
Unlocking an Apple ID
As with far too many things, Apple’s unlocking system is unnecessarily complex and fraught with digital peril after-the-fact… particularly if you enable some of Apple’s more complex security features (i.e., Two Factor authentication).
One of the things Apple hasn’t yet to get correct is properly securing its Apple ID system from intrusion attempts. That doesn’t mean that your account is unsafe. What it means is that your account is unsafe against malicious attacks targeting your account ID. But, there’s an even bigger risk using Apple’s ID system… securing your credentials by using an email address. I’ll come back to this practice a little later.
Once your account becomes locked, there are a number of major problems that present. The first immediate problem is that you need to remember your security questions OR face changing your password (assuming standard security). If you use Apple’s two-factor authentication, you face even more problems. If you don’t use two-factor and you’ve forgotten your security questions, you have the option to contact Apple Support to help you with your security question problems to gain access to your account. On the other hand, if you’ve forgotten your security information set up when enabling two-factor, you’re screwed. Apple can’t help you after you have two-factor set up… one of the major reasons I have chosen not to use two-factor at Apple. Two-factor IS more secure, but by using it you risk losing your Apple ID if you lose a tiny bit of information. That risk is far too great. With all of the “ease of use” Apple is known for, its Apple ID system is too overly complex.
The second problem is that once you do manage to get your account unlocked, you are then required to go touch EVERY SINGLE DEVICE that uses your account ID and reenter your password AGAIN. This includes not only every Apple device, but every device utilizing Apple services such as Alexa’s account linking for Apple Music on the Amazon Echo. If you use Apple Music on an Android, you’ll need to go touch that too. It’s not just the locking and unlocking of your account, it’s the immense hassle of signing into your Apple ID on EVERY SINGLE DEVICE. Own an Apple Watch? Own an Apple TV? Own a Home Pod? Own an iPad? Own a MacBook? Use Apple Music on your Android? You’ll need to go to each and every one of these devices and touch them.
On the iPhone, it’s particularly problematic. You’ll be presented with at least 3 login prompts simultaneously all competing with one another on the screen. Later, you’ll be presented with a few more stragglers over the course of 30 minutes or an hour. Apple still can’t seem to figure out how to use a single login panel to authenticate the entire device and all of its services. Instead, it must request passwords for each “thing” separately. So many prompts pop up so fast you have no idea which one is which because none of them are labeled as to which service they are attached. You could even be giving your account ID and password to a random nefarious app on your device. You’d never know. If you own an Apple Watch, you’ll have to re-enter it separately for that device as well. Literally, every single device that uses your Apple ID must be touched after unlocking your Apple ID. Unlike Wi-Fi passwords which you enter once and it’s shared across every device you own, Apple can’t possibly do that with its Apple ID system so that we enter it once and it populates ALL of our devices. No. We must touch each and every device we own.
Worse, if you don’t do go touch each and every one of these devices immediately upon unlocking your account, you risk having your account locked almost immediately by just one of these devices. Apple’s ID system is not forgiving if even one of these devices hasn’t logged in properly after a security lock. You could face being locked out just a few hours later.
So the rant begins…
Using Email Addresses as Network IDs
Here’s a security practice that needs to stop. Apple, I’m l👀king at you! Using email addresses as an ID was the “norm” during the mid-late 00s and is still in common practice throughout much of the Internet industry. It is, however, a practice that needs to end. Email addresses are public entities easily seen, easily found and, most easily, attacked. They are NOT good candidates for use as login identifiers. Login identifiers need to use words, phrases or information that are not generally publicly accessible or known. Yes, people will continue to use their favorite pet’s name or TV show or girlfriend’s name as login IDs. At least that’s only found by asking the person involved. Email addresses are not required when developing login systems. You can use tie the email address to the account via its profile. But, it SHOULD NOT be used as a login identifier.
When an Apple ID account gets continually locked, Apple Support suggests to change the login ID, but that’s not going to change anything. You’re simply moving the crap from one toilet to another. Crap is still crap. The problem is that it still uses an email address and, to reiterate, email addresses are easily seen, found and attacked. What I need is a login ID that’s of my own choosing and is not an email address. This way, random folks can’t go to Apple’s iCloud web site and randomly enter an email address intentionally to lock accounts. If I can choose my own login identifier, unless I give that information out explicitly to someone, it’s not guessable AT ALL and far less likely to be locked out by random folks entering junk into web based Apple’s login panels.
Oh, and make no mistake, it’s not people on an iPhone or iPad doing this. It’s people going to Apple’s web site and doing it there. There is no other place where it can be happening. And yet, we unsuspecting users are penalized by having to spend a half an hour finding and reentering passwords on all our devices because someone spent 5 minutes at Apple’s web site entering random information incorrectly 3 times. Less than 5 minutes worth of effort triggers at least 30 minutes of work unlocking the account and reentering passwords on many devices and services. And then there are the stragglers that continue to prompt for at least an hour or two after… all because Apple refuses to secure its own web site login panels from this activity. This is not my problem Apple, it’s yours. You need to fix your shit and that’s something I absolutely cannot do for you.
Notifications
Apple prides itself on building its push notification system, yet it can’t even use it to alert users of potential unusual activity on its very own Apple IDs. If someone is incorrectly trying passwords on a web site, they know where this vector is. So then, tell me about it, Apple. Send me an alert that someone is trying to log into the Apple Store or the iCloud.net site. Inform me that my ID is being used in a place that seems suspect. You know the IP address where the user is coming from. Alert me. Google does. You can, too.
Additionally, Apple stores absolutely NO information about bad login attempts. If you attempt to contact Apple Support about your account activity, they don’t have access. They can’t even tell you what triggered your Account ID lock. This level of information is the absolute bare minimum a company using centralized login IDs must offer to its users. If Apple can’t even bother to help you find out why and where your account was locked, why would you trust Apple to store your information? Apple puts all its cards on its functionality side, but it can’t put a single card on this side of the security fence? What the hell, Apple?
Apple Locking Accounts
I also firmly believe that Apple is intentionally locking accounts. When these lockouts occur, it’s not me doing it. I’m not out there entering my account credentials incorrectly. It’s not my devices, either. My devices ALL have my correct password setup. This means that either someone has guessed my email address or, more likely, Apple is intentionally locking the account. I firmly believe Apple is intentionally doing this internally and it’s not incorrect password attempts at all. The more it happens, the more I believe Apple is forcing this. I don’t know why they would want to do this, but I do believe they are. Maybe it’s a disgruntled employee who just randomly feels the need to screw with Apple’s users?
Apple’s Response
I’ve called Apple Support at least twice regarding this issue and gotten absolutely nowhere. They can’t and, more importantly, won’t help with this issue. They claim to have no access to security logs. They can’t determine where, when or why an account was locked. In fact, I do believe Apple does have access to this information, but I believe Apple Support has been told not to provide any information.
If Apple Support can’t give this information, then this information should be offered through the Apple ID account site (appleid.apple.com). This site should contain not only the ability to manage your Apple ID, it should also store and offer security information for when and where your ID was used (and where the account was used when it locked). Yet, Apple offers NOTHING. Not a single thing. You can log into this site, but there are no tools offered to the user. Apple exposes nothing about my account use to me. Google, on the other hand, is very transparent. So transparent, in fact, that they send “unusual activity” alerts whenever your ID is used in an unusual way. Google errors on the side of over-communication. Yet, Apple hasn’t done shit in this area and errors on the side of absolute ZERO communication.
Get your act together Apple. Your Apple ID system sucks. Figure it out!
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Is Victor Victoria a sequel to Darling Lili?
Having recently watched Darling Lili at Amazon, I’m of the mind that Darling Lili is, in fact, a prequel to Victor Victoria… or more correctly stated, Victor Victoria is a sequel to Darling Lili. Let’s explore.
Blake Edwards
Both Victor Victoria (1982) and Darling Lili (1970) are directed by Blake Edwards. However, it seems that Darling Lili didn’t fare well at the box office. This lack of box office appeal made sense based on the film’s material and tone, particularly in 1970. Let’s explore both films see what we can make of them.
Darling Lili versus Victor Victoria
Darling Lili is set sometime between 1914 and 1918 (World War I). If Lili Smith were 25 in Darling Lili, she would be close to 45 in 1934 (the year in which Victor Victoria is set). The ages mostly match up. Lili shows us that she is fluent in French, even being awarded a medal by the French government. Oddly, Victor Victoria is also set in Paris during 1934. These similarities in locale are uncanny.
Seeing as Lili is both an entertainer, actress and spy for the Germans, she loses her status as a spy by the end of Darling Lili, also losing her American boyfriend in the process. Having lost Bill at the end of the film, she spends her time between 1918 and 1934 living and performing somewhere (probably in France) ultimately landing in Paris destitute in 1934.
After no longer being a spy, taking on a new identity makes sense. She takes on the stage name of Victoria Grant, shedding the Lili Smith name that has all of her former spy baggage attached. This all makes perfect sense for how Victoria Grant ends up in Paris… since we get none of this back history information for Victoria Grant. Victor Victoria opens with Victoria already in Paris. The only thing we know of Victoria’s past is that she hasn’t “sung in 2 weeks” when Toddy mentions her audition at Chez Luis. This implies she’s been having a bit of trouble with steady work.
Lili (now Victoria) is already fluent in the French language, so staying in France makes a lot of sense for Victoria. Because Lili was already an accomplished stage performer and vocalist, it makes perfect sense that Victoria would also be a confident accomplished stage performer and vocalist.
Even the soundtrack score by Mancini in Darling Lili, including “Whistling in the Dark” carries a lot of musical similarities into Victor Victoria, such as “Crazy World”. It’s almost like Mancini picked right up with his musical thought processes during Darling Lili and carried them right into Victor Victoria… or it was intentionally requested by Edwards.
In one scene, Victoria even mentions her hypochondriac of an ex-husband who took her bankroll and ran. This implies Victoria was, at one point, married, but not to Bill.
Recycled
Some have argued that Edwards recycles his ideas across his films. Yes, in some ways he does. The bumbling detective scenario seems to be a hallmark in most, if not all, of Edwards’s films. Whether that’s a good or bad thing is up to you to decide. If the bumbling detective plot in the rain with an umbrella doesn’t get in the way of the main plot, I’m fine with it. It doesn’t get in the way of either Darling Lili and Victor Victoria. They add a little comic relief to the film. Unfortunately, it doesn’t work as well in Darling Lili as it does in Victor Victoria… even though neither of these B plots actually do anything to advance the film’s stories.
Beyond the bumbling detective plot, there’s the basic premise that’s similar in Darling Lili and in Victor Victoria… an entertainer who falls in love with a charismatic tall-dark-and-handsome type. Both are a little bit dangerous (military vs mob). The twists in both films are different, however. Lili is a spy where Victoria cross dresses as a man. Even though the twist is different, the romance plots are mostly similar. Even though Victor Victoria takes the whole bedroom farce portion a whole lot farther than Darling Lili.
For this reason, it’s easy to see Victor Victoria as a sequel. After all, people do tend to fall into their old ways (both Lili and Edwards). Obviously, the war being over, she couldn’t be a spy in the same way. So, she goes for her next best thing… being a performer. Hence, becoming Victoria Grant to shed her old Lili Smith (or Schmidt) persona. It is 20 years later, after all… and her luster as an entertainer may have been waning considering her age. Having Toddy reinvent her as a man with the vocal abilities of a female makes Victor Victoria a charming tale and a logical extension to Darling Lili.
Remake or Sequel?
I’m sure that Blake Edwards was never satisfied with how Darling Lili performed at the box office. It seems he may have even taken it personally. It seems that when Victor Victoria hit his desk, he saw a way to remake Darling Lili and make it much better and a much bigger success. Well, he did that. But, he did so without actually remaking Darling Lili.
In fact, it seems he did it by making a(n unintentional) sequel to Darling Lili. Whether this remake was intentional only Blake Edwards knew. Perhaps Julie Andrews may also know whether Victor Victoria is intended to be a sequel to Darling Lili. Considering how well (or not so well) Darling Lili did, even if it were a sequel, Blake Edwards might not have wanted to make that information publicly known to avoid any possible backlash to Victor Victoria‘s box office receipts. After all, Darling Lili didn’t do well at the box office. No need to drag Victor Victoria down by being labeled as Darling Lili‘s successor.
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Mary Poppins: Who exactly is Bert?
This is one question that I’m sure many people have asked themselves after watching 1964’s Mary Poppins starring Julie Andrews and Dick Van Dyke. With the recent release of 2018’s Mary Poppins Returns starring Emily Blunt and Lin-Manuel Miranda, these questions resurface with Jack in the newest film. Let’s explore.
Bert and Mary
I’m focusing on the 1964 film with this article. I may write another article later that focuses on the new film… though, a lot of this applies to Jack in the newest film. I will briefly discuss Mary Poppins Returns in relation to Mary Poppins.
It’s clear, Mary and Bert know one another… and they know one another well. How they know each other is a mystery that is not solved in either of the films, but they have met numerous times based on their dialog, Bert’s clues and lots of hints from Mary. In this article, I will postulate a few things that might seem out of place, but if you think about it, you’ll realize that it isn’t that far out of place and may bring a sense of closure.
Bert is the first person the audience meets in Mary Poppins. This isn’t an accident. The story starts off with Bert to show just how omnipresent Bert actually is. It also shows us Bert is a “free spirit” and does whatever he pleases, comes and goes when he pleases and shows up only when needed. On other other hand, Mary Poppins is the opposite of Bert. She is an extremely controlling and vain individual (magical or not). She always wants things “just so”. She has a very specific profession and sticks to it. If things are not exactly as she wants, she’s not happy. Bert, on the other hand, is happy simply to be there helping out whenever he can, and be around Mary.
Bert even seems to know “Uncle Albert” when Mary and the kids visit him while he’s laughing on the ceiling. Bert is already there when Mary shows up. This is suspicious. If a magical uncle lives in the area, how would Bert know about him and where he lives? How did Bert find out about his most recent incident? From the dog, Andrew? If Bert talks to dogs like Mary, then he is the same as Mary. Bert has also been to see Uncle Albert before and has even had to talk Albert down before. Bert states that it took 3 days to talk him down a previous time. If Mary and Uncle Albert are related, as is heavily implied by the movie, and Bert visits Uncle Albert occasionally, then Mary and Bert are much more than mere acquaintances.
In fact, when Bert fake attempts to jump into the chalk picture with the children, Mary chastises Bert for making something simple into something complex. This implies that she knows Bert knows how to do it properly and is doing it intentionally wrong on purpose… simply so that Mary has to do it. Watch this scene again and you’ll see what I mean. It’s almost as though Mary expects Bert to show his magic off, but when he doesn’t she becomes frustrated with him. Bert manipulates Mary into using her magic instead.
Mary’s Powers
We all know that Mary has some form of magical abilities. Without this, she couldn’t do the things she does. The thing is, her being a nanny is a very calculated profession. She knows exactly what she wants to accomplish as a nanny and goes about that activity in a very meticulous manner. Sure, she displays her magic in almost flippant ways, but she also knows she can gaslight people into believing they saw something they didn’t actually see.
What are the extent of Mary’s powers? We’re not sure and we’re never told. One of her powers seems to be the casting of obliviousness on humans. What I mean by this is that anyone around Mary either accepts what she does without question or completely ignores the things she does. When she leaves, she leaves so much doubt about what happened that even those who participated are left disbelieving. Both kids and adults are wrapped up in this spell. When she does something magical, the kids rarely question how or why, they just automatically accept it. Even some adults seem to fall under this spell. If they do question Mary, she immediately shuts them down by gaslighting that it never took place. After the first time, the children simply accept it.
We know what Mary can do. The bigger question remains, who is Bert and why is he there?
Bert’s Abilities
Bert is a chimney sweep, a chalk sidewalk artist, a musician and a kite seller (among other trades). He does all manner of jobs, but they’re all conveniently located within a few feet of the kids at all times. He’s almost never far out of sight. Being a chimney sweep has some benefits. After all, when Mr. Banks rips up the children’s nanny advertisement letter and he throws it into the fireplace, everyone thinks Mary is the one who retrieves the letter out of there. But, we know better. Bert, as a chimney sweep, did. He then reassembles it and gives it to Mary.
Even with all of this, there are many questions that need an answer. Let’s start answering a few based on the film. For Bert to know Mary as well as he does, including her signature “changing of the wind”, which Bert immediately identifies before Mary ever shows up, he has to have a considerable amount of time with her (or in some other way has acquired this knowledge). This change in the wind immediately signifies to Bert that Mary is on her way. To be that intimately knowledgeable about her calling card, he had to have seen it more than once, more than twice… in fact, more than a few times. You don’t recognize something like that having only ever seen it once. No, Bert knows Mary and he knows her well. Far too well, if I must say.
Bert’s Background
How could Bert know Mary that well? There are four possible ways:
1) Mary conjured Bert. If Mary conjured Bert, not only would he intimately know Mary and her ways, she would have conjured someone who would not only be smitten with her, she could easily become smitten herself. However, Mary’s callous lack of return of affection towards Bert potentially shows that she can’t return affection towards a person she has conjured. This point makes sense, but only to a point.
2) Bert conjured Mary. If Bert conjured Mary for the children, he would also intimately know Mary and her ways… because he created her. There’s an argument that could go both conjuring ways here until the release of Mary Poppins Returns. With Jack and without Bert, this throws a wrench into number 2… or does it? This one also makes sense to a point.
3) Bert and Mary are from the same magical realm. This is probably the one that makes the most logical sense. This means that it’s possible that Mary enlists Bert to help her with the children and Bert is simply feigning ignorance to keep up Mary’s charade. After all, she gaslights a ton… why wouldn’t he?
4) Again, Bert and Mary are from the same magical realm. Instead, Bert enlists Mary to help with the children… and based on the way the movie’s story unfolds, I’m going with this situation, which I’ll support below. In fact, Bert seems a whole lot more omnipresent than Mary. When you watch the interactions between Bert and Mary, it almost seems like Mary is heavily observing Bert for just how to behave. Mary is often following Bert’s cues, not the other way around. This situation is the only one where Bert could be smitten with Mary and Mary not return that affection. She can’t because of a master / apprentice situation. Bert is the master. Mary is the “learning” apprentice. She can’t return that affection.
A master and apprentice relationship has been commonplace for many thousands of years. For Mary Poppins, it makes sense that she’s the apprentice and he’s the master. He stands in the background not only guiding the children, but also guiding Mary.
Rationales
If we follow rationale #1, then it would make sense from a Mary Poppins perspective. She conjures up Bert to help manage and keep track of the children when she can’t be around. Bert does a fine job of that. It also means she can make Bert do anything. That Bert pretends to be a chimney sweep or chalk artist lends credence to Mary having conjured him. In fact, nearly everything that Mary does is almost entirely a product of Bert’s prompting. When Mary jumps into the chalk drawing, this is Bert’s drawing and it happened because Bert actually wanted it. When the chimney sweeps begin their amazing dance number, it’s almost solely driven by Bert. When they visit “Uncle Albert” Bert is there to egg everything on… in spite of what Mary actually wants. This could mean that Bert might have conjured Mary. But, there are still things that don’t add up if we accept this hypothesis.
For rationale 2, if Bert is conjured by Mary, it doesn’t explain why Bert has self-autonomy that Mary can’t control. Mary is a control freak. For this reason, I don’t believe Bert is actually conjured and leads me to believe that Bert could have conjured Mary. Unfortunately, this circumstance too doesn’t quite add up. Mary also has self-autonomy that Bert can’t control. Based on this, I believe (and it actually makes the most sense) that Mary and Bert are actually from the same realm. Bert simply doesn’t show off his magic, letting Mary do that. This is part of the reason Mary plays coy with Bert. She knows what Bert is capable of, she just can’t let that cat out of the bag.
Bert never overtly shows his own magic. At least, he never shows it outright. Whenever magic occurs, it’s Mary who shows it off. However, Bert is always more than happy to participate in any activity that involves magic. In fact, he seems right pleased to nose himself into every situation where Mary creates a magical landscape and he never bats an eye. In fact, he seems to enjoy himself immensely when with Mary. He also heavily plays for Mary’s affections in these magical landscapes. Perhaps Mary and Bert cannot actually produce these landscapes without the help of children? That’s worth considering… and it could be why both Bert and Mary gravitate towards children instead of adults, as adults don’t allow them to utilize their magic in the same way. Mary and Bert’s magic is symbiotic with the children. They can’t utilize magic without the children.
We know little about Mary’s realm or where it exists. It’s clear, Mary doesn’t live in the same realm as humans. Based on my suppositions above, I also believe that Bert is from that same realm as Mary. He can also perform magic, but he prefers to rely on Mary to perform it. Once Mary gets started, he adds his own touches onto it that Mary is unaware, can’t detect or simply ignores. The kids simply think Mary is doing it all, when Bert is actually contributing to the creation of the magic. In fact, Bert may actually be reinforcing Mary’s magic making it grander than it might otherwise be.
With that said, I also believe Bert performed many feats of magic all throughout Mary Poppins, including the “Step In Time” dance number on the roof. Bert performed that magic all on his own. It’s just that we were so focused on Mary and her abilities, we didn’t see Bert’s magic and we simply assumed it all stemmed from Mary.
Even at the end of Mary Poppins when Mary leaves, Bert also disappears leaving the kids solely to their parents. Otherwise, if Bert had remained about, the kids would have kept running back to Bert to talk about Mary. When Mary leaves, so does Bert. They’re a team, or at least they were until…
Mary Poppins Returns
How would any of this explain Jack in the latest movie? My thought is that Jack is Bert with a new name and new face. Bert can’t come back many years later looking exactly like he did without drawing suspicion. Mary can because she’s the one who’s known to be “magic”. Because Jack is autonomous (and probably Bert in a new form), I believe Jack is also from Mary’s realm. Whether Jack is Bert, I’m uncertain. If Bert has magic, like Mary, then he could remake his face in the same way Mary has in “Returns”. However, there are far too many similarities between Jack and Bert. It’s also possible that Jack is Bert’s son. Perhaps Bert decided not to join Mary on this trip? Perhaps Mary must always be accompanied by another from her realm as part of her sojourns to Earth?
This would make sense. Having two could keep things from going awry. If something Mary does goes a bit haywire, Bert or Jack could put it right and keep Mary, “Practically Perfect In Every Way”. In fact, that’s the reason I believe both Bert and Jack are in the stories… to keep Mary in-check… to ensure that the kids learn their lessons without injury and that magic is always kept in its place. For this reason, I believe Bert drilled it into Mary to always gaslight after any magic escapades.
In Mary Poppins, Bert almost seems to hand-hold Mary through most of the film… as if Mary is new to this whole thing. By Mary Poppins Returns, Mary had done this a time or two and Jack seems comfortable letting Mary do more of her own thing without him being there (i.e., the bathtub scene). Though, Jack still joins Mary in the biggest number in the film, like Bert did in the chalk drawing with Mary.
After all these years, it’s possible that Mary is now the master with Jack being her apprentice in all things magic. Jack seemed to contribute far less to Mary Poppins Returns than Bert did in Mary Poppins. So, the tables may now be turned for Mary. But, apparently, they must still travel in twos.
Bert’s Professions
Indeed, Bert shows us his many varied professions. In fact, I believe that was simply a ruse to allow Mary to do the things she needed to bring the children in line. Because the children have a less than pleasant life, Mary is there to not only get the children to do the things she wants (and that her parents want), she needs them to comply. The only way to do this is, like “Just a spoonful of sugar helps the medicine go down”, this is how Mary treats the children’s home life situation. The ‘sugar’ is her magic, the medicine is her ‘discipline’. The song may be literal, but it very much has a double meaning. In fact, because Mary gaslights the children so often after her fantastical outings, it’s less about treating the children unkind and more about Mary’s understanding of Earth children. She can’t let the children continue to believe both in magic and that magic solves all worldly problems, particularly since she’ll be leaving very soon. They must be grounded and earthbound. While magic may be easy to Mary, Jane and Michael will never be able to perform it. Mary knows this.
In fact, Mary’s magic is simply the tool the kids need to get things done for themselves. It wasn’t that she was planning to teach them ‘magic’, but teach them how to survive in the their world and to follow their father’s lead. Mary was also, more or less, a sponge. She soaked up everything about the Banks household and then inserted magic when it was appropriate to bring the kids in-line.
As for Bert, Bert exists as Mary’s facilitator, not a chimney sweep or chalk artist. These were all professions that were needed to aid Mary in her task. They came to exist because they needed to exist for Mary to do her job. For this reason, Bert might be seen as the orchestrator of the whole story. He may have even been the architect of it all… the person behind Mary and the whole reason the Banks children ended up with Mary. This is true because Bert is, among his many professions, also a chimney sweep… as I suggest elsewhere, how else might those torn pages have gone up the chimney? One might say that Bert started it all. After all, he knows Mary extremely well. He also seemed to know something about the Banks children and about Cherry Tree Lane. In fact, he seems to know way too much about Cherry Tree Lane… way more than a random chimney sweep should know.
Bert’s Unknowing Knowing
Bert pulled the wool over our eyes, but very gently. He seems friendly, kind and generous and also innocently naïve. As he rhymes in the park sensing Mary’s arrival stating, “he can’t put his finger on it”, this was all a ruse. He knew exactly who was coming because he asked her to come. Bert even breaks the fourth wall and begins talking directly to the audience… he wouldn’t even know that an audience exists without some form of magic.
As the story progresses, he intentionally steps out of Mary’s (or indeed, the children’s) way. He steps aside when Mary requires him aside. He brings the Banks family together with Mary. He draws her in. He’s the one who ensures the Banks children get what they need and are left “for the better”, after Mary’s departure. He sees to and orchestrates everything. While Mary comes and does what she needs to do, Bert makes sure it all works.
In fact, Bert has likely been on Earth a whole lot longer than Mary… watching the children, waiting, seeing if they were “worthy” and if they actually needed Mary’s help. Then, in their time of need, he calls Mary to them. Bert steps in when he needs to solve family problems and, of course, he also steps in when Mary performs ‘magic’, partially to participate, but partially to make sure it all works. Sure, that children’s nanny note went flying, but it is most likely Bert who retrieves the pieces from the chimney and then calls on Mary. We see the pieces go flying, but we don’t see who ends up with them. Sure, Mary carries the note in reassembled, but Bert retrieved it from the chimney. We know this because of the scene where Mary is no where to be found. Bert and the children are by the chimney and Michael is swept up the chimney, just like the pieces of paper. This was all magic from Bert.
With that said, Bert feigns ignorance so as to be just as genuinely surprised as the children when Mary actually arrives, but that surprise seems artificial. He also doesn’t question her manner of arrival, he’s simply happy she’s there (and Mary is happy that Bert is there). Indeed, he doesn’t question Mary’s ways at all.. as if he’s just as accustomed to and comfortable with her magic as is Mary. Indeed, it’s as though Bert already knows of Mary’s arrival in advance. None of this did the children or even the Banks parents suspect.
In one of the last scenes in the film, Bert is in the house talking to Mr. Banks after the rest of the sweeps have gone. This is an 11 O’clock number and scene. This is the scene that lays Bert’s cards all on the table.
In this scene, even as Bert has played his role of the lowly chimney sweep, there is an immense sense of wisdom and orchestration. Indeed, he even sings “Just a spoonful of sugar”, a song he couldn’t have known unless he had already known Mary. Or, even more likely, Bert taught that song TO Mary. Bert’s wisdom in that scene goes far, far beyond anything Mary displays throughout the entirety of this film. Bert’s wisdom implies that Bert is the person bringing this whole situation together and resolving it… that he’s the reason Mary is even there. This one seemingly innocent scene is the one that says Bert is why the Banks family (and indeed Mr. Banks) is in its current state. Mary is no where to be found in this scene. It’s simply Bert and Mr. Banks. It’s a poignant scene that says everything about exactly why Mary has arrived and who is behind it.
Bert is not only the puppet master, but he is content (and indeed wants it) to remain that way; to stay behind the scenes and gently nudge people when they need it. If Mary acts as the precipice, Bert acts as the hand to nudge people to jump into the unknown. Indeed, Bert is the person who made the whole situation possible… from behind the scenes.
In a way, you can liken Bert to the Wizard of Oz behind that curtain. Bert pulled all of the strings making it all possible. In the end, Bert is the one behind the curtain. We don’t get to know this definitively, but the key scene between Bert and Mr. Banks should have opened everyone’s eyes about Bert. Mary seems to be the pawn, Bert appears to be the puppet master. Both are there for the same reason. Both leave for the same reason. And yes, Bert is smitten with Mary. Mary can’t reciprocate because of their complicated relationship, even though they both want the same thing for the Banks’s children. In closing, it’s also entirely possible that Bert and Mary are siblings considering that Mary treated Bert as a brother throughout most of the film.
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