Random Thoughts – Randocity!

Theme Park Music Series: AstroWorld

Posted in astroworld, music by commorancy on October 5, 2018

If you have ever visited the now defunct Six Flags AstroWorld theme park which was located in Houston, Texas until 2005, here is the music that set the ambiance of the park. If you came here by accident seeking Travis Scott’s ASTROWORLD, click here to listen to his music on Apple Music. Now, a little history…

A Short Park History

AstroWorld was a theme park that began its existence in the late 60s and was the brainchild of a former mayor of Houston, Judge Roy Hofheinz. It was located across the 610 freeway from the Astrodome. AstroWorld opened its doors on June 1, 1968 and operated seasonally each year until October 30, 2005 when it ceased operations.

When the park opened in 1968, it featured a unique sled ride called the Alpine Sleighs that wound its way through a constructed mountain. The Alpine Sleighs were located in the Alpine Valley section of the park and had the same thrill value of a roller coaster. A “sleigh” consisted of an electric powered 4 person cars with rubber tires. A steel roller coaster, called The Serpent, located in the Oriental Village section of the park opened in 1969. Even though The Serpent started out as an adult coaster, because of its relative size and tameness, it would eventually be classified as a children’s ride once Dexter Frebish’s Electric Roller Ride opened in 1972.

In 1975, the park was sold to Six Flags corporation. From 1975 to 2005, the park was owned and operated by Six Flags. In that time, Six Flags grew the park with more and more thrill rides including many large and wild roller coasters.

In 1976, The Texas Cyclone opened. This wooden roller coaster was located in the Coney Island section and was designed to mimic the feel of the original Cyclone located Coney Island in New York, but it did not mimic the track layout. It would be the only wooden coaster in the park. All other coasters built would be steel coasters.

A number of rides cycled in and out of the park from 1968 through to its closure in 2005, but the sections pretty much remained intact with only the occasional rename. Not many were renamed or rethemed. In fact, only one section would actually be rethemed in all of that time, Country Fair became Nottingham Village going from a midway carnival atmosphere to a renaissance fair look and feel including a Biergarten sporting Octoberfest style food all year round. In fact, with the introduction of Nottingham Village, they also introduced alcohol into the park through that same Biergarten.

The park was host to a number of themed sections including:

  • Americana Square (front gate)
  • Modville => International Plaza => USA
  • Coney Island
  • Alpine Valley
  • European Village
  • Western Junction
  • Plaza de Fiesta => Mexicana
  • Fun Island
  • Children’s World => Enchanted Kingdom => Looney Toons Town
  • Pioneer
  • Oriental Village
  • Country Fair => Nottingham Village

Unfortunately, Fun Island would be the only section that wouldn’t last beyond the 80s. In fact, that land would eventually become home to a roller coaster. Also, the Children’s World section would be moved from its original location to a new location near the Alpine mountain after the Alpine Sleighs ride was retired. Children’s World was renamed Enchanted Kingdom, then later renamed again to Looney Toons Town. The Pioneer section housed only one ride, Thunder River. For this reason, it never got separate section marker on the map.

As with any park, every year brought new changes, new additions and new removals. The park also underwent several logo changes. The first logo included 4 globe icons using two different typefaces. The next logo included the word AstroWorld stylized with stars above it (see below). This was my personal favorite logo. A modified version of the stars logo with the stars removed was used for a short period on maps. The final logo included a blocky italicized typeface and six small flags to obviously signify the park was owned by Six Flags. A special logo was used on only on the 1976 map to commemorate the Bicentennial.

Park Maps

Here are various park maps from 1968 to 2004 for you to see how the park changed up until 2004. The 2004 image is actually an aerial view of the park from Google Earth.

1968 1971 1972 1976
1977 1980 1981 1982
1983 1984 1987 1988
1990 1991 1992 2004

Demise

The park ultimately succumbed to a contract dispute between the Astrodome / Reliant Stadium parking lot owners and Six Flags. AstroWorld did not have its own parking lot. Instead, it leased parking from the Reliant land owners. Because AstroWorld was dependent on that parking lot for its attendees, when the contract dispute erupted and ultimately broke down, Six Flags evaluated the situation and the current land values of the ~72 acres of AstroWorld property. Instead of renewing the parking lease, Six Flags decided to cease AstroWorld’s operations, dismantle the park and sell the land.

After all of the dust settled, Six Flags had actually lost money on the deal because they couldn’t get the land prices they expected and demolishing the park cost a lot more than predicted. 120 full time employees lost their jobs and the 1200 seasonal workers hired each year would be lost. It was a sad demise to one of Six Flags’s better theme park properties. Today, that land still sits vacant and is only used as overflow parking for Reliant Stadium.

The then Six Flags CEO, Kieran Burke, was ousted just two months after AstroWorld closed because of his cluster of an idea to close AstroWorld had backfired on Six Flags and failed.

Anyway, let’s get into what you’ve really been waiting for …

The Music

To set the tone of each of the sections above, the park had loud speakers throughout the park playing music. Some were hidden in shrubs or under fake rocks, others were horn speakers affixed to buildings. Over the years, the music changed and updated as the audio systems improved, but many tracks remained the same.

During the 80s, the system used tapes. In the 90s and 00s, I’m sure the system was switched to first CDs, then computer based systems. In the updated systems, some new music was introduced into various sections.

Apple Music Playlists

You might remember hearing a few of these tracks while wandering through the park. Note, you will need an Apple Music account to play the music, but you can see the track names and artists and play short samples even if you don’t have a subscription.

The below playlists include music in use during the 80s, 90s and 00s. Note that I don’t have the playlists for the Country Fair, Modville or Fun Island sections. There was also Looney Toons Town section, but this music is not available on Apple Music that I have been able to find. There was also some incidental music used on rides such as the Dentzel Carousel and The River of No Return / River Adventure Ride that also don’t have playlists. There are also some additional Mexicana tracks which are not on Apple Music, but can be found in this playlist on SoundCloud.

Without further adieu, let’s have a listen to the music that played every operating day at AstroWorld.

Enjoy!


Apple Music Playlists for AstrowWorld
AstroWorld Western Junction
AstroWorld Pioneer
AstroWorld Americana
AstroWorld Coney Island
AstroWorld Mexicana
AstroWorld Alpine Valley
AstroWorld Nottingham Village
AstroWorld USA
AstroWorld European Village
AstroWorld Oriental Village

As always, if you enjoy what you’ve just read on Randocity or heard on Apple Music, please like, subscribe and comment. If you would like to read more about AstroWorld, please leave a comment below and I will consider writing a longer segment about this theme park.

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A call to boycott ABC’s V series

Posted in computers, entertainment, itunes, science fiction, streaming media, TV Shows by commorancy on January 20, 2011

[Update: V has been cancelled as of May 13th.  Bye ‘V’.].

I have personally decided to boycott watching the new V series. No, not because the series isn’t good. It’s a reasonably good series, so far. No, it’s also not for any creative or story reasons you might think. The reason I have decided to boycott the V series is that whomever owns the rights or produces this series has decided to no longer allow streaming of new episodes in any form or on any Internet site, like Hulu or iTunes.

No more V on Hulu?

It’s not just Hulu that’s cut out of streaming for this show. It’s all streaming sites including ABC’s very own ABC.com site. You would think that since ABC owns the broadcast rights to the series and, in fact, are the ones who make the very decision whether V lives or dies as a series, that ABC would have the rights to stream this program online. No, apparently they do not. Very odd. It’s also not available on iTunes or Amazon either.

It almost seems like the producers are biting the hand that feeds them (in more ways than just one). Seriously, not even allowing ABC.com to stream episodes of V on their own site? This seems like the kiss of death for this series.

Rationale behind this decision

I have no inside scoop here, so I really have no idea what the producers were thinking. But, I can only guess that the reasoning is to force viewers to watch the show live on ABC (the TV channel) and only on the TV channel for its first run. So, on the one hand, this seems like a ratings bonanza. On the other hand, let’s explore the downside of this decision.

Viewer Demographics

Because V is very much a long continuous story arc format, if you miss even two episodes, you’re hopelessly lost. V isn’t a one-off monster-of-the-week series where you can watch an episode now and then. No, it is a long deep story arc that needs to be watched one episode at a time in order.

On top of the long story arc format, it is a science fiction program involving heavy uses of technology and intrigue. This genre choice automatically limits the types of viewers. So, the types of viewers that V tends to draw in are those who tend to be younger, tech savvy, internet knowledgeable types. Basically, the kind of viewers who tend to watch things on Hulu and download content from iTunes.

Producer miscalculation

So, on the one hand, the appearance is that this decision should allow the program to get higher ratings by forcing people to watch it live. On the other hand, Hulu and iTunes (and others) no longer have the rights to carry the back catalog of episodes to allow people to catch up.  If viewers can’t catch up, they’ll not watch it live either. If you get lost, there is no reason to watch as you can’t understand what’s going on anyway.  So, turn the channel and watch something else.

By alienating the exact demographic who tends to watch programs on Hulu combined with the lack of back catalog of episodes on Hulu for people to catch up with missed episodes, my guess is that this decision will seriously backfire on the producers. The ratings will, instead, drop and drop precipitously as the season progresses. In fact, I’d venture to guess that this decision may, in fact, be the sole reason for the death of this series. It’s clear that ABC won’t keep V on the air without viewers.  We know that.  But, you can’t keep viewers watching V by trying to appeal to the wrong demographic or by pissing on the fan base.

The streaming and Internet genie is out of the bottle.  You can’t go back to a time before the Internet and Hulu existed.  The producers seriously need to understand this. It’s unfortunate that the producers chose V for this experiment.  So far, V appears to be a good series and is probably worth watching. But, the producers also need to realize that removing choices of where and how this program can be viewed is not the answer. You need more viewers, not less.

Underground distribution

Of course, that just means that people will create xvids or mp4s of the show and distribute them via torrents.   So, instead of seeing legitimate views on legitimate sites with legitimate ad revenue, the whole thing now gets pushed underground where there is no ad revenue and views don’t help the show or the producers at all.  Not smart.  Not smart at all.

What is the answer?

The answer lies with Neilsen Ratings. In a time where streaming and instant (day after) releases are nearly common place, Neilsen still has no strategy to cover this media with ratings. TV ratings are still and only counted by live views. This company is seriously antiquated. It still solely relies on active Neilsen households watching programs live. Hulu views, DVR views and iTunes downloads do not count towards viewership or ratings. Yet, these ‘day after’ views can be just as relevant (or even more) today than live views. Today, counting only live views is fundamentally wrong.

Change needs to come with the ratings companies, not by producers trying to force the 70s viewing style in 2011. Neilsen needs to count all views of a program no matter where they are or when they are. The ratings game needs to change and must change to accommodate the future of TV. As TVs become Internet connected, this change will become even more important. Eventually, TV programming will be seamlessly delivered over the Internet. In fact, there will come a time when you ‘tune in’ and you won’t even know if it’s streamed or over the air.  In fact, why should you care?  A view is a view whether live or a month later.

Understanding Neilsen’s antiquated system

Of course, once you understand Neilsen’s outdated model, you can also understand why Neilsen is not counting any ratings other than live TV.  Why is that?  Because counting any other medium than live TV threatens the very existence of Neilsen’s service. Once broadcasters realize they can gather these numbers through Hulu, Roku, Slingbox, Netflix and other DVR and on-demand technologies directly, there is no need for Neilsen.  That is, once we’ve moved to streaming TV 100% it’s easy to get accurate counts.  Neilsen’s service was born out of the need to track viewers in a time when the Internet did not exist.  With the Internet, it’s much easier to track viewer activity and data in real time.  It’s also easy to get this information right from the places that have rights to stream.  So, with these real-time reporting methodologies, Neilsen really is no longer necessary.

Neilsen has always used an extrapolation methodology for its ratings statistics, anyway.  That is, only a tiny subset of homes throughout the country are Neilsen households.  So, when these Neilsen households watch, these small numbers are extrapolated to the larger population, even though there is really no way to know what non-Neilsen households are watching.  So, Neilsen’s ratings systems are actually very inaccurate.  Counting the numbers of views from Hulu, iTunes, Amazon, Roku, Slingbox, Netflix and other streaming sites and technologies are exact and spot-on accurate.  In fact, these numbers are so exact, they can even be traced back to specific hardware devices and specific households, something Neilsen’s rating systems have never been capable of doing.  This is why Neilsen is scared to count online views.  This is why Neilsen is no longer needed.

Goodbye V

It was nice knowing ya. My instincts all say that the fan backlash from this decision will be swift and final. If this series manages to make it to the end of the 2011 spring season without cancellation, I’ll be amazed. However, if ABC cancels this show before June, that won’t surprise me. So, unless the producers make an about-face really fast with regards to this no-streaming experiment, this series is likely already cancelled… it just doesn’t yet know it. I’d also urge anyone reading (and especially Neilsen households) to boycott the new V series and send a message to the producers that not offering streaming options is not acceptable and that your program is dead without them. I can tell you that I won’t watch this series again until streaming options become available. This is not really a problem for me as there are plenty of other TV shows available. The problem here is for the cast and crew. These people are dedicating their time, effort and livelihoods to putting this series together only to be screwed over by the producers. Such is life in Hollywood, I guess.

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