Random Thoughts – Randocity!

The Curious Case of Fallout 76: What went wrong?

Posted in botch, ethics, fail, video game design, video gaming by commorancy on April 16, 2019

NukaColaPA-f[Updated: May 17, 2019 for Battle Royale Mode]

I’ve already written plenty about Fallout 76. So, this one is likely to be my last about this disaster of a video game. In this article, I intend to detail all of what went wrong (and is still going wrong) with this game and why it’s such a critical failure. Let’s explore.

Fallout History

Fallout is a series about a post-apocalyptic landscape that has been ravaged by nuclear war. Because the Vault-Tec corporation (a company within this universe) saw the coming of the nuclear war, they built vaults to house the best and the brightest to bring about a new future after the devastation had cleared. We won’t get into just how Vault-Tec’s foreseeing (and building the vaults prior to the) the nuclear war makes Vault-Tec appear complicit in the nuclear war itself.

Anyway, the vaults became a safe haven for limited residents (who paid dearly to Vault-Tec, I might add) for entry into a vault. Because there were so few vaults and so few spots in a vault itself, many people did not get a coveted spot in a vault even though they had enough money to pay their way into one. There were many who were left out. I digress at this backstory and Vault-Tec’s possible collusion in the war.

Suffice it to say, the vault is the place where pretty much every Fallout game begins including Fallout 3, Fallout 4 and Fallout 76.

Once each of these games opens, you are forced to make your way out of the vault into a hostile, treacherous, dangerous, nuclear fallout-laced landscape (without a weapon, food or protection). You are forced to forage and eat irradiated foods. You must live in disease ridden conditions, at least until you can create your own clean space. You must find or build your own weapons. There’s always something or someone after you. Many creatures have even mutated into giant versions of their former tiny selves.

Once outside, you find that survivors have grouped themselves into factions for safety including such old favorite factions as the Brotherhood of Steel, the Raiders, the Enclave, the Railroad and so on. In Fallout 76, there are seven (7) factions including the Enclave, the Brotherhood of Steel, the Responders, the Raiders, the Free States, the Whitespring, and the Independents.

Unfortunately, because the factions in Fallout 76 consist entirely of stationary Protectron or MODUS robot vendors, there’s no “joining” a faction in this game. Though, you can follow in the footsteps of the former now-dead faction members and gain access to faction facilities by finishing up uncompleted quests for left-behind robot computers.

So, exactly how did Bethesda get Fallout 76 so wrong? Here we go…

Game Design

Video games are about having fun in a fantasy landscape. It’s about taking off your IRL hat and putting on a fantasy world hat to relax, play with friends and generally do things in a game you can’t do in real life. Let’s begin to understand what led to this disaster.

=> Lack of NPCs

Going into a Fallout game, you sort of expect certain things to exist. Certain things that have come to exist in every prior game in the Fallout franchise. You know, those pesky things called non-player characters or NPCs for short.

NPCs have been a staple in every Bethesda RPG up until the release of Fallout 76. Let’s add a bullet point (and this one is a major point), that one of the biggest reasons that Fallout 76 fails is due to the lack of NPCs.

NPCs are one of the primary reasons people go into the purchase of a Bethesda role playing game (RPG). Without NPCs, the game is entirely barren and lifeless. Fallout 76 proves this out. One might even say, the entire game is soulless. Part of what makes a Bethesda RPG interesting to play is that you feel something for the folks who have been put into this untimely and hazardous situation. Without people there to feel for, there’s no emotional tie to the game. Fallout 76 is as soulless of a game as has ever been made. The only other game to have this same problem is No Man’s Sky… except we knew going into the purchase of No Man’s Sky that there would be no NPCs.

With Bethesda’s past track record, we simply had no idea that Fallout 76 wouldn’t have NPCs until we cracked open the shrink wrap.

=> Short and Few Main Quests

One other thing Bethesda is known for is making lengthy games. Games that, if you work through them as intended, might take you 3-4 months to complete. Granted, that may include participating in a few side quests, but even the main quests will take you at least month or better to get through.

With Fallout 76, you can blaze through the main quests (all 22 of them) in less than a month and be stuck at endgame content.

In fact, there are more side quests in Fallout 76 than there are main quests. Even then, the main quests are far too short.

=> Multiplayer vs Solitary Quest Completion

Bethesda had hoped that its idea of having 24 players in one of its “World Servers” would be a great way to get players to interact with one another (and create story). Gamers don’t “create” story, they “consume” it. Todd Howard got this idea entirely wrong. In reality, what that ends up is just the opposite. Few players actually want to co-op with other players and instead you end up with a bunch of loners all running around the world doing their own thing (or griefing one another). After all, each player can only complete their own quests, anyway.

Because each person must complete their quests on their own, having a teammate doesn’t really do you much good. It can help in combat situations where you’re ganged up by lots of creatures, but that’s about it.

The solitary nature of quest completion runs entirely counter to the notion of getting 24 players together on a server as a whole. It just doesn’t work.

As a follow on to this problem, the lack of NPCs makes completing quests boring, repetitive and tedious. Reading computer terminals, listening to holotape recordings and reading notes is not what players want to be doing in an RPG. These are non-interactive media. It’s just lore being told to us by a long dead character. A character that we have no reason to even trust is telling us the truth. We’ve never met them and never interacted with them. We have no idea if what they want us to do is in any way necessary. Are they leading us into a trap or is what they’re directing us to do useful?

The secondary problem is that all of these holotapes and notes and so on are optimally placed so as to be found. It’s as though these dead folks were expecting us to come along and read and listen and do. It’s all too convenient and handy. It’s as though it was all planned out by something or someone in that world. Yet no “world designer” has ever come forth. It only ends up making this lore more trite and contrived.

If this is supposed to be a treacherous, dangerous environment, finding these people and their situations would be much harder than it is. Ultimately, the setups are as convenient as they are boring and repetitive.

=> No Effect on the World

At the end of completing the quest for lore, you find that nothing in the world actually changes. All of the running around. All of the collecting. All of the fetch quests. All of it is for naught. You do get lore around the Scorched, but in the end the world remains unaffected. The Scorched do not disappear. The Scorchbeasts still appear from their fissure sites. Even the Scorchbeast Queen still spawns if someone conveniently launches a nuke over Fissure Prime.

If you’re going to spend hours traipsing through the wasteland, fetching and fighting and doing and consuming, you would think that the world would be a better place in the end. In Fallout 76, the world doesn’t change. It doesn’t become a better place. It doesn’t get built.

The 24 vault dwellers released from Vault 76 were destined to rebuild Appalachia. Instead, these 24 “players” simply become loners who build their own camps, don’t bring about change and don’t in any way make Appalachia a better place. The game worlds remain entirely status quo at the end of the quests. So, what’s the point then?

=> 24 Random Players

As mentioned just above, gathering 24 random video gamers together on a server isn’t going to lead to anything useful. Real video game players don’t (and can’t) make a game. Players can only interact with the environment. The fun must be had by what the designers design, not by interacting with 23 other live players.

This was a total miscalculation by Todd Howard. Any video game designer thinking you can rely on other video gamers to help make your game work, think again. Fallout 76 is the prime example of how this thinking entirely fails you.

As a designer, you must take the time to build fun and interactive activities for each and every person who joins your game world. Again, you can’t rely on other players for this “fun”. Player versus player (PVP) activities only go so far and even then many folks don’t want to participate in PVP. You can’t rely solely on PVP to carry an RPG game.

If you’re trying to carry a game using PVP activities, then you need to design a Brawlhalla, Apex Legends or Fortnite kind of game and skip the RPG portions. Just keep it simple and straightforward for PVP and leave out the RPG elements that simply get in the way of that design. If your game is PVP, then make it PVP. If your game is an RPG, make it an RPG. Don’t try to try to marry an RPG into some PVP thing or you’ll end up with something like Fallout 76 which just doesn’t quite work.

=> Bugs and Code Management

Bethesda has unofficially become known as Bugthesda. After Fallout 76, this moniker is given for good reason. Fallout 76 is exactly the poster child of everything wrong with Bethesda’s ability to code games. For Fallout 76, each update has taken one step forward and made at least two steps back, many times reintroducing old bugs.

There’s a serious problem at Bugthesda with their ability to code this game. I’ve personally witnessed bugs that were squashed two releases ago reintroduced to a later release. In the coding profession, this is called a ‘regression’. Regressions are typically frowned upon heavily. No one wants to see old bugs reintroduced into new versions. If you squash a bug once, it should stay squashed and gone.

Good code management practices should see to that. This means that using industry standard code management practices should prevent regressions. If you check in code to a repository which fixes a bug, that code fix should eventually make its way back into the “main” branch. Once in the “main” branch, that bug should never see the light of day again. This clearly means that Bethesda is likely not using standard code management practices.

For teams not using standard team code management and storage practices, like Git, then it’s easy to grab old code and reintroduce bugs because there’s not a single place to store that code. That’s the worst of all disasters. Not having a standard code management system in place is nearly always the death of a project (and product). Your product can’t sustain heavy regressions and expect people to come back for second helpings. Eventually, people walk away because they know they can’t trust your code to work.

When bugs appear, disappear and reappear over and over, trust in your ability to code a functional product disappears. Trust is the most important thing you have as a software engineer. Once you blow that trust, it’s all over.

=> Limited World Events

With a game so heavily entrenched in a 24 multiplayer world, you would have thought Bethesda would have given us many intriguing world events for multiple players to gather around, combat and defeat. You might think that, but you’d be wrong.

Out of the gate, Bethesda offers exactly one big world event in Fallout 76. That event being the Scorchbeast Queen event.

The problem with this event is that it entirely relies on other players to spend a significant portion of time traversing through a silo site fighting tons of robots and dealing with broken computers to launch a nuke into the world. Even worse, it requires the player to have not only fought their way through a silo site, but they must have also caught and fought a Cargobot to get a missile launch keycard. They also must have gone through the Enclave quest line to become a General in the Enclave, which requires killing at least 10 Scorchbeasts. It’s an involved and grindy quest line just to get to point where you can even launch a nuke.

Instead of these largest world events simply spawning on a timer, you have to wait until a player decides to launch a nuke on their own. Lately, this has been few and far between because with each release, Bethesda makes it more and more difficult to launch a nuke. This ultimately means that the biggest world event in Fallout 76 almost never happens.

That’s not to say there aren’t other world events. There are, but they are no where as big as the Scorchbeast Queen event. Events like “Path to Enlightenment”, “The Messenger” and “Feed the People”. However, these events are small potatoes by comparison. The Scorchbeast Queen event requires multiple people all doing as much damage as possible to bring down the queen in 20 minutes. With “Feed the People”, one person can easily do this quest and, subsequently, the loot drop at the end is piddly and low-level garbage. The queen’s loot drops are nearly always worth the time and are typically high level drops.

If you’re promising an engaging multiplayer world, you need to deliver on that promise. Relying on other players to trigger the biggest world events, now that’s a huge mistake. Instead, the biggest world events should trigger randomly without player involvement. Let the small events be triggered by players. Let the biggest world events be triggered by timer. It’s fine if a player can trigger a big world event, but don’t rely on that method for the largest events to be triggered. If no player triggers the event within a specified period of time, then trigger it on a timer. But, don’t leave the game barren of these large world events simply because players aren’t interested in spending the time to launch a nuke at that exact location.

=> Even more Grindy

One of the the things that Bethesda doesn’t seem to get is grinding. No one wants to spend the majority of their time online fighting the same creatures over and over simply to level up. Worse, when you do level up in Fallout 76, it’s all for naught. The creatures cap out at about level 68. Yet, even if you get to level 180, that level 68 creature can still kick your level 180 butt.

This is is not how level systems are supposed to work. The game arbitrarily caps your SPECIAL stats at level 50. Effectively after level 50, you’re still level 50 even if your level indicator says your level is 142. This means that you can’t even level up past the highest leveled creatures in the game.

At level 142, I should be able to one shot nearly any creature in the game that’s level 68 or below. Unfortunately, creatures have two levels in this game. There’s the level number (i.e., 68) and then there’s the HP bar. The HP bar is actually the creature’s real level. Some creatures might have 200 HP, where a Scorchbeast Queen might have between 3000 and 50000 HP (even though its level is labeled 50 or 63 or 68). Worse, when you approach this creature, you won’t know how much HP it has until you begin firing on it. Even then, it’s only a guess based on how fast its health is dropping.

This means to beat some creatures in the game, you can easily spend hours grinding and grinding and more grinding. Fallout 76 is, in fact, one big ugly grinding mess. With all of the fiddling and nerfing (aka “balancing”) that Bethesda has been recently performing, grinding is getting even worse, forcing you to spend even more time at it. Bethesda is going to nerf themselves out of a game.

=> Collision Detection, Guns and Bullets

The weapons in Fallout 76 are probably some of the worst in a Fallout game I’ve experienced. Worst yes, but not in the way you might be thinking. It’s worst in a way that makes you cringe. The guns regularly miss enemies even when aiming directly at them using a scope. This is strictly bad collision detection. The game simply can’t seem to recognize when a shot has connected with an enemy.

Bad collision detection is ultimately the death of a shooter. If your game is intended to be a shooter, the one thing it better be able to do is shoot and connect. If it can’t even do this most basic thing, the game is lost. Games with guns need to “just work”. Failing to accomplish this most basic thing should have left this game in development. You can’t release a shooter and not actually have the gun mechanisms work.

But, here we are. The game barely even functions as a workable shooter. There are even times where guns fail to fire even when the trigger is pulled and released. Indeed, there are times when button presses aren’t even registered in the game… requiring the gamer to press twice and three times consecutively to get the game to recognize the press… and wasting precious time. If you had the perfect shot, but the game ignored your press, you’ve lost that opportunity and you have to wait for it to come around again.

This is one of, if not THE, most frustrating thing(s) about Fallout 76. When guns don’t work,  your shooter is broken. This means you should focus on fixing the fundamentals in the game before branching out to downloadable content (DLC).

=> DLC too early

Instead of fixing the never ending array of existing bugs from when the game was launched, Bethesda has mistakenly pushed their teams to create new DLC and add-on quests.

While I won’t get into these half-baked, half-designed DLC add-ons, suffice it to say that the developer team’s time would have been better spent fixing the existing fundamental flaws than releasing under-designed unfun DLC.

I ask you, if the game can’t even get the basics down as a shooter, how can it possibly be good with new DLC? The answer is, it can’t. And, this is why Fallout 76 continues to fail.

=> Players Find the Fun

Because Fallout 76’s quests ended up more grindy than fun, many gamers had to resort to finding their fun using alternative means. What ended up happening was that players went looking for (and found) loopholes in the software. When code is poorly written and released untested, it’s going to be chock full of bugs… and that’s Fallout 76 in a nutshell.

Gamers found ways to dupe and sell their duped items. This was one of the primary ways gamers found their own fun. Not in the quests. Not in the combat. Not in the nukes. They found their fun working around the bugs and making, selling and trading loot. Another way was breaking into closed off dungeons like Vault 94, Vault 96 and even the now-legendary “Dev Room”. Players found their fun outside of Bethesda’s design. Fun that couldn’t be had through the mediocre quests, the crappy storytelling system, the horrible combat system and the problematic collision detection.

This whole activity seems to have come to the surprise of Bethesda. It was as if they couldn’t have foreseen this problem. It happened early on in The Elder Scrolls Online, too. Why wouldn’t it happen to a half-baked game like Fallout 76? It did.

=> Half-Baked Patching

Because every Fallout 76 release Bethesda has sent out has only marginally improved tiny parts of the overall game, the game is still very much of the hot mess that it was when it was released at the tail end of November 2018. It’s now the middle of April 2019 when this article is being written and very little has actually changed.

Sure, they added a distillery as a DLC that produces some of the most useless liquor in the game. The Pre-War liquor is still the best free liquor in the game (and offers the best benefits) and you don’t even need to use a distillery or waste precious crops to get it. The new liquors not only are not covered by the existing perk card system, each of those liquors have heavy downsides. The distiller also doesn’t support the Super Duper perk card to create extra dupes when crafting liquor, unlike every other crafting table. As an example of how bad the new liquors are, Hard Lemonade gives a huge boost to AP regeneration, but at the cost of 1 minute of negative AP regeneration as the “Hangover”. Rad Ant Lager gives +50 carry weight (yay) at the cost of -50 carry weight during the 1 minute hangover (boo). Extremely sub-optimal when in combat situations.

Nukashine fares even worse. Not only is the effect of this liquor pointless (increases unarmed damage), during the “Hangover” you black out and end up in some random place on the map. Making a Nukashine is simply a waste of a Nuka-Cola nuka quantumQuantum (which these drinks can be difficult to find in the world even at the best of times). On top of the pointlessness of this liquor, selling Nukashine to a vendor yields basically no caps (the currency in Fallout). In fact, making a Nuka-Cola grenade is a much better use of a Nuka-Cola Quantum than Nukashine will ever be. I wasn’t really going to talk about the added DLC much, but I felt the sheer crappiness of this one need to be discussed to show how pointless it all really is. The rest of the DLC doesn’t fare much better than the distiller.

If you’re going to give us a distiller, then at least set it up so that the stuff we make has some value to vendors, gives us much better perks than what’s already in the game and is covered by our existing perk cards. If you’re not going to do this, then why bother creating it? That’s why I consider this DLC half-baked. No perk card coverage. No outstanding new liquors. No value to the new liquors. So tell us, exactly why we should find this fun?

=> Player Bans

While Bethesda calls them a “suspension”, it’s actually a ban. A suspension lasts 1-7 days at most. A ban last months. So far, because gamers ended up using the bugs in the game to find their own fun, Bethesda has penalized many of these gamers by suspending them for sometimes unproveable reasons. What that means is that Bethesda did some digging and found that some gamers had accrued “too many” items in their inventory.

Let’s understand that the original release of the game allowed infinite carrying capacity. You simply became overencumbered when you went over your natural carry limit. This meant that you had to use AP to walk around. When AP ran out, you had to stop and wait for the AP to regenerate or you walked even more slowly. This was the original design BY Bethesda.

After the whole duping scandal erupted, Bethesda blamed the gamers and not themselves for the problems in Fallout 76. The bugs are entirely there by Bethesda. That gamers exploited the bugs, bad on you Bethesda. You should have better tested the quality of your game. Testing is on you, Bethesda… not the gamers. If you failed to test your product, then it’s on you when bad things happen.

If you didn’t want gamers to carry infinite items, then you should have released the game with a carry limit cap. That you didn’t do this initially was a miss on your part. Anyone could see that was a vector for abuse. Waiting for it to be abused, then blaming the abuse on the gamer is entirely disingenuous and insincere. Blame yourself for the bugs, not the gamers.

=> Most Recent Update

As of the latest “Wild Appalachia” update, the game is still very much of a mess. It still crashes regularly, sometimes the entire client crashes back to the dashboard. Sometimes the game won’t load in. Sometimes the character load-in is extremely laggy, stuttery and problematic. If you do manage to get your character loaded in, the shooter basics still don’t work. You can manually aim dead onto enemies and the gun will entirely miss (several times in a row). So, you resort to VATS. VATS sometimes works, sometimes doesn’t. You can be literally inches from an enemy and VATS will show a 0% chance of hitting. Yes, it’s STILL that bad.

Nuking on servers can make them highly unstable, particularly in the nuked region. If you enter a nuked region, you can expect the game’s frame rate to drop to about 10-15 frames per second… and I’m not joking. There are other places in the game where this frame rate issue is a problem. For example, when you’re in camp and trying to construct in the workshop menu.

There are many spots in the game where the frame rate can drop to practically nothing. These problems should have been worked out months ago. Yet, instead of fixing these absolute game engine basics, Bethesda has its devs off creating half-baked DLC to try to rake in new revenue.

Unfortunately, with every patch, Bethesda’s devs add back in regressions removed two or three patches ago. It’s been a never ending cycle of one step forward and two (sometimes three) steps backward. The world never gets better.

=> End Game

Every game has a problem with end game fun. Unfortunately, Fallout 76’s end game starts the moment you first login. The whole game is end game. There’s not a beginning to this game, so how can there be an end? Even once you do complete all of the main and side quests, there’s even less to continue doing in this world.

I do understand the reason for the DLC… to try and bring back old players. But, that’s going to be difficult considering you banned a very large number of them from the game. The few that weren’t banned aren’t going to come back simply because you put a crappy distiller in the game or that you created a 7 day long festival and forgot to actually give out the most desirable masks. They’re certainly not going to come back to grind for Atom to buy the useless (and expensive) Atom Shop items.

Ongoing Disaster (Battle Royale)

Here’s the part where I talk about DLC. As Bethesda continues to add questionable new game modes to Fallout 76, I have to wonder what’s going on over there. First, Bethesda adds the ‘Survival Mode’ server to its list of game play engines. This server basically enables PVP right from your character’s load-in. When you join ‘Survival Mode’, if you encounter another player, your character is pretty much dead. I’m uncertain the impetus behind adding this game mode other than to segregate PVP from the ‘Adventure Mode’ servers and put it into a different server. Yet, this segregation is not yet over.

Because Bethesda has been feeling the pinch from Battle Royale games like Fortnite and Apex Legends, Bethesda seems to feel left out. After introducing ‘Survival Mode’, Bethesda next introduces a new ‘Battle Royale’ game mode. Instead of trying to design a new Battle Royale game using an engine actually designed for that kind of game play, which would actually make the most sense, they instead grab the source code for Fallout 76‘s server and they wedge a Battle Royale mode into Fallout’s less than stellar game and combat engine.

Both of these game modes are questionable in and of themselves. For example, how do either of these game modes progress the Fallout story in any way? They don’t. The ‘Survival Mode’ server is designed to simply make the game more difficult. Instead, what it makes the game is pointless. You can’t quest, you can’t follow quest lines, you can’t even play normally…. for fear of losing not only all of your junk, but part of your aid.

With Battle Royale, there’s no point for its existence in the Fallout franchise. There’s not even a story basis for it to exist. Worse, it’s not even close to competing with games like Apex Legends or Fortnite. In fact, a battle royale mode would make a whole lot more sense to exist in The Elder Scrolls than in Fallout. Sure, Fallout is about gun fights, but it’s not about this silly and unnecessary concept being forced into the Fallout universe… a universe where battle royale actually makes no sense at all. The Elder Scrolls at least had an ‘Arena’ where a battle royale could feasibly take place within the story’s narrative… and make sense in the context of the larger Elder Scrolls story arc. Fallout has never had such a “battle” concept in its franchise. Adding this in now simply makes zero Fallout story sense, but makes sense only if Bethesda is trying to “cash in”.

Sure, Fallout survivors might need to do things to amuse themselves in a toxic nuclear wasteland… but, would they actually play in a Battle Royale themselves? No, I don’t think so. Bethesda is now adding stuff that’s so out entirely of character for the Fallout universe, they’re just adding stuff to “keep up with the Jones’s” instead of because it makes sense for Fallout. If you want to trash your franchise, this is a good way to go about it.

Let me also say that the implementation of Fallout 76’s Battle Royale mode is entirely trash and illogical to boot. You’re trapped in an ever condensing ring of fire. A ring of fire that actually makes no sense when you’re supposed to be tasked with rebuilding Appalachia. As contestants continue to kill one another (and the ring condenses to a tiny circle around them), the last man standing is the person who “wins”. In fact, the “winner” actually loses, because the condensing ring of fire would actually end up killing everybody. This is how logically stupid this concept really is. Effectively, it’s not really even Battle Royale, it’s a “Last Man Standing” game. I’ve also seen much better “Last Man Standing” multiplayer games.

If Bethesda wants to create DLC that’s in keeping within the Fallout universe, then they should tie these new game modes in with the existing lore that they spent all of that time creating. For example, how about implementing multiplayer dog fights? Or, how about actually using the ‘Animal Friend’ and/or ‘Wasteland Whisperer’ perk cards to tame beasts that can be used in a multiplayer arena? This would require the player to spend the time to locate and tame a beast (and level it up and equip it) for use in the arena. That kind of mode makes a lot of story sense… and makes sense to wrap new lore around all of this.

Since the world is dangerous and treacherous, use the existing lore as the basis for creating unique new multiplayer challenges. Don’t just grab the first unoriginal idea to come along (e.g., Fortnite) and slap it into a world server. You know, spend time actually putting some amount of thought and effort into tying the existing lore into the new multiplayer game modes. Give them a basis to exist in the universe. Don’t add game modes because you CAN… do it because it both makes actual sense, is logical and is entirely in keeping with the Fallout universe lore.

Overall

The game is STILL a very hot beta mess offering a poorly written, badly conceived and boring storytelling system utilizing no NPCs. The combat system is the worst system I’ve encountered in a top tier game developer’s title. No joke. It is the absolute worst. Even the patching hasn’t improved it. If anything, it’s actually gotten worse.

There are times where button presses are entirely unresponsive. You might have to press the button two or three times rapidly to get the game to register even one press. You might be trying to pick up something, trying to fire your weapon, trying to search a container or it might manifest in any other number of ways. Unreliable button presses are the death of a game that so heavily relies on real time play value.

No amount of patching or DLC will solve these basic fundamental engine problems. To solve the storytelling problem, you need to add NPCs to the game.. which would require redesigning the game from scratch. To solve the combat problem, you need to redesign the combat system from the ground up using a practical engine actually designed for real-time online use.

You can’t take a 20 year old offline game engine and attempt to patch it for an online use. Doing so will produce exactly the problems found in Fallout 76. Fallout 76 needed a game engine designed entirely for online play. Designed for real-time combat. Designed for real-time activities. Designed for responsive button presses.

Unfortunately, what we got was a crapfest of epic proportions that Bethesda will neither acknowledge nor comment on. If this is Bethesda’s new game development norm, I won’t be investing in any more Bethesda games. It’s just not worth paying $60 (or more) to be an alpha tester for a game written on old technology that isn’t up to the task.

In short, Fallout 76 is STILL an immense hot mess that has not at all improved since its November launch.

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Rant Time: Polaroid Zip and App

Posted in botch, business, california, fail by commorancy on January 5, 2019

polaroid-zip-printerI haven’t ranted in quite a while and it’s time, especially considering this is the new year. Polaroid is the target of my tirade today. Let’s explore.

Polaroid Zip

The Polaroid Zip is a small pocket photo printer priced around $99. You can sometimes find it on sale. But, don’t go out and buy it before you read this article!

There are a number of these small pocket Zink paper photo printers available such as the Polaroid Zip, the HP Sprocket, the Canon IVY, the LifePrint, the Kodak Mini2 and even the not-so-pocket-sized zInk Happy photo printer. Every one of these printers depends entirely on an app designed by the company selling the printer. In fact, without this app, the printer device is an entirely useless brick… they don’t support Airprint!

Useless is exactly what Polaroid Zip has become when Polaroid updated its software with a major update in mid 2018. The formerly working app, which was a just a slight bit rough around the edges, worked to produce high quality prints. This latest 2018 app version is a piece of trash the size of Mount Everest, once you toss all of these now useless Polaroid Zip printers into a mound at the landfill.

The updated app is entirely junk!

The Dangers of Portable Devices with Apps

I have no idea what compelled Polaroid (C&A Marketing) to toss out the older, completely working app and replace it with a broken piece of junk. However, it completely spells out the danger of buying into these app enabled devices.

In yesteryear, we used to buy printers which had standard printer drivers that would simply just print from any app capable of printing. On iOS, these are known as Airprint printers. With the introduction of the Polaroid Zip and similar devices, this is no longer a concept in the printer industry. Now, you must using a single proprietary app to funnel and print your images. If the app breaks, you can’t print.

I’m not sure WHY this standardization change made its way out of the printer industry, but I don’t like it one bit. It makes the devices far less flexible than their distant printer brethren and it makes printing images far more complicated than it needs to be. I don’t want to have to always use your stupid little app just to print an image. I want to be able to print from any app on my phone. Being tied to and dependent on your stupid little app is not only an asinine requirement, it’s insanely stupid. Please, just open your printer up to iOS as an Airprint device. Let us use whatever app we want to use. I don’t want to be dependent on your stupid app that you can hack up and break at the drop of a hat.

Polaroid as a Poster Child

I’m sorry that I have to rail so hard against Polaroid, but they made their bed and now they must lie in it. It’s their app and they ruined a perfectly good printing device by producing such a crap app to go with it.

The older app was at least functional, had semi-intuitive tools and simply just worked. This new app requires jumping between multiple screens, has tools buried in several different places, is more complicated to use, they removed “magic” enhancements designed to print images correctly on Zink paper and overall hobbled the printer.

Worse, now you have to waste tons of paper because you have to tweak and retweak the image OUTSIDE of the app to get a decent print out of the printer. The Zink paper is expensive and wasting sheet after sheet just to get a print is stupid and costly! With the old app, I never wasted one sheet. What I saw on screen was what I got out of the printer (pretty much). This new app provides no such predictable output. What you see on the screen is definitely not what you’ll get out of the printer… and this is why this newest 2018 update is such a #FAIL on Polaroid’s part.

Get With The Program, Polaroid

Polaroid, do the right thing! Pull that crap of an app from the store and revert to the older app version. Let your new developer update that crap app to the point where it is at the same level as the older app. That might take 6 months to 1 year. Whatever it takes, just do it.

For now, remove that app from the store and put the old one back. This new one sucks hard and doesn’t work. Right now, my printer is a useless $99 brick. Polaroid, do you want to reimburse me my money?

Class action lawsuit anyone?


If you’ve had a similar experience with your pocket photo printer from another brand, please leave a comment below and let me know.

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Game Review: Red Dead Redemption 2

Posted in botch, video gaming by commorancy on October 27, 2018

Red Dead Redemption 2_20181026235524

I was so wanting to like Red Dead Redemption 2 right out of the gate. For Rockstar, this game’s lengthy intro and dragging pace is a total misfire. Let’s explore.

A Horrible, Horrible Intro

The whole slow snow covered mountain terrain opening is an incredible fail for a game series like Red Dead Redemption. It’s so slow and rail based that I just want to toss the disc in the trash. This insipid opening doesn’t inspire me to want to “wait it out” for the “rest” of this game. All I desperately want to do is skip this opening and get through it as fast as possible. Unfortunately, not only is it unskippable, it’s ….

Slow, Slow, Slow

Red Dead Redemption 2_20181027022716

When following the rail based opening “stories”, even when you do manage to follow the correct path (a feat in and of itself), it’s entirely far too slow of a pace. I could run to the kitchen and make a sandwich in the time it takes to get from point A to B in this game.

The horses run like they’re drugged. Even worse is the forced stamina meter on horses. This isn’t a simulation, it’s an RPG style “Old West” game. We don’t want to water and feed our horses so they can run fast. Then, have to stop and feed them again when they run out of “energy”. That’s akin to making us fill our GTA5 cars up with gas at in-game gas stations. Thankfully, they didn’t make us endure that stupidity in GTA5. Unfortunately, that stupidity is included in RDR2. We also don’t want our horses to run out of energy while running at full gallop. A stupid concept made stupider by the mere inclusion of it in this game.

The game seems like it’s running in slow motion. I’m not sure what’s going on here or why R thought this opening play style would be okay, but it isn’t. At least with GTA, when you got in a car, it was fast. Here, everything moves at a snail’s pace and the rail based gang quests are sheer torture. I just want this part to be over so I can finally get to the meat of the game.

R, let us skip these insanely boring, long and insipid intros. I don’t want to endure this crap. This opening is a horrible misfire for a game in a franchise like Red Dead Redemption. It’s fine if a tutorial opening takes 15-20 minutes. But, when an opening takes 2 hours or more to get past, it’s entirely WAY TOO LONG. Cut it down… seriously.

Failed Intro Setup

I understand what Rockstar was trying to do with this opening. Unfortunately, it just doesn’t work. It’s fine to see the gang camaraderie being built, but it doesn’t take 2+ hours and snail’s pacing to do it. This dragged-out opening is a horribly unnecessary.

I realize the opening of any game is typically tutorial city, but let me skip most of it. I don’t want to be told how to open a cabinet or how to sit down. I can figure this out on my own. Just show me the screen icon and let me do the rest. I don’t need little black boxes appearing in the corner telling me how to do the most simplistic things. It’s like Rockstar thinks we’ve never ever played a video game in our entire lives. Shit, it’s RDR 2 for crisake. It’s a sequel. We’ve likely already played RDR. I have.

Condescending treatment to gamers by hand-holding even the most basic of actions is as torturous as this far-too-slow-paced intro. Whoever greenlit this intro should be removed from producing future video games. Just get to the game already, Rockstar!


Camera

Batter Batter Batter… swing and miss. And, what a miss this one is for R! Let me start this section by saying there is no “photo mode” at all in this game. Instead, you have to obtain an “old timey” camera from some hack who’s in a bar. Then, you have to equip it from your satchel. Only after you obtain and equip this camera can you actually take pictures in-game. Uh, no. I realize this is supposed to be some kind of immersion tactic, but having characters take photos for quests with an in-game camera should be entirely separate from having a photo mode built into the game for player use and sharing. A photo mode should be available from the moment the first gameplay begins. It shouldn’t be something that’s “found or earned” later in the game.

Rockstar again swung and missed on this one. Rockstar, next time, just add a photo mode into the game as part of the UI for the player to use from the start. If the player character needs a camera to take pictures for a quest, just make it disposable and disappear after the quest is completed.

The reason for having a photo mode is so you can add features like exposure, filters and get bird’s-eye views of the environment. Limiting the photos to the perspective of the character holding the camera is stupid and wasteful. We want to use an actual photo mode, not a character acquired and limited camera.

Lighting and Graphics

I was actually expecting a whole lot more from the RAGE engine here. While Grand Theft Auto wasn’t perfect in rendering realism and didn’t always offer the most realistic results, the lighting did offer realistic moments, particularly with certain cars and with certain building structures under certain daylight lighting conditions. With Red Dead Redemption 2, I was actually expecting at least some improvement in the RAGE engine for 4K rendering. Nope. It seems that Rockstar simply grabbed the same engine used in GTA and plopped it right into Red Dead Redemption 2.

So far with Red Dead Redemption 2, I’m entirely underwhelmed with the indoor lighting model being used. “Wow” is all I can say, and that’s not “wow” in a good way. I am not only underwhelmed by the realism of the character models themselves, but of how the lighting falls on the character models. When a character opens his/her mouth, the teeth read as a child’s attempt at a drawing. It’s bad. B.A.D! Let’s take a look at RAGE’s poor quality indoor lighting:

The wood looks flat and dull. The clothing looks flat and dull. Metal doesn’t look like metal. Glass doesn’t look like glass. The faces just don’t read as skin. The skin on the characters looks shiny and plastic and, at the same time, flat and dull. The teeth look like a child’s drawing. Part of this is poor quality lighting, but part of it is poor quality models and textures. The three main character models in GTA5 (Michael de Santa, Trevor Philips and Franklin Clinton) looked way better than this, likely using the same RAGE engine. The RAGE engine is not aging well at all. Even the “sunlight rays” here look forced and unrealistic. This game looks like something I would have expected to see in 2004, not 2018. Let’s compare this to Ubisoft’s AnvilNext engine which is night and day different:

Wow! What a difference… (click to read Randocity’s Assassin’s Creed Odyssey review)

Screenshots vs Camera

And speaking of teeth… trying to get these Red Dead Redemption 2 screenshots is like pulling teeth. I have to attempt to position the gameplay camera just so. I can’t use the “Old Timey” camera for the above in-game shots as there’s no way to get that “Camera” into the proper position using the player character. Using the actual gameplay camera is always hit or miss. If the camera moves a little bit too far or too close to a figure, it pops over the character and you can’t see them.

The point to adding a photo mode is positioning the camera exactly where you want it, to get the best shot. It also allows you to use depth of field. I can’t do that in Red Dead 2 and I’m limited to playing tricks with the camera placement and hope it turns up with a shot using the PS4’s share button. Not to mention, I have to spend time running to the menu to turn off HUD elements (the reason the map and the money is visible in one of the RDR2 screenshots).

R⭑ , get with the program. It’s time to add a real photo mode to RAGE… a photo mode that offers so much more than the player character holding and using an “old timey” camera. It’s fine if the character needs an in-game camera for quest reasons, but it’s time for a real photo mode… which is how I captured all of these Assassin’s Creed Odyssey screenshots above. I should also point out the reason for having photo mode in a game is for the game player, not for the benefit of the in-game character. Adding a photo mode means you’re thinking of the gamer and how they want to use the game to capture and share their gameplay. By not including a photo mode and having such poor quality graphics, it shows that R‘s interest is more in making money and not in advancing their RAGE technology to provide a next gen quality experience.

Red Dead Redemption 2 is a huge step backwards for realism in video games.


Meat of the Game

I’m finally past the torturous intro and I’m sad to say that the game itself is absolutely nothing like Red Dead Redemption. Red Dead Redemption was open prairies, tumbleweed and Arizona-like environments. These environments worked tremendously well for “The Old West”. This game is lush green valleys with trees, forests and streams. It’s not so great to set an “Old West” kind of ambiance. Ignoring the wrong environmental settings in which to place an “Old West” kind of game, the game’s pacing is sheer torture to endure. The pacing in Red Dead Redemption was near perfect.

Here, the leisurely slow pace in how the player character moves and walks and how slow the horse runs is totally wrong for this game and is *yawn* b.o.r.i.n.g. Again, this is nothing like Red Dead Redemption. I’m not looking for Lamborghini speeds, here. But, I am looking for a much quicker pace than the la-la-la leisurely pace of this game. In fact, this game’s pacing is so arduous, it makes you want to pop the game out and go do something else at a faster pace. Again, another total Rockstar misfire.

Town Bounties and Game Interference

Just for the sheer heck of it while trying to relieve the boredom with the game’s slow pacing and lame story activities, I decided to have a shoot out in Valentine, the first town you’re supposed to reach in this game. As you progress in dying and getting a higher and higher bounty, the game stupidly pushes your character farther and farther away from the town with each respawn. Game, if you don’t want the character doing this in a town, then just prevent it. Don’t respawn my player character farther away from the town each time. Respawn the character where he fell and let me choose whether to leave or stay. This intentional interference is not only an asinine game design mechanic, it makes me want to break the game disc in half.

I’m merely trying to make the game at least somewhat more interesting and tolerable than the forced slow pacing… but then the game feels the need to frustrate and interfere with my efforts by sending my character farther and farther away from town. On top of that, once you get a bounty, the NPCs that come after you are practically unkillable. I’ve hit them with perhaps 5-10 shots of a shotgun (many times in the head) and they’re still getting up and shooting at me. There is absolutely no way that’s possible. I realize this is a game, but that’s taking the unrealistic nature of this game way too far. It’s not like they’re wearing Kevlar. If I shoot an NPC twice, they need to die. This includes any character, deputy or otherwise. These are not SWAT characters in Los Santos wearing police armor. It’s asinine how the game works this bounty mechanic by protecting the town residents.

If this game is truly supposed to offer RPG style open world play, then I should be able to go into any town and have a gunfight with the entire town if I so choose… and the characters in the town need to die with a realistic amount of bullets. It might make my character wanted, put a bounty on his head, turn him to the “dark side” or whatever, but I should be able to play this game on my own terms without the game interfering with my choice of play. By interfering with my choice of play, the game is specifically telling me that this isn’t what I’m supposed to be doing and that I should be following the story path laid out by the game developers. That’s the very definition of a rail based game. That’s NOT an open world make-my-own-choices game.

Now, I do realize this interference is intended, but this interference takes away an important gamer choice… to play the game in any way the gamer chooses. If you’re going to offer guns and bullets, you need to make them count in the game. Bullets can’t act deadly in some situations and act as mere bee stings to other NPCs. Bullet damage must remain consistent against ALL NPCs under ALL conditions unless you implement a visible character level system.

Because of the boring slow pace, the lame story elements (Really? A tavern brawl is the best you can do?), the absolute crap hand-to-hand combat mechanic, the unkillable-NPC-bounty situation, the lackluster lighting, the game’s meddling interference in my choice of play, the poorly created character models and textures, the lack of photo mode and the broken Social Club site, my 2 out of 10 stars firmly stands for this game.

An Utter Disaster

This game is a disaster for Rockstar. I guess every game studio is entitled to a dud. Most times I can give some creative advice on how to improve a game. I’m at such a loss for improving this game’s disastrous design, I can’t even begin to tell Rockstar how to get this hot mess back on track. I think it needed to go back to the drawing board. Oh well, my high hopes for this game have been utterly dashed. It’d be nice to get my money back. This game is crap. Avoid.


Graphics: 5 out of 10
Sound: 7 out of 10
Voice Acting: 2 out of 10
Brawling: 2 out of 10
Gunfights: 5 out of 10
Pacing and Stories: 1 out of 10
Stability: N/A

Overall Rating: 2 out of 10
Recommendation: Don’t buy. Avoid. If you must try it, rent only.

I’d actually rate it lower, but I’m giving it 2 stars for sheer effort. Let’s just forget all about this game and remember the fun we had with Red Dead Redemption.


Agree or disagree? Please leave a comment below and let me know what you think about Red Dead Redemption 2.

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Rant Time: Apple Music vs Twitter

Posted in Apple, botch, business, california by commorancy on September 12, 2018

apple-cracked-3.0-noderivsI know I’ve been on a tirade with the number of rants recently, but here we are. I rant when there’s something to rant about. This time it’s about sharing Apple Music playlists on Twitter… and just how badly this feature is broken. Worse, just how Apple itself is broken. Let’s explore.

Twitter Cards

Twitter has a feature they call Twitter cards. It’s well documented and requires a number of meta tags to be present in an HTML page. When the page is shared via Twitter, Twitter goes looking at the HTML for its respective Twitter meta tags to generate a Twitter card.

A Twitter card comes in two sizes and looks something like this:

Small Twitter Card

Twitter Card Small 2

Large Twitter Card

Large Twitter Card

What determines the size of the Twitter card seems to be the size and ratio of the image. If the image is square in size (144×144 or larger), Twitter creates a small card as shown at the top. If the image ratio is not square and larger than 144×144, Twitter produces a large Twitter card. The difference between the cards is obvious:

  • Small card has an image to the left and text to the right
  • Large card has image above and text below

It’s up to the person sharing on Twitter to decide which size is most appropriate. Personally, I prefer the larger size because it allows for a much larger image.

Apple Music Playlist Sharing

Here’s where the RANT begins… hang onto your hat’s folks. Apple’s engineering team doesn’t get Twitter cards…. AT. ALL! Let me give an example of this. Here’s a playlist I shared on Twitter:

Apple Music Playlist Twitter Card

What’s wrong with this Twitter card? If you guessed the image is way too tiny, you’d win. Apple doesn’t understand the concept of producing a 144×144 image properly. Here’s the fundamental problem. In iTunes, my playlist image is uploaded with a 1200×1200 size image. This image is well large enough for any use on the net. Here’s how it looks in iTunes, albeit scaled somewhat small:

iTunes Playlist Image

Note, iTunes retains the full image size, but scales the image as needed. If you look at the playlist on the web, it looks like this with a much larger scaled image:

Apple Playlist Web

As you can see, the image scales properly and still looks good even larger. Yes, even large enough to produce a 144×144 image on a Twitter card.

Here’s the Twitter card metadata on that Apple Music Preview page:

meta id="1" name="twitter:title" content="‎AstroWorld Pioneer by Klearnote" class="ember-view"

meta id="2" name="twitter:description" content="‎Playlist · 22 Songs" class="ember-view"

meta id="3" name="twitter:site" content="@appleMusic" class="ember-view">

meta id="4" name="twitter:domain" content="Apple Music" class="ember-view">

meta id="5" name="twitter:image" 
content="https://is5-ssl.mzstatic.com/image/thumb/SG-S3-US-Std-Image-000001/v4/a2/c6/6f/a2c66fc6-a63b-f590-c6db-e41aebfc327c/image/600x600wp.png" 
class="ember-view"

meta id="6" name="twitter:card" content="summary" class="ember-view"

You’ll notice that the text in red above is the piece that is relevant. Let’s look at that image now…

600x600wp

Scaled. Click to see 600×600 image

You’ll notice that the playlist image content is centered at 213×213 pixels in size centered in a light grey box that’s 600×600. Yes, that thick light grey border is part of the image. This is actually how the image is being produced by Apple on their servers. That would be okay if the image were scaled to the full 600×600 pixels. Unfortunately, it isn’t. Twitter will scale any image to its preferred size of 144×144 pixels for small Twitter cards. Here’s what a 144×144 image looks like when scaled by WordPress:

600x600wp

Small, but reasonably clear. Here’s Twitter’s crap scaled and unreadable version:

twitter-144x144

I have no idea what Twitter is using to scale its images, but it looks like absolute trash. The bigger problem isn’t that Twitter has scaled this image down, it’s that Apple has provided Twitter with such an already small and crap looking playlist image. Why have a 144×144 image if you’re only going to use 1/9th of the entire space? Apple, why wouldn’t you not want to use the entire 144×144 image space to make the image look like this:

pioneer-1200x1200

That sized image would make the Twitter card look like this…

TwitterCardFixed

… instead of this absolute shit looking card…

TwitterCardBroken

How the Mighty Have Fallen

Apple used to be a well respected company who always prided itself on doing things correctly and producing high quality products. Today, they’re a shadow of their former selves. Producing products as crap as this only serves as a detriment to all of the other products they now offer. It’s clear, Apple Music is an afterthought and Apple seems to have only one engineer assigned to this software product… maybe none.

It’s also clear, Apple doesn’t respect the standards of anyone, not even themselves. I consider this absolute crap attention to detail. Seriously, who wants their images to be scaled to the point of being unreadable? No one!

Yet, when I called Apple Support to report this issue, I was told, “This is expected behavior”. Expected by whom? Who would ever expect an image to be scaled the point of nonrecognition? No one. If this is the level of software development effort we’re now seeing from Apple, then I don’t even want to think what corners are being cut on their hardware products.

What’s next? Apple watches catching on fire and exploding on people’s wrists? Phones taking out people’s ears? If I can no longer trust Apple to uphold the standards of high quality, then the mighty have truly fallen. There is no hope for Apple no matter how much crap they try to peddle.

Apple, Hear Me!

If you are serious about your business, then you need to be serious about all aspects including offering high quality products, services and features. This goes all the way to playlist sharing on Twitter. My experience with dealing with Apple in this matter was so amateur, including the way Apple Music itself is being handled, why should I continue to use your products? Give me a reason to pay you $99 for such shit service! Seriously, in addition to the above, I’m also finding what appear to be bootlegged music products on Apple Music and yet you’re pawning it off as official releases?

And as suggested by your representative, why should I contact Twitter for this issue? Twitter’s features work properly when provided with the correct information. As has been stated for years in software engineering, “Garbage In, Garbage Out”. It is you, Apple, who are providing Twitter with garbage information. It’s not a Twitter problem, it’s an Apple problem. Also, because this is an Apple engineering problem to solve, why should I contact Twitter on Apple’s behalf? I don’t work for you. You need to have YOUR engineering team contact Twitter and have them explain to you the errors of your ways.

This is just the tip of the iceberg here. There’s so much wrong at Apple, if you continue to entrust your family’s safety into Apple’s products, you may find one of your family members injured or dead. Apple, wake up and learn to take quality seriously.

The next time you are shopping for a computer or a watch device, you need to ask yourself, “Do I really trust Apple to provide safe choices for me or my family?”

Apple has now officially and truly reached the level of shit!

Broken Apple Image credit: The King of The Vikings via DeviantArt

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Rant Time: Netflix’s Stupid Ideas

Posted in botch, business, california, entertainment by commorancy on August 29, 2018

NetflixApp-smNetflix has had made some questionable product decisions recently. That is, since it has begun buying its own original content. At the same time, it has made some platform changes that don’t make any sense whatsoever. Seriously Netflix, WTH? Let’s explore.

Original Content

Netflix has been having a hard time as of late. It has been heavily dipping its collective toes into original programming. However, much of the movie programming content has turned out to be bombs. Not just everyday bombs, but you know the movie kind that make you cringe so hard, you want to throw something at the TV. Programs like the oh-so-forgettable The Cloverfield Paradox, Bright, Extinction, The Beyond and Tau. With these questionable movies, Netflix seems to be missing its mark so much of the time. So much, in fact, that I’m contemplating cancelling my membership with this service. I’m beginning to think that Redbox streaming might be a better alternative.

Until recently, the only way to find out exactly how crap the movies actually were was to read the Netflix movie reviews. This is not possible any longer.

Netflix Deletes and Closes Review System

In its infinitely stupid wisdom, Netflix has decided to close down its review system (deleting over 10 years worth of reviews in a day), citing that it is not being used by its subscribers. I call bullshit on that excuse, Netflix management team. I, and clearly many others, regularly used the review system all of the time to steer clear of these recent Netflix bombs.

Unfortunately, we can no longer do this thanks to Netflix flipping us subscribers the collective bird after not only closing the review system down, but dumping all of that user review content. If Netflix’s management team is trying to tear the company apart, they’re doing a bang up job at it.

A review system says that service cares about its users’ opinions and it values its users. It allows users to make their views known to the larger community. Unfortunately, Netflix has now deprived its user base of that valuable resource by dumping all of the reviews and no longer supporting a review system at all. In fact, removing the movie review system says Netflix no longer cares about its users.

Worse, Netflix has dumped its 5 star rating system in lieu of a stupidly simple thumbs up and thumbs down approach. This overly simplistic system which, in reality, does nothing at all to influence anything. What this change says to us members is that Netflix solely wants to be the entire wielder of content power. No longer can any content be influenced by external user opinion… or so Netflix management mistakenly thinks. Nope, that is absolutely not important to Netflix. Netflix wants to be able to target its crap content to us with impunity and without those pesky user reviews getting in the way… even if the Netflix original content is the dreckiest dreck ever to have been conceived, which most of it is.

Netflix’s Agenda

I’m really tired of businesses like Netflix always feeling that they need to get the upper hand in every situation. In fact, even with the review system, they already had an upper hand. Netflix’s ultimate agenda to remove the review system isn’t what they stated on the surface. They claimed that people weren’t using the system. False. New reviews were being written every day. People were reading them every single day.

If people weren’t using the system, they wouldn’t write reviews… and yes, people were actively writing reviews. In fact, if the the review system was being used less, it’s because of Netflix’s design choices. It’s not because users weren’t interested in using the review feature. It’s because Netflix kept burying the review system deeper and deeper under menus, making it difficult to find. If reviews were on the decline, it wasn’t that people didn’t want to use it, it was because your UI team made it hard to find. Even with that said, people were STILL finding it and using it. That’s tenacity. That means your valuable subscribers actually WANTED to use it and did.

This means that Netflix intentionally caused the decline of the system. They set the review system up to fail and then blamed it on lack of use by the users. No, it wasn’t for lack of use, it was that it was too hard to find and too hard to navigate. That’s not failure to use by the users, that’s failure of your UX design team. People will use features when they are easily available and front and center. Bury it under layers of menus and it’s certain that usage will decline.

The real agenda is that Netflix no longer wants users to influence content such its The Cloverfield Paradox and the rest of its poor quality original content. Netflix mistakenly believes that if people can’t see the reviews or write them that more people will watch its crap. False. Netflix was likely also reeling over the horrible user reviews being left on its own site. Netflix wanted to stop that problem and the only way they could do that is step 1) bury the feature so it’s hard to find forcing many users to stop using it and then step 2) remove the feature claiming no one used it. Not only is that a lie, Netflix’s UX team is actually responsible for its lack of use.

Review systems work when they’re well designed and placed in conspicuous, well trafficked locations. They don’t work well when they’re buried under layers of unnecessary UI clicking. That’s proven. In fact, if Netflix’s user experience team doesn’t understand this fundamental UX 101 concept, they should all be fired!

Crap on a Stick

Netflix needs to get their crap together. They need to fix their horrible UI system and provide a much more streamlined system. They also need to bring back the user review system and place it into a much more prominent front and center position. A place where people can find it right up front, not buried under many UI layers.

Movies and Reviews

Movies and reviews go together like a pea in a pod, coke and hot dogs and hamburgers and fries. They simply belong together. You don’t get one without the other. Netflix thinking that they can change this fundamentally ingrained concept is a huge misstep. This misstep is as huge as when Netflix renamed its DVD service to Qwickster. That naming and concept failed miserably. This one will too… and it will backfire on Netflix.

I don’t even understand how a movie site like Netflix can even think they get away with not having a review system. By their very nature, movies require reviews. A movie is not 3 minutes long like a pop song. No one will spend 2 hours of their life watching trite, predictable, boring, poorly written garbage. Storytelling is an art form that when done right can take us to places we cannot even imagine. Yet, when storytelling is done wrong (i.e., too many of Netflix’s crap originals), it wastes hours of valuable time. The review system is there to prevent that loss of time.

Sorry Netflix, if reviews actually give you that much butthurt, you either need to grow a pair and get over it, or you need to shut down Netflix. Perhaps Netflix should stop its purchase of its crap original programming and this will no longer be a problem.

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TV Review: Wayward Pines

Posted in botch, california, entertainment, TV Shows by commorancy on August 27, 2018

WaywardPinesNote: *** Contains Spoilers ***

Here’s yet another M. Night Shyamalan thriller, this time in the form of a two season TV series.  Let’s explore.

Comparisons

This show has a similar premise to Stephen King’s Under the Dome. However, it is based on novels by Blake Crouch. Basically, it’s a small town that’s been cut off from everything and everyone. As a result, the town must live by its own rules. These two premises pretty much match up.

The way in which the Wayward Pines diverges is how the plot unfolds. With Under the Dome we come to find that the town is encased in a huge dome that, when the dome wishes, allows some exchange of air with the outside. In the case of Wayward Pines, we come to find that it’s supposed to be set in the year 4028, after a great holocaust mutated the human population. Both Under The Dome and Wayward Pines have populations that are cut off from “the outside world”, but for differing reasons.

Both towns, however, fundamentally operate in very similar ways with the exception that Dome runs out of resources a whole lot faster since they were cut off from the world without any resource planning. The dome town’s resources wear thin much, much faster. Wayward Pines, on the other hand, has the benefactor, David Pilcher, who not only had foreseen this event, but seemingly planned for it well in advance by building infrastructure and storing limited food rations to sustain the small town. We’ll come to find that Pilcher didn’t quite think ahead much or have planned for all contingencies.

Characters

The Wayward Pines town is inhabited by a number of adults and children including a sheriff, a nurse, a doctor and several primary families who become part of the series. It’s a similar kind of makeup as there was in Under The Dome. There’s also a faction of disenchanted citizens looking to escape from the city… so they can get “back home”. The characters change over time, particularly in season 2.

Weak Opening Premise

The show starts off entirely on the wrong foot indicating the “making it up as we go” syndrome. Meaning, the show begins by making no sense. Burke wakes up near a creek, beat up, bruised and injured. The question is, why stage this 2000 years in the future? What purpose does it serve?

If he had just awakened from cryosleep, why take him out of his cryosuit, dress him back in business attire and place him in the woods? Is it simply stage his awakening as though he had just crashed from a car? Why not start the episode off with Burke in a hospital bed recovering from his car injuries. That’s just as easily explained and shows us the Wayward Pines hospital right from the start.

If they want Burke to accept his life in Wayward Pines, why spend that time and effort staging his awakening? Did they stage other reawakenings in this way? They didn’t do it for Burke’s wife and kid. Staging reawakenings like this also means that someone at Wayward Pines needed to be 100% up to speed on exactly how Burke (or anyone else) was abducted into cryosleep to know exactly how to restage the reawakening. There are so many better things to worry about in a burgeoning town than dealing with staged awakenings.

Trapped in the Past

As with the isolated town premise in Wayward Pines, I find that there are a lot of stupid ideas, particularly from the supposed creator of the town, David Pilcher. According to his telling, the first time Pilcher tried to set up Wayward Pines, he chose to reveal the 2000 year old truth to the residents. While the children seemed to accept their fate, the adults couldn’t face life in this way and eventually the town self-destructed. This forced Pilcher to commit genocide by using the indigenous mutated humans to clear the population. This idea is stupid from the go. If you’re trying to repopulate humanity from limited pool of people, why kill them? You’re going to need that genetic diversity to repopulate… as much of it as possible.

David Pilcher has his (very large) crew (including his sister Pamela Pilcher) clean up the town, only to reset it all and restart it for a second time with group B. For group B, instead of revealing the truth, this time Pilcher decides to only tell the children the whole truth and withhold that information from the adults. This led the adults to believe they are still in 2014 (or whatever time period they came from). It also meant the adults believed they could leave the town and get back to their families… the idea that would inevitably become the town’s undoing. This keeps the adults in the dark of the reality of the world. This second time up to bat, Pilcher decides to incorporate corporal punishment in the form of town center lynch justice as a means to control order in Wayward Pines. If someone gets out of line or breaks rules, they are summarily brought to town center and executed by slitting their throat in front of the town mob. This is called a reckoning.

Here’s where I dislike this plot idea, where I feel this part was entirely unnecessary and sent the story premise off the rails. Pilcher is indeed correct to be worried that his group B town is degrading into chaos and destruction, just has had group A. It is. There is an underground movement that is growing and sowing the seeds of a second town self-reckoning once again. However, the reason for this is primarily because of Megan’s ideas she fed Pilcher. Megan’s ideas were the poison seeds that fueled Wayward Pines’s destruction, every time. Megan is a cancer on Wayward Pines.

Cryonics and The Past

To give a bit of backstory here, Pilcher foresaw the destruction of the 2014 world due to a DNA mutation he found, a mutation that would lead to humanity’s destruction in the future. He tried to alert the attention of the scientific world, but failed. Instead, Megan Fisher (eventually becomes the teacher at Wayward Pines school), urges David Pilcher to take whatever means necessary to ensure survival. This was the primary piece of bad advice David Pilcher took in securing his vision and the piece of advice that single-handedly ensured Wayward Pines’s demise. Megan would go on to not only continue giving bad advice, but poison the children and jeopardize the entire project.

Anyway, Megan’s continual bad advice leads Pilcher (being all wealthy that he is) to use his great wealth to hire people to nab random folks off of highways and put them into cryosleep. One set of unwilling participants is our protagonist Ethan Burke, his wife Theresa Burke and his school age son Ben Burke (season 1). Ethan Burke was sent to the area by the secret service (?) to investigate the disappearance of two of his colleagues. Ethan becomes the eyes of the audience as the great mystery of Wayward Pines unfolds. Of course, the premise includes everyone else in Wayward Pines, who were all unwillingly abducted and cryofrozen. The only people willingly there are those that who David Pilcher hand picked to operate the mountain complex to keep Wayward Pines functional as a township.

The Philchers (Pam and David) call Wayward Pines the Ark.

Aberrations

In season 2, we find out more about the original awakening of group A via C.J. Mitchum. He was the advanced cryo engineer who was the first to awaken and who awakened group A. He was also the person who found the aberrations and alerted Pilcher to them. This is also where the story takes a bad turn. Instead of staying and killing off a bunch of indigenous humanoids, C.J. suggests heading back into the pods to wait more time for them to die off. In fact, there were so many ways this story could have been handled, Wayward Pines might have worked as a simple utopia. Pilcher decides not to wait… yet another dumb idea from someone who’s supposed to be very smart. Anyway, Pilcher clears the area and erects an electric fence.

Outside the electrified fence, the indigenous humanoids (called Abbys … short for aberrations) inhabit the countryside. They also inhabited the area where Wayward Pines has been built. This means that David Pilcher kicked them off of their land. The aberrations are the remnants of humanity left over after the DNA mutation and the event that David had predicted. The aberrations are vicious carnivores that eat any animal flesh they can find, including any 2014 humans that happen along the way.

However, we come to find in season 2 is that Pilcher cleared out the area where Wayward Pines was to built by killing all off the indigenous folks. This action effectively starts the war between the aberrations and the humans and ensures all of the problems for Wayward Pines going forward. A problem that could have been avoided had Pilcher taken CJ’s advice and waited longer.

Keep It Simple Stupid

The first problem I have with this premise is that Pilcher kidnapped folks without consent. He also didn’t vette them for suitability or compatibility for living in a utopia city project. He yanked them out of their life and put them into cryosleep. After unfreezing them in the year 4028, he has two options. Tell them their reality or make them think it’s still 2014. After all, the town looks like it did in 2014 so it’s not that hard to convince those who are unfrozen.

There are lots of reasons why this town won’t ultimately succeed. The primary reason it is doomed to fail is that these folks didn’t consent to be there, the problem treated by Megan. They still think it’s 2014 and they think they can leave and get back home. Yet, they are being told never to talk about that. That idea won’t work. You simply can’t tell people to suppress their desires to go back home to their families and loved ones. If he had explicitly kidnapped folks who didn’t have loved ones waiting, then perhaps he could have used that. David didn’t think the kidnapping idea through very well.

Another secondary reason why this township won’t work is limited food and medical supplies. While he did stockpile food to get the town started and maintain certain levels of conveniences like ice cream, liquor, fudge, toy shops, hair stylists and various amenities offered by the 2014 standards, that cannot possibly last. There is also simply not enough food resources to maintain a growing community of people. Pilcher also failed to foresee the need for medicines in the future. While he did bring some medicine forward in time, it simply wasn’t enough (season 2). Over time and with enough generations, there would be no way for 2014 humans to survive, particularly without access to modern medicines. It’s not like he also brought along a pharmaceutical company and people to run it.

This lack of foresight sows the seeds of destruction for any forced community at some point in the future. The corporate punishment only serves to double-down on this destruction by, along with microphones and cameras monitoring everything in the town, eventual dissent and violence. If David stays this course with each successive town reset and restart, he’ll eventually run out of people to inhabit the town. Thankfully, Pam puts a stop to that, but too late to really save Wayward Pines.

Survival

Even if there had not been any indigenous population to defend against, the community would still have failed. As I said above, Pilcher didn’t bring along enough medications, vitamins and food to last indefinitely.

If the town had been able to survive without the threat of attack, the population would have eventually overgrown the town. They would have had to either institute population controls or force people to leave and settle elsewhere. There were so many better and more horrifying story avenues than the aberrations, the aberrations simply ended up as a convenient copout distraction from all that was missing when actually trying to build a utopia.

Season 1 versus Season 2

Season 1 started out promising by offering hope that the town might survive and morph into something useful. By season 2, not only had the show jumped 3 years into the future, which robbed us of the internal struggles, we come to find that the first generation is now running the town. While this is a fairly stupid premise to begin with, it effectively turned the show into a Young Adult novel.

On so many levels for a TV series, this change doesn’t work. You can’t start out with adults running the show only to turn it into a teen fest. That, in and of itself, caused too many problems going from season 1 to season 2.

Additionally, season 2 introduces a lot of foreign concepts that take the show in a direction that really doesn’t make a whole lot of sense. While I have not yet read Crouch’s novels, I’m assuming that the two seasons follow the novels to some degree. Ultimately, I can see why this show was not renewed after season 2. It just wasn’t strong enough of a premise to survive such jarring changes between season 1 and season 2. By jarring changes, I not only mean the survival concepts, but also the never ending cast changes, particularly the teen fest.

Overall

This was not a great show. It had a lot of promise when it began, but it quickly degraded into a story place that couldn’t work. Additionally, there were so many unaddressed mistakes made by Pilcher, these made the show’s story entirely weak. For example, where was the livestock? If you can cryofreeze humans, why didn’t Pilcher cryofreeze cows, pigs and chickens? They will need protein and vegetables as food sources… particularly if they’re to repopulate the earth.

Also, if Megan’s population birthing initiative was so all fired important, then why didn’t they cryofreeze a bunch of babies or pregnant woman to immediately restart the repopulation process?

Additionally in season 1, it was never addressed where all of the food was coming from or how much food there was. By season 2 and three years later, the town was already running out of food and needed to build farms to sustain the population. However, the valley soil where Wayward Pines is situated is supposedly tainted and cannot grow food with no real explanation of this. If food was an important thing to consider, why didn’t Pilcher cryofreeze some farmers and botanists? Also, why wasn’t this idea addressed in season 1?

Also, if Pilcher wanted his Wayward Pines town to thrive as a small town circa 2014 style, he must have packed enough rations to last for well more than 3 years. I’d suspect he’d brought along enough to last 10 or 20. If you don’t bring along enough rations to last 10 or more years, then why lure people in with all of the ice cream and hot dogs when in 1-2 years they’ll be starving or subsistence farming? Also, ice cream is made from milk. Where was the livestock to keep it all going? What about clothing? What about making cloth? What about growing cotton to make yarn to make cloth? What about sheep to make wool for winter clothing?

Clearly, the show’s writers weren’t thinking ahead. They might be able to blame some of this on Blake Crouch, but the show’s writers should have been able to read the book material, see the problems and fix them in the series. Overall, it’s a generally weak show that appears better than it actually is. It’s easy to see why it was cancelled after 20 episodes. In addition to being only half-assed in concept, the stories were simply not thrilling enough. The story needs a whole lot more thought and work.

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Why you should NOT use Disqus on your site!

Posted in botch, business, california by commorancy on October 26, 2017

What is Disqus (pronounced discuss)? This is a service that purports to offer an embedded comment / discussion service to your blog or website. Seems like a good feature, but let’s explore why this service shouldn’t be used.

Discussion Forums

Any good blog site or article site should offer a way to allow for comments. However, I find far too many sites that don’t offer comments at all. This is not the focus of this article, but it is one of my pet peeves. Should you choose to add a discussion or comment service, you should not consider using Disqus at all. Why?

Every good discussion package should offer a way to moderate posts and see every post that’s been submitted to your article. I believe that while Disqus does offer moderation, it also has a built-in spam detection package that hides posts from you that have been detected as spam. The problem with using Disqus, is that not only is their spam detection heinously faulty by filtering out many valid posts as false positives, Disqus does nothing about it. This means that as a site owner, you could be losing many, many valuable and valid comments to Disqus’s spam detection system.

As a site owner, you won’t even get to see those detected posts to know they were even there. They are simply hidden in the user’s profile on Disqus who posted their comment. Secondarily, the person leaving the comment can do nothing to get their comment unspammed. Once it’s detected by Disqus’s spam filter, that comment is lost for all eternity. Disqus staff not only does not monitor these failures,  they do nothing about them. Disqus offers a comment platform and they can’t even do that job.

If a user clicks on the This is not spam button, nothing happens. The post is not reposted. No one at Disqus looks at the comment. No one approves it. So, the comment remains in perpetual limbo solely on the user’s Disqus profile.

Disqus as a Discussion Service

As a site owner contemplating embedding Disqus as a comment platform for your site, you want to know that your reader’s comments appear timely and fully. This is guaranteed not to happen with Disqus. You don’t want to use a half-baked discussion system thinking you’re actually getting to see all comments on your posts. With Disqus, I’d guess at least 50% of all comments left on an article are lost to Disqus’s extremely stupid spam filtering system. That number might even be higher than that. If you actually want to see all participation on your posts, you should find another system to enable comments on your articles. DO NOT rely on the Disqus platform as they WILL lose valuable comments from your readers… comments that you will never see.

If you really value reader feedback and participation, do yourself a favor and DO NOT USE Disqus as a platform. Until this company actually gives a damn about your users and actually gives you the tools to manage every user response (spam filtered or not), you should find another service to add discussion feedback to your articles that you post.

Better, lead your users your other social media site where open discussions are, in fact, permitted without the draconian spam engine that Disqus currently employs to hide and censor valid and valuable comments from you.

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Why Nintendo’s Miiverse is already dead

Posted in video game, video gaming by commorancy on March 17, 2013

Miiverse is Nintendo’s newest gaming social network only available on the Wii U console.  While it has some benefits, it also has many drawbacks. These drawbacks will become Miiverse’s ultimate failing and why it will ultimately fail to gain traction as a lasting social network.

What exactly is Miiverse?

Miiverse is a gaming social twitter-like network available exclusively through the Nintendo Wii U console and only available by using a Nintendo Network ID (which is also created exclusively on the Wii U console). The Nintendo Network ID (NNID) is much like an Xbox Live ID used on the Xbox.  However, unlike Xbox, you cannot access your Nintendo Network ID from the Internet.  It is only and exclusively available strictly through the Wii U console.  This is one of the major failings of this network and only one of the major reasons why this social network will ultimately fail.

No Internet access to content?

[Update: Miiverse is now available on the Internet in a limited fashion. However, at the time of this article’s publish date, it was not yet available. You can now visit the Miiverse Web Site and see your posts. The below paragraph is here for historical reasons.]

Nope.  There is no web access or any other external access to any of the content placed in Miiverse or, indeed, anything else related to your NNID. So, you cannot review anything about your NNID until you have access to your Wii U console again. This is one of Nintendo’s bright ideas that is ultimately a bad idea. Even Microsoft has learned that you have to allow access to at least pieces of your Xbox Live ID content on the Internet so you can at minimum login and get some information about your Xbox Live account. So, while you can’t get access to the exclusive content on the Xbox, you can at least see your gamer points and profile and set up things about your Xbox Live ID.

This exclusive access via the Wii U console will ultimately be the failing of this network. Basically, if you don’t buy a Wii U, you can’t have access to Miiverse content.  If your console breaks, you have to buy another one to gain access again. There is no way to get access to this content from the web or in any other way than through a Nintendo device. Even Apple produced iTunes so you could at least buy things on the iTunes store without owning an iDevice. Nintendo just doesn’t get it.

Miiverse is limited

Instead of Nintendo providing something more useful like game Achievements, they thought that having a half-baked social network would take the place of this.  Well, as a gamer, I’m here to say that this is not an adequate replacement. Being able to post for help and gain access to it quickly is cool, but you can easily get help by using Google and posting to open forums available on the Internet.  I don’t need Miiverse for this.  Yes, the screen shot feature is cool, but it is limited and the Nintendo admins are strictly fascist with reports of content problems.

Worse, you can’t even edit your posts.  So, if you forget to mark something as a ‘spoiler’, then you cannot fix that. You can only delete your post and start over.  Worse, there’s a 5 minute timer on posts, so if you delete a post and want to repost, you have to wait 5 minutes to fix it.  So, even if the admins mark a problem with your post later, you can’t correct the problem as there’s no way to edit it.  Seriously, if you’re going to flag posts as problems, at least have the decency to add editing tools to modify and correct the problem.

Miiverse administration is stupidly designed and poorly operated

If your content is reported, you can expect that you are always in the wrong. It doesn’t matter whether or not you really are, it matters what the admins say.  And clearly, the admins always side with the person who reports the content and not with the person who created the post.  So, be warned that if someone reports your content, you are always marked as being at fault.  Worse, the whole administration piece is stupidly designed.

There is a ‘Messages’ area where if your content is reported, you will receive a canned response from some anonymous moderator stating that you have violated Miiverse ‘terms and conditions’.  If you want to dispute the process, you can’t.  Your options for response are limited to about 6 different canned responses, none of which are at all appropriate to getting a proper response back from the admins.  No, you cannot write an email or send a text response to someone to ask a question or get clarification.  In fact, if you do need to contact someone in person regarding an issue, you have to go to Nintendo.com, submit their general web form case and then wait for them to provide you with a pin number and the phone number to call in.  That phone number being 1-877-803-3676.  But, don’t try to call it blind.  You will need the pin code provided by a Nintendo staffer to call in. Note, they don’t tell you this anywhere in any documentation or even on the Wii U in Miiverse. You have to somehow just ‘know’ this.

Worse, there is little the admins can really do short of removing the post which they should really be doing anyway. If they delete your NNID, you can simply create another one.  Sure, you might lose all your content associated with the old ID, but it’s not like you had achievement points associated with it anyway. You will lose any posts you made, but no big deal there either.  It’d basically be like losing a private twitter feed that no one but Wii U users have access to. It would not be like losing your Twitter account which would be a much bigger deal.  Although, you might lose money you’ve built up in the Nintendo store, but that’s something I’m not sure of yet.

Yeahs vs Spoilers

There is a ‘Spoilers’ flag that can be set on a post.  Unfortunately, you cannot mark something as a spoiler after the fact and it only takes one report by some random schmo for your post to be thrown into question as being a spoiler. This then throws the content into some random admin’s queue who really doesn’t care and will always side with the person who reported.  You can’t dispute this process at all.  So, your only action left is to delete the post which the admins could have done anyway.

Posts can be marked with a ‘Yeah’ (which is akin to Facebook’s Like feature), but these have no bearing on whether or not it’s a spoiler. With spoilers, you have to report it through a form.  Once reported, an anonymous moderator makes the decision whether it violates terms.  But, it doesn’t matter if it does or doesn’t.  You’re already guilty and you will always be in the wrong. Nintendo is not taking any chances, so the poster of the content will always be dinged on the content. So, how exactly does any of this in any way incent any gamer to want to participate in this network knowing they’re going to have run-ins with admins? Nintendo, you’re biting the hand that’s feeding you.

With any game, any still image is considered a spoiler.  If you’re showing game content, that’s a spoiler for someone. So, it doesn’t matter what image you’ve posted, if someone reports it as a spoiler, it is a spoiler (at least according to Nintendo). This is the wrong approach for a social network. Nintendo shouldn’t be making the decisions about spoilers. Social networks need to operate on likes or thumbs down features.  Instead of taking the word of only one person (which is currently what it takes for Miiverse), it should be self-policed by the software based on the consensus of a number of people participating in the social network.  If a number of people tag something as a spoiler, then mark it as a spoiler automatically. Problem solved with no personnel intervention involved.  Don’t flag an account as in ‘violation of terms’ with this silly and stupid canned response system.  Just automatically take action by allowing the users to self-police the content.  Again, if more people mark it as not a spoiler than those who do, it remains visible as not a spoiler.  Social networks should be governed by those participating in the social network, not by Nintendo employees. Nintendo clearly doesn’t understand the concept of a social network or how it should operate.

Deleting Content

If you decide to delete all of your Miiverse posts, you might as well just go delete your entire NNID.  It’s a whole lot faster.  Trying to weed through your old posts on Miiverse is like watching paint dry. This entire process is majorly botched, hugely time consuming and barely works.  I had about 170 posts and it took me nearly 2 hours to delete most of them. Suffice it to say that you have to refresh the entire list of posts each time you want to get to the next post to delete.  And, because they only load a screen at a time, you have to wait when you pull the screen up for it to load more posts in. Worse, you have to basically unfriend and unfollow everyone in your list to limit this list to just your posts so you’re not scrolling through tons of other people’s posts to get to your own.  Worse, there’s no way to see, at a glance, who you’ve friended or followed.  So, you have to just weed through the ‘Activity Feed’ to find the people you’ve friended and followed. Note, I’m not even filling in half of the details here for deleting content, but suffice it to say that Miiverse was not designed to delete your old content.

No opt-out

If you don’t want to participate in Miiverse, there is no way to do this on the Wii U console.  Basically, you have to disconnect your Wii U from the network to not participate in Miiverse. There is no option on the Wii U console to turn it off or in any other way opt-out.  Note that as long as you have an NNID associated with your Wii U, your console will log into the Miiverse service and show you content on the carousel screen even if you don’t want to participate.

Overall, Miiverse seems like a good idea, but it’s badly designed, poorly implemented and poorly operated.  Yes, the one thing that it does is allow for quick access to help, but that one feature is completely overshadowed by how poorly the entire software is conceived and implemented. I personally cannot recommend this social network for any use other than for a quick ‘Help I’m stuck’ kind of question. Even then, I would suggest using Google first as it will likely be faster.

If you are a parent and don’t want your child participating in this social network, you have no option to turn it off from within the Wii U console.  So, if you’re thinking of buying a Wii U console for your child, you should be well aware of this fact before you consider that purchase. If you would prefer your child to not participate in this poorly run social network, then you should probably consider a different console purchase.  Additionally, considering that Nintendo is having major troubles even roping in developers to put their AA titles on the Wii U, I’d say purchasing (or, rather, not purchasing) the Wii U is pretty much a no-brainer.

Done with Miiverse

I’ve given Miiverse a fair shake and have come to conclusion that because of its limited usefulness and Nintendo’s fascist moderators and ‘terms and conditions’ coupled with bad software design, I can’t be part of that community. This is the reason I deleted all of my content on there. I may yet delete my NNID and just be done with it.

Until Nintendo can figure out that this social network design is crap and until they redesign it from the ground up, my suggestion is to avoid using Miiverse as its sole value is extremely limited and may actually cause more harm than good for some people.  Nintendo, you need to figure this out fast.

Revert back to iTunes 10 from iTunes 11 (Windows Edition)

Posted in Apple, botch, itunes, itunes bugs by commorancy on December 27, 2012

[UPDATE 2015-01-17] New Article: How to make iTunes 12 look and act more like iTunes 10

If you’re looking for the Mac OS X downgrade steps, please check out this Randosity article. After giving iTunes 11 a fair shake, I have come to the conclusion that this version is so hopelessly broken that I just can’t deal with it any longer. So, I’ve decided to roll back to iTunes 10.

The iTunes 11 botch

It is very obvious that Tim Cook (and crew) are systematically undoing every ideal that Jobs held for Apple. iTunes 11 is no exception. With its missing menus, unnecessary drop down menus, haphazard interface, missing Radio link (well, not missing, but moved to a hard-to-find area), huge graphical album listings and no easy way to set art on music any more, the whole iTunes 11 release is one big botch. Well, the last straw came today when I tried importing a CD. It imported fine until I stopped it because I realized the import settings were wrong. When I attempted to restart the import, iTunes 11 would only begin at the next track and refused to replace the existing, something that iTunes 10 does quite nicely. When I put a second CD into my second drive, the whole app locked up. Then, I killed it with task manager. On startup, it proceeded to lock up Windows and prevent me from working with the desktop. I’ve never had this issue with iTunes 10. Worse, playlist metadata is now stupidly globally linked. Meaning, if you uncheck a song in one playlist and it exists in other playlists, it unchecks the song there too. So, now checkboxes are global settings across the whole of iTunes. That’s just some of the underwhelming, but major changes in iTunes 11. I’ve had it with iTunes 11 and all of its stupid new quirks.

Rewriting that much of an app is really a gamble and this is one gamble didn’t pay off. I’ve heard some people seem to like some of the changes. I’m not one of them. Seriously, what was the benefit to changing the interface that radically for no end-user payoff? I mean, at least give us users some kind of a bone to endure that kind of radical change. There just isn’t any reward for dealing with this massive of a change. All we get is whole lot of learning curve, fighting through bugs, dealing with stupidity in UI design all without any substantial ease of use improvements.

Restoring iTunes 10

Well, I finally made the decision to revert back to iTunes 10. The first problem was locating the most recent version of iTunes 10. Thankfully, Apple Support keeps older iTunes versions online (or at least, they’re there now). So, if you are thinking of reverting back to iTunes 10, you might want to grab your copy now before they take it down. But, keep in mind that once you’ve upgraded to iTunes 11, your ‘iTunes Library.itl’ (What are the iTunes library files?) file will be updated to the latest format which is incompatible with iTunes 10. So, you will have to restore back to an older version of library.itl or possibly face rebuilding your entire media library from files on disk.

Steps to revert on Windows:

  • Download iTunes 10 from the above link
  • Start->Control Panel->Programs and Features
  • Make note of the iTunes 11 ‘Installed On’ date.
  • Uninstall iTunes 11
  • Install iTunes 10
    • Don’t start iTunes 10 at this point or you will receive an error stating that library.itl was created by a newer version. Continue on with the steps below.
  • Go to C:\Users\<your user>\Music\iTunes
  • Rename ‘iTunes Library.itl’ to ‘iTunes library.iTunes11.itl’ (in case you want to revert back using this file)
    • Note the space in the name
  • Copy the most recent backup of ‘iTunes Library.itl’ or of a date just before you installed iTunes 11
    • Copy C:\Users\<your user>\Music\iTunes\Previous iTunes Libraries\library.<date>.itl to
    • C:\Users\<your user>\Music\iTunes\library.itl
    • If you don’t have a backup copy, you can simply delete ‘iTunes Library.itl’, but you’ll probably have to rebuild your media library from scratch. Deleting this file doesn’t delete your music, it will just remove iTunes’ reference to it.
    • If you have a ‘iTunes Music Library.xml’, you may be able to import that to rebuild your library more easily.
    • You should regularly export your library as ‘iTunes Music Library.xml’ anyway in case iTunes ever gets corrupted.
  • Once you have iTunes 10 installed and ‘iTunes Library.itl’ recovered, you can start up iTunes 10. Assuming the ‘iTunes Library.itl’ was a backup created by iTunes 10, it should start just fine. If it doesn’t, keep recovering older ‘iTunes Library.<date>.itl’ backup files until you find one that works.

Now you’ll want to review your library to ensure that any new music you’ve bought or added is there. If not, you’ll have to add the folders of that music to this library.

Note, if you have changed where your library.itl resides, you will have to rename it there instead. If you haven’t modified iTunes in this way, library.itl will be in the above location (or whichever drive is your Windows boot drive letter).  Simply deleting the file, iTunes may be smart enough to pull its most recent backup copy, but I haven’t tested this.  So, I’d rather choose my library.itl from the backups.

Additional note, you can’t tell which version of iTunes generated the library.itl file. So, you will need to review your backup library.<date>.itl files and locate a dated file that’s before you installed iTunes 11. If you don’t remember the date you installed iTunes, you may be able to find the install date in Control Panel->Programs and Features.

Mac Note: that with the exception of the paths, the basics of these instructions may apply to MacOS X. I’ve just not reverted iTunes on MacOS X as yet. However, you’re in luck, Danny has produced a rollback article for Mac OS X here on Randosity for Mac OS X users.

Apple’s progressive slide

There are some technology changes that Apple makes that work. There are some that don’t. Part of the problem is a quality control issue. Steve Jobs was a stickler for high quality control to the point of perfectionism. This is a good thing in that Apple’s quality was always near perfect when Jobs was on duty. Unfortunately, since Tim Cook has taken over, that quality level has dramatically slid down. The iPad 3 was the first example, then OS X Lion, then iOS 6, Mountain Lion and now iTunes 11.  I won’t even get into that thing they’re calling an iPod nano.  I still shutter to think that someone at Apple thought the new taller iPod nano would actually have a real world use case over the ‘watch’ version? I should just avoid the obvious discussion about the whole taller nano debacle.

I’m not sure what the Apple engineers are thinking at this point, but one thing is crystal clear. There is no one at Apple driving quality control either at a software or hardware level. I doubt that Steve Jobs would have ever let iTunes 11 see the light of day the way it is now. The changes were far too drastic requiring a huge learning curve without any real benefit to the user. I mean seriously, what did Apple hope to accomplish by making this drastic of a software change?

For example, if Apple were planning on introducing a Netflix-like streaming service and iTunes needed the software to support this, I can full well understand implementing a needed software change to support this. If they were planning on allowing some new advanced technological approach to playlists, like Facebook style sharing of them, then maybe a change might be required. But, making a change just to make change isn’t useful or wanted. Complicating the interface and moving things to unnecessary new areas is not wanted. Users don’t want to have to relearn an interface just because someone decides to haphazardly move things around with no rhyme or reason.

Analysts amazingly silent?

I’ve yet to see any analysts making any calls on this or any other Apple quality issues. Yet, it’s crystal clear. Apple is not the Apple it once was. I’m sure the analysts are just biding their time to allow their clients to get their money out of Apple before making word of the problems that are just beginning to face Apple. In fact, it’s the same problem that now faces Sony. Sony used to be a top notch, high quality and innovative technology company who could basically do no wrong. Then, something happened at Sony and they’ve not been able to produce anything innovative in years. Apple is clearly on its way to becoming the next Sony. It’s also inevitable that without hiring someone (or several people) of the caliber of Steve Jobs that has both the technological vision combined with high levels of quality control, Apple doesn’t have a future.

As a software developer, you can’t just throw out any change to the wind and hope it succeeds. No, you have to bring in test groups to review the changes and find out how the average user responds to the changes. Apple shouldn’t have any trouble putting testing groups together. But, it appears that iTunes 11 did not get user tested at all. It’s a shame, too. iTunes 11 has some cool features, but those are just completely eclipsed by the poor quality of the software and the stupid design decisions.

Can Apple recover?

Yes, but it’s going to take someone (or several people) to bring quality control back to Apple and someone who is willing to say, ‘No, that sucks. Try again’.. just someone should have to said about iTunes 11 before it was ever released.

What’s wrong with Vista / Windows?

Posted in microsoft, tanking, windows by commorancy on July 6, 2009
This post comes from a variety of issues that I’ve had with Vista (specifically Vista 64 Home Premium).  And, chances are, these problems will not be resolved in Windows 7.  Yet, here they are in all their glory.
Memory Leaks
Vista has huge and horrible memory leaks.  After using Vista for a period of time (a week or two without a reboot) and using a variety of memory intensive 3D applications (Daz Studio, Carrara, The Gimp and Poser.. just to name a few), the system’s memory usage goes from 1.69GB to nearly 3GB in usage.  To answer the burning question… yes, I have killed all apps completely and I am comparing empty system to empty system.  Worse, there is no way to recover this memory short of rebooting.  If you had ever wondered why you need to reboot Windows so often, this is the exact reason.  For this reason alone, this is why Windows is not considered ‘stable’ by any stretch and why UNIX outperforms Windows for this reason alone.
Startup and Shutdown
Microsoft plays games with both of these procedures.
On Startup, Microsoft’s engineers have tricked you into thinking the system is functional even when it isn’t.  Basically, once the desktop appears, you think you can begin working.  In reality, even once the desktop appears, you still cannot work.  The system is still in the process of starting up the Windowing interface on top of about 100 background services (on many of which the windowing interface relies).  This trick makes Windows appear snappier to start up than it really is.  In fact, I would prefer it to just ready the system fully, then present the Windowing interface when everything is 100% complete.  I don’t want these tricks.  When I see the windowing interface, I want to know I can begin using it immediately… not before.
On Shutdown, we have other issues.  With Vista, Microsoft Engineers have done something to this process to make it, at times, ridiculously slow.  I have seen 8-15 minute ‘Shutting Down’ screens where the hard drive grinds the entire time.  I’m sorry, but shutdown time is not housekeeping time.  That needs to be done when the system is running.  It should not be done during shutdown procedures.  A shutdown should take no more than about 1-2 minutes to complete flushing buffers to disk and killing all processes.  If it can’t be done in 1-2 minutes, shut the system down anyway as there is nothing that can be done to finish those tasks anyway.
Windows Updates
Microsoft was supposed to eliminate the need to shutdown/reboot for most Windows updates.  For some updates, this is true.  For the majority of Windows updates, this is still not true.  In fact, Microsoft has, once again, made this process multistep and tediously slow in the process.  Don’t get me wrong, I’m grateful that they are now at least verbose in, sort of, what’s going on.. but that doesn’t negate the fact that it’s horribly slow.  The steps now are as follows:
Windows installation process (downloading and installation through the Windows dialog box).  You think it’s over when you..
Restart the system and it goes through finishing Step 2 of this process during shutdown… and then you think it’s over again when
The system starts back up and goes through Step 3 of the update process.
Ok, I’m at a loss.  With Windows XP, we had two steps.  Those first during Windows updater and the second when the system starts back up.   Now with Vista, we have to introduce another step?
Windows Explorer
For whatever reason, Windows Explorer in Vista is horribly broken.  In Window XP, you used to be able to configure your Windows how you liked then lock it in with Tools->Folder Options  and then View->Apply to Folders.  This would lock in exactly how every window should appear (list or icon format, size of icons, etc).  With Windows Vista, this is completely and uterly broken.  This functionality just no longer works.  I’ve tried many many times to lock in a format and Windows just randomly changes the folders back to whatever it feels like doing.
For example, I like my windows to look like this:
Unfortunately, Windows has its down agenda.  If I open a file requester (the standard Vista requester… the one that looks like the above) and I change the view to ANY other folder than this one, it randomly changes folders on the system.  So, I might open the above folder and it will later look like any of these:

This post comes from a variety of issues that I’ve had with Vista (specifically Vista 64 Home Premium).  And, chances are, these problems will not be resolved in Windows 7.  Yet, here they are in all their glory.

Memory Leaks

Vista has huge and horrible memory leaks.  After using Vista for a period of time (a week or two without a reboot) and using a variety of memory intensive 3D applications (Daz Studio, Carrara, The Gimp and Poser.. just to name a few), the system’s memory usage goes from 1.69GB to nearly 3GB in usage.  To answer the burning question… yes, I have killed all apps completely and I am comparing empty system to empty system.  Worse, there is no way to recover this memory short of rebooting.  If you had ever wondered why you need to reboot Windows so often, this is the exact reason.  For this reason alone, this is why Windows is not considered ‘stable’ by any stretch and why UNIX outperforms Windows for this reason alone.

Startup and Shutdown

Microsoft plays games with both of these procedures.

On Startup, Microsoft’s engineers have tricked you into thinking the system is functional even when it isn’t.  Basically, once the desktop appears, you think you can begin working.  In reality, even once the desktop appears, you still cannot work.  The system is still in the process of starting up the Windowing interface on top of about 100 background services (on many of which the windowing interface relies).  This trick makes Windows appear snappier to start up than it really is.  In fact, I would prefer it to just ready the system fully, then present the Windowing interface when everything is 100% complete.  I don’t want these tricks.  When I see the windowing interface, I want to know I can begin using it immediately… not before.

On Shutdown, we have other issues.  With Vista, Microsoft Engineers have done something to this process to make it, at times, ridiculously slow.  I have seen 8-15 minute ‘Shutting Down’ screens where the hard drive grinds the entire time.  I’m sorry, but shutdown time is not housekeeping time.  That needs to be done when the system is running.  It should not be done during shutdown procedures.  A shutdown should take no more than about 1-2 minutes to complete flushing buffers to disk and killing all processes.  If it can’t be done in 1-2 minutes, shut the system down anyway as there is nothing that can be done to finish those tasks anyway.

Windows Updates

Microsoft was supposed to eliminate the need to shutdown/reboot for most Windows updates.  For some updates, this is true.  For the majority of Windows updates, this is still not true.  In fact, Microsoft has, once again, made this process multistep and tediously slow in the process.  Don’t get me wrong, I’m grateful that they are now at least verbose in, sort of, what’s going on.. but that doesn’t negate the fact that it’s horribly slow.  The steps now are as follows:

  1. Windows installation process (downloading and installation through the Windows dialog box).  You think it’s over when you..
  2. Restart the system and it goes through finishing Step 2 of this process during shutdown… and then you think it’s over again when
  3. The system starts back up and goes through Step 3 of the update process.

Ok, I’m at a loss.  With Windows XP, we had two steps.  Those first during Windows updater and the second when the system starts back up.   Now with Vista, we have to introduce another step?

Windows Explorer

For whatever reason, Windows Explorer in Vista is horribly broken.  In Window XP, you used to be able to configure your Windows how you liked then lock it in with Tools->Folder Options  and then View->Apply to Folders.  This would lock in exactly how every window should appear (list or icon format, size of icons, etc).  With Windows Vista, this is completely and utterly broken.  Basically, this functionality simply no longer works.  I’ve tried many many times to lock in a format and Windows just randomly changes the folders back to whatever it feels like doing.

For example, I like my windows to look like this:

Favorite Format

Favorite Format

Unfortunately, Windows has its own agenda.  If I open a file requester (the standard Vista requester… the one that looks like the above) and I change the view to ANY other style than the one above, this change randomly changes other folder views on the system permanently.  So, I might open the above folder and it will later look like any of these:

Format Changed 1

Format Changed 1

Format Changed 2

Format Changed 2

or even

Format Changed 3

Format Changed 3

All of which is highly frustrating.  So, I’ll visit this folder later and see the entire headers have changed, or it’s changed to icon format or some other random format.  Worse, though, is that I’ve specifically changed to the folder to be my favorite format with Tools->Options.  In fact, I’ve gone through this permanent change at least 3-4 times after random changes  have happened and inevitably it changes to some other format later.  Again, highly frustrating.

Access Denied / Enhanced Security

For whatever reason, Microsoft has made shortcuts to certain folders.  Like for example, in your profile directory they have renamed ‘My Documents’ to simply ‘Documents’.  Yet, for whatever reason, Microsoft has created shortcuts that don’t work.  For example, if I click on ‘My Documents’ shortcut, I see ‘Access Denied’.  I don’t get why they would create a shortcut and then prevent it from working.

The only thing the enhanced security has done for Windows users is make it more of a problem to work.  Security goes both ways.  It helps protect you from malicious intent, but it can also get in the way of usability.  Security that ultimately gets in the way, like UAC, has failed to provide adequate security.  In fact, it has gone too far.  UAC is a complete and utter failure.  Combining this with making nearly every security issue tied to the SYSTEM user (with practically zero privileges), makes for stupid and exasperating usability.

Filesystem

To date, Windows still relies heavily and ONLY on NTFS.  Linux has about 5-6 different filesystems to choose from (Reiser, VxFS, XFS, Ext2, Ext3, JFS, BSD and several others).  This allows systems administrators to build an operating system that functions for the application need.  For example, some filesystems perform better for database use than others.   On Windows, you’re stuck with NTFS.  Not only is NTFS non-standard and proprietary (written by Veritas), it also doesn’t perform as well as it should under all conditions.  For database use, this filesystem is only barely acceptable.  It has hidden limits that Microsoft doesn’t publish that will ultimately bite you.  Microsoft wants this to become a pre-eminent datacenter system, but that’s a laugh.  You can’t trust NTFS enough for that.  There are way too many hidden problems in NTFS.  For example, if you hit a random limit, it can easily and swiftly corrupt NTFS’ MFT table (directory table).  Once the MFT table is corrupt, there’s no easy way to repair it other than CHKDSK. Note that CHKDSK is the ONLY tool that can truly and completely fix NTFS issues.  And, even CHKDSK doesn’t always work.  Yes, there are third party tools from Veritas and other companies, but these aren’t necessarily any better than CHKDSK.  Basically, if CHKDSK can’t fix your volume, you have to format and restore.

Note, however, that this isn’t a general Vista issue.  This problem has persisted back to the introduction of NTFS in Windows NT.  But, Microsoft has made no strides to allow or offer better more complete filesystems with better repair tools.  For example, Reiser and EXT3 both offer more complete repair tools than NTFS ever has.

Registry

The registry has got to be one of the most extensive hacks ever placed into any operating system.  This kludge of a database system is so completely botched from a design perspective, that there’s really nothing to say.  Basically, this system needs to be tossed and redesigned.  In fact, Microsoft has a real database system in MSSQL.  There is no reason why the registry is not based on MSSQL rather than that stupid hack of a thing call a hive/SAM.  Whomever decided on this design, well.. let’s just hope they no longer work at Microsoft.

Failure

For the above reasons (and others), Microsoft has completely failed with Windows Vista.  This failure was already in the making, though, when Longhorn was announced ages ago.  In fact, Microsoft had planned even more draconian measures to enable heavy DRM on Windows.  Thankfully, that was removed from Vista.  But, what remains makes Vista so encumbered and exasperating to use, it’s no wonder users are frustrated using Vista.  Combining that with its incredibly large footprint (1.6GB of memory just to boot the OS), and you have a complete loser of an OS.

Windows 7 is a glimmer of hope, but it is still heavily tied to Vista.  If UAC and these stupid SYSTEM user security measures remain, then nothing will really change.  Microsoft needs to take Windows back to the drawing board and decide what is necessary and what isn’t.  Preventing the user from actually using the operating system is not and should not be a core value, let alone part of security.  Yet, here we are.

Microsoft, you need to take a look at the bigger picture.  This is your final chance to get Windows right.  There are plenty of other unencumbered operating systems out there that do not get in the way of desktop computing.  These operating systems are definitely a threat to Microsoft’s continued viability… especially with blundering mistakes like Vista.  Windows will never win any awards for Best Operating System with issues such as these.  Consider Microsoft’s stupid filesystem layout that allows operating system and application files to be thrown all over the hard drive and you’ll begin to understand why Windows continues to fail.

The single reason why Microsoft continues to exist is because users feel compelled to buy this antiquated dog of an operating system strictly due to application support.  If developers would finally and completely jump ship to other more thoughtfully designed operating systems, then Windows would finally wither and die… eventually, this will happen.

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