Random Thoughts – Randocity!

Rant Time: MagicJack – Scam or Legit?

Posted in botch, business, scam, scams by commorancy on September 11, 2018

magicJackThe magicJack company offers a voice over IP phone service. You can use it with an app on your phone or by a device plugged into an actual landline-type phone. It does require Internet to function. Either way you go, it’s VoIP and they have very questionable and deceptive billing practices. Let’s explore.

Internet Phone Service Choices

If you’re in need of phone services on a device that only has access to WiFi, then a voice over IP service (VoIP) is what you need. There are many different VoIP services available on the Internet. You can even make audio and video calls via Facetime on iOS, via Skype on pretty much any mobile or desktop computer or even via Google Hangouts. For this reason, magicJack is yet another VoIP phone service in a sea of choices.

Why would you want to choose magicJack? Initially, they were one of the lowest priced VoIP phone services. They also offered a tiny computer dongle that made it easy to plug in a standard home phone. That was then. Today, mobile devices make this a different story. Lately, this company has raised their prices dramatically and they’re performing some quite deceptive and questionable billing practices.

911 Service

As with any phone service that offers the ability to use 911, the service must tack on charges to the bill by the municipality. You’d think that part of the invoice that magicJack is already collecting in payment of services would also cover for those 911 services. I certainly did. Instead, magicJack isn’t willing to part with any of their service revenue to actually cover services that, you know, they provide as part of your phone service… like any other phone company does.

MagicJack seems to think they can simply pass on said charges right to you in an email invoice and have you pay them separately. Here’s where magicJack gets firmly into scam and deceptive billing territory.

I’m sorry magicJack, but you’re forcing the 911 service when we don’t really need it or want it on that magicJack VoIP phone line. If you’re going to force this service as part of the overall service, then damned well you need to suck it up and pay the expenses from what we pay you. There is no way in hell I’m going to pay an ‘extra’ bill simply because you are unwilling to use the collected service fees to pay for those bills, like any other carrier on the planet. It’s not my problem that you choose not to do this.

You, magicJack, need to pay those bills to the 911 service. It’s your service, you forced 911 onto my line and now you must pay the piper. If you can’t do this, then you need to go out of business. This means, you need to collect the 911 service fees at the time you collect the payment for your services. And you know what, you already collected well enough money from me to cover those 911 service fees many times over. So, hop to it and pay that bill. This is not my bill to pay, it’s yours.

MagicJack Services

Should I consider magicJack services as an option when choosing a VoIP phone service? Not only no, but hell no. This service doesn’t deserve any business from anyone! This is especially true considering how many alternatives exist for making phone calls in apps today. Skip the stupidly deceptive billing hassles and choose a service that will bill you properly for ALL services rendered at the time of payment.

MagicJack is entirely misinformed if they think they can randomly send extra bills for whatever things that they deem are appropriate. Worse, magicJack is collecting payments for that 911 service, but you have no idea if that money will actually make it to the 911 municipal services in your area. That money might not even make it there and you may still receive a bill. In fact, if the municipality does send you a bill, you need to contact them and tell them to resend their bill to magicJack and collect their fees owed from magicJack, which has already been collected in the funds to cover any and all phone services. If magicJack claims otherwise, they are lying. If you are currently using magicJack’s services, you should cancel now (even if you have credit remaining).

Is magicJack a scam? Yes, considering these types of unethical and dubious billing practices. Even though their VoIP service works, it’s not without many perils dealing with this company. As with any service you buy into, Caveat Emptor.

MagicJack Headquarters

Here is the absolute biggest red flag of this scam company. MagicJack claims their corporate headquarters address is located here:

PO BOX 6785
West Palm Beach, FL 33405

Uh, no. Your headquarters cannot be inside of a PO Box.

Yelp claims that magicJack’s US address is here:

5700 Georgia Ave
West Palm Beach, FL 33405

Better, but still not accurate. This is not their corporate headquarters. This is simply a US office address. Who knows how many people actually work there? We all should know by 2018 just how many scams originate from Florida.

When you visit magicJack’s web site, no where on any of the pages does it show their actual physical headquarters address. This is a HUGE red flag. Where is magicJack’s actual headquarters?

magicJack Vocaltev Ltd (opens Google Maps)
Ha-Omanut Street 12
Netanya, Israel

As a point of consumer caution, you should always be extra careful when purchasing utility and fundamental services from any Israeli (or other middle east) companies. Worse, when companies cannot even be honest about where their corporate headquarters are on their own web site, that says SCAM in big red letters.

Class Action Lawsuit

Here’s another situation where this company needs to be in a class action lawsuit. I’m quite certain there are a number of folks who have been tricked into this scammy outfit and are now paying the price for their unethical and scammy business practices. However, because they are located in Israel, setting up a class action lawsuit against this company may be practically impossible. Better, just avoid the company and buy your phone services from U.S. based (or other local) companies where they are required to follow all local laws.

Rating: 1 star out of 10
Phone Service: 5 out of 10 (too many restrictions, limits call length)
Customer Service: 1 star out of 10
Billing: 0 stars out of 10
Overall: Scam outfit, cannot recommend.

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Game Review: Spider-Man

Posted in botch, video game, video game design by commorancy on September 8, 2018

SpiderMan2Here’s Randocity’s review of Sony’s 2018 Spider-Man (Insomniac Games) exclusively for the PS4. Unlike so many other game magazines, this review will be brutally honest. Unfortunately, other than photo mode, there’s not a lot to like here. This review will also be short and sweet and somewhat brutal. Let’s explore.

No Holds Barred

SpiderMan1To be perfectly fair, I wanted to like this game. I really did. Unfortunately, this game is one of the worst Spider-Man games I’ve ever played. The absolute worst Spider-Man game being Spider-Man: Shattered Dimensions. Dimensions looked great, played like crap. Same problem here, well mostly. Not only is Spider-Man incredibly weak, he dies at the drop of the hat even on casual play. Dying wouldn’t be quite so bad if it didn’t take ages to reload the game. Absolutely worse, the whole game simply devolves into a button masher. This is not why I buy Spider-Man games. I buy Spider-Man games to swing around the city and occasionally get in brawls. I don’t want to spend 90% of my time brawling as a button masher. Basically, this game effing sucks rocks.

Controls

The controls are, in fact, most of the reason this game sucks. I’m all for web slinging fun, but this goes way beyond into craptacular territory. The first mission is practically impossible to complete, even on easy mode. The game simply doesn’t give you enough moves (or health) to take these guys out quickly. The AI on the enemies is frustrating and nonsensical. Worse, the controls make so many mistakes. When I try to get away from enemy, instead, the game chooses to perform a slide under which puts me right next to the enemy… the exact opposite of what I’m trying to do.

Focus

The “focus” game mechanic is entirely unnecessary, distracting and so lamely implemented that it actually prevents you from using it as intended. What is focus for? Healing. In fact, you gain focus so slowly, you can’t even use it to heal. There is no other way to heal other than spending focus. Let’s let that sink in for a moment.

SpiderMan5

What the hell is with healing through focus, anyway? Whose brilliantly crappy game mechanic idea was this? Just let Spider-Man heal naturally on his own. Don’t make me have to take action to heal him. If Spider-Man needs healing by external means, then put first aid kits around the levels and let me just automatically pick them up and apply them. This whole gaining Focus mechanic is so sloppily implemented, I don’t even know how the game designers thought it would be useful. Why not just use health pickups, you know, like practically every other game? Why throw in something so convoluted that it’s useless?

Distracting Game Mechanics

Here’s my biggest pet peeve with these distracting and unnecessary game mechanics. While I understand that Insomniac wanted something new to add to their repertoire of features, game designers should never implement a new game mechanic solely because it’s new. Instead, game mechanics must enhance the game, not detract from it. Why does the focus mechanism fail so badly? It fails because now you’re requiring gamers to watch the focus and health bars constantly. This means moving your eyes away from an ever changing play field of AI enemies.

In this game, even taking your eyes off of the, admittedly, poorly designed and unrealistic AI enemy combat moves, will see your health drop from 100 to 20 (or less) in one blow (even on easy mode). Ignoring the fact that Spider-Man is a superhero in the Marvel universe, has super strength and is super resistant to injury, there should never ever be a mechanic designed that forces the gamer to take his/her eyes off of the combat field and then manually apply health.

Instead, if you’re planning on forcing a health recovery system, then the health system should either auto-regenerate or self-apply at critically low levels. I shouldn’t have to monitor my character’s weak health and manually apply anything. Spider-Man is a superhero… a Marvel SUPERHERO! Treat him as such and at least give him some level of auto-health generation. Seriously, what is the point in manual application of health in this game? It is absolutely not a challenge, it’s just stupid design.

Web Slinging Cooldown

What was the point in this game mechanic? You have six bars of web action that when depleted means you can’t use your web to subdue any more enemies. No NO NO! Why is there an arbitrary count of how many times you can use your web? Again, this doesn’t make the game challenging, it makes the game stupid. If he has the ability to create web, then it should work 100% of the time or until he runs out of web solution. If you plan to add a game mechanic here, then make it a mechanic that sees him run out of web entirely and need to change his web canisters. At least, that’s realistic. Though, why even do that? This isn’t intended to be a simulation, it’s intended to be a superhero game. Just let Spider-Man sling webs infinitely. There’s no point in this web cooldown system at all.

Spider-Man is Weak

The other big problem I have with this game is that Spider-Man isn’t treated like a Marvel superhero at all. He’s like a random schmoe who picked up a costume and decided to be a vigilante. Not only does it take many blows on an enemy to finally knock them out, Spider-Man loses health at an incredibly rapid rate, even from just one bullet or one enemy punch. This is entirely ridiculous. He’s a Marvel superhero, not a random normal guy in a costume.

Insomniac treated this version of the Spider-Man character with all of the grace of a bull in a china shop, bumbling their developmental way through to a game that, in my opinion, barely resembles Spider-Man.

Photo Mode

The one and only one redeeming feature of this game is photo mode. If you’ve used photo mode on Assassin’s Creed Origins, then you’ll feel right at home in this one as photo mode looks and behaves nearly identical. This feature doesn’t make the game worth playing by a long shot. But, the composition tool does have some cool overlays (see the first image in this article), assuming you can actually play enough into the game to use these overlays in some real way.

Overall

My rating for this game is 3 out of 10. It needs a whole lot more developmental time and it needed better usability play testing. It’s not worth playing. If you must play it, then rent it from Redbox or rent it someplace else. Or, wait for it to get to $15 at Gamestop. Don’t waste your money buying this trite piece of Sony garbage unless you truly enjoy torturing yourself with really bad games. If Insomniac can push out patches that can address all of these identified problems (doubtful), then maybe this game might improve. I wouldn’t hold my breath.

For me, this game goes back to Gamestop as a trade-in. I’ll wait until the game drops in price which will have given Insomniac plenty of time to release more patches… not that that will improve this game. Though, I’m willing to give it a second shot much later in the future.

Graphics: 8 out of 10
Audio: 8 out of 10
Voice Acting: 8 out of 10
Gameplay: 2 out of 10 (repetitive, nothing new)
Combat: 1 out of 10 (enemies swarm in unrealistic ways, manual health application)
Overall: 2 out of 10 (rent only)

If this article helped you, please leave a comment below.

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Recipe: Cinnamon Raisin Bread

Posted in baking, food, recipes by commorancy on September 4, 2018

Cinnamon Bread_1I don’t often discuss baking, but in this case, who wants to pay $6-9 for a loaf of cinnamon raisin bread? Anyone? To make this loaf, you can either do it by hand or in a bread machine. I prefer using a bread machine. Skip to the recipe. This recipe makes use of butter, if you want a healthier fat, skip to oil replacement and read before getting started. Let’s explore.

Prices and Specialty Loaves

While commercially baked white bread can offer some of the lowest prices at $1-2 a loaf, the specialty flavored breads can have some of the highest prices… with cinnamon raisin breads fetching between $6-9 a loaf at the store! Wow, that’s a big costly difference.

Cinnamon raisin bread is one of my favorite breads, by far. But, I’m not paying $6 for a loaf of it. I also like straight up cinnamon bread as well… just leave out the raisins. This recipe is quite yummy and no fuss. It’s nearly as simple as making plain white bread. It just takes some time. With a bread machine, this does all the work. You spend maybe 15 minutes or less prepping the ingredients.

Many cinnamon breads require you to roll the dough flat, then sprinkle cinnamon on one side and roll up the dough into a log. This gives that stripy swirled appearance. You can do that with this recipe if you like, but I’m not explaining how to do that here. With this recipe, the cinnamon is fully incorporated into the dough like all other ingredients, which gives the loaf an attractive uniform brown color.

Making your own cinnamon bread can save you a lot of money… and this recipe turns out a very tasty single cinnamon raisin loaf.

Time to Completion

You’ll want to make sure you understand that bread baking is somewhat time consuming. The timing of fresh baked bread is limited by the yeasty critters. All told, start to finish, it’ll take about 3 hours to complete a loaf of bread.

With rises, the colder the temp, the longer the rise takes. You can rise bread in the refrigerator, but it could take 6 hours in a fridge. Many bakers like the rise to take a long time because it adds to the flavor of the bread. If you’re time crunched and need your bread fast (relatively speaking), rising your dough in a warm environment is perfectly fine.

The timing breaks out like so:

  • Ingredient prep: 10 minutes
  • Mixing / Kneading: 8-10 minutes
  • First Rise: 1 hour (or until dough has doubled in size at 100-120ºF temp)
  • Punch down & Knead: 2 minutes
  • Second Rise: 30 minutes (or until dough has doubled in size at 100-120ºF temp)
  • Baking: 20-30 minutes (or until done)
  • Cooling: 30 minutes

Total Time: ~3 hours

Bread Machine

This bread is by far easiest baked in a bread machine, particularly if you don’t want to spend time kneading and waiting for the bread to rise. I have an older Breadman bread machine. It’s functional and works well, but it’s not new. The newer Breadman machines now have fold down paddles to prevent that annoying hole in the bread after baking. Of course, you can avoid that hole if you use your bread machine to create dough, then transfer the dough into a bread pan and bake it in a conventional oven.

Personally, I prefer the convenience of having the bread machine do all of the work including the baking. I’m willing to live with that hole. While this recipe does require yeast, it is a no-proof recipe. This means you don’t need to foam up the yeast. If you have old yeast lying around, you’ll want to proof a small amount to make sure it’s still good or go buy some fresh yeast.

The ingredients are listed in the order you will pour them into the bread machine pan.

Ingredients

1 ¼ Cups lukewarm water (120ºF/48.9ºC is a good temp)
3 Tablespoons Butter minced up
¼ Teaspoon Salt
½ Cup Rolled Oats
¼ Cup Brown Sugar
3 Cups of Unbleached Flour (do not use self-rising)
3 Tablespoons Non-Dairy Dry Creamer or Low Fat Dry Milk
1 Tablespoon Ground Cinnamon (less or more as you prefer)
2 ¼ Teaspoons Rapid Rise or Bread Machine Yeast (i.e., Fleishmann’s)
½ Cup Raisins

Directions

Notes

➡ Directions for Bread Machine Baking

Pour in water, butter, salt, oats, brown sugar, flour and creamer into the bread machine pan, in this order. Next, pour a ring of cinnamon around the outside of the flour leaving the center without cinnamon. Make a shallow indent in the center of the flour and pour the yeast into this small indent. You’ll add the raisins a bit later.

To bake this recipe in the bread machine, set the bread machine to 1.5 Pound Rapid and press Start. Let the bread machine work until the dough is a solid ball. My Breadman has an ingredient notification timer. The machine will stop and beep. This is the time to drop in additional ingredients like nuts, raisins, dates or any other solid type ingredients.

In reality, you can drop the raisins in as soon as the bread machine has incorporated all of the ingredients into a solid ball of dough. No need to wait on an ingredient notification beep.

Because my bread machine isn’t always perfect at paddling the dough, I grab a plastic rice spoon (so the dough doesn’t stick) and press it on top of the dough lightly so the paddle works a bit more effectively to incorporate the raisins more quickly and evenly. After the raisins have incorporated, I close the lid and let the machine finish the cycle on its own.

The 1.5 Pound Rapid cycle on my machine takes about 2 hours and 20 minutes to complete, including baking. You can also run it on the 2 Pound Rapid cycle if you prefer. I prefer the way the bread comes out with the 1.5 Pound Rapid cycle.

➡ Bread Machine Kneading / Rising + Baking in an Oven

For this preparation method, follow the same instructions as the bread machine baking instructions above. Select the Dough or Bread Dough cycle on your bread machine. This cycle will knead the dough and rise it only, no baking. After the cycle is complete, you’ll punch the dough down removing the air, shape it into whatever your pan shape is and leave it for a final rise of about 20-30 minutes. You only need to punch the dough down to remove the air bubbles from the first rise, maybe 2-6 minutes at most. You’ll want to grease, butter or oil your pan before placing the dough into it, unless you’re using a high heat silicone baking mold.

Bake using the cold oven or hot oven method, your choice.

Because a bread machine also acts as a proof box by running the heating element at a low temperature during the rise cycle, this allows for consistent rising of the dough no matter the ambient temperature of your room. If you have a bread machine, this is the best way rise the dough consistently. It’s also hands off in that the machine does all of the kneading so you don’t have to. This is particularly useful if you have arthritis or carpal tunnel in your hands, thus making this kind of hand activity problematic.

➡ Kneading By Hand + Baking in the Oven

For this method, add the ingredients into a bowl all except for the raisins. Mix until you have a solid dough ball. You can do this with your hands or with a mixer. Once you have a solid dough ball, remove the dough from the bowl and begin kneading the dough on a flat and lightly floured work surface and incorporating the raisins while you knead. You’ll continue to knead the dough for about 10-12 minutes or until it has a solid and stretchy consistency. It’s more important that the dough has created solid glutenous bonds and has the proper elastic consistency. This is what will give the bread its proper spongy texture and preventing the slices from crumbling apart. Work the dough until the dough has this consistency. This part might take some practice to spot.

At this point, place the dough into a lightly oiled bowl to keep the dough from sticking and let it begin its first rise. This first rise will take about an hour or until the dough has doubled in size. Make sure the bowl is big enough to handle the dough double its size. You can do this rise in a proofing cabinet if you have one or you can let it sit out on the counter (covered with a towel) if you don’t. If the room is cool, it may take quite a bit longer. If the room is extra warm, it might be faster. You’ll need to watch and determine when the dough has doubled in size.

Once the dough has doubled, take it out of the bowl and knead it down again to remove the air pockets. You’ll only knead the dough for as long as it takes to remove the air pockets from the first rise, maybe 2-6 minutes at most. Form the dough into a log shape that will fit into your baking pan. Grease, butter or oil your pan. Next, place the log into the pan and let it begin the second rise. This rise takes about 30 minutes.

Bake using the cold oven or hot oven method, your preference.

Notes

Cold Oven Baking

If you start from a cold oven, the warming of the oven to the proper baking temperature will allow the dough to perform its final rise right before it begins baking. To bake, set the oven temperature to 350ºF/177ºC and turn it on. Then, put the pan into the oven with the oven still cold. Let it remain in the oven for about 45 minutes or until the bottom of the loaf thumps hollow and is golden brown. You can begin checking the loaf at around 25 minutes in. You’ll need to use oven mitts to handle the loaf and test for hollowness.

Hot Oven Baking

If you start from a preheated 350ºF/177ºC hot oven, you’ll need to rise the dough on the counter covered with a towel for 20-30 minutes before placing it into the oven. Once in the oven, bake for 30-35 minutes or until the bottom of the loaf thumps hollow and is golden brown, along with the sides and top.

Water Temp

I prefer the water temperature at 120ºF/48.9ºC because this is what the yeast package states is best. I use a microwave to heat the water to this temperature. It takes about 1 minute 30 seconds, but you’ll need to use a thermometer to check. Then, pop it in for 30 second intervals to raise it to that temp. If you don’t have a thermometer, just make sure the water is warmer than your skin and this will also work.

I prefer 120ºF/48.9ºC because pouring the water into the bread machine’s pan (or bowl) will cool it down just a bit. You still want the water warm so that yeast will rise the dough properly. I find this starting temperature gives a great rise in combination with the bread machine. It’s also the temperature recommended on Fleischmann’s yeast packaging. If you use a yeast that lists a different temperature, use the temperature that’s recommended on your yeast package.

Cinnamon Amount and Dry Non-Dairy Creamer

When I first published this article, I forgot to add the creamer to the ingredient list. I’m allergic to cow milk of any type, but I seem to have no allergies with non-dairy creamer. Dry creamer is an excellent substitute for low fat dry milk in this recipe (or really any bread recipe). It adds a richness that you don’t get without using it. You can find non-dairy creamer on the coffee aisle of your local supermarket. I typically buy the house brand as it’s usually the most cost effective. If you have no problems with milk, then feel free to use low fat dry milk instead.

I also prefer my bread very cinnamon flavored. Some recipes similar to this one call for 1 teaspoon. I prefer the flavor with 1 tablespoon. However, not everyone likes lots of cinnamon. I’ll leave it up to you to determine how much you want to add. Anywhere between 1 teaspoon and 1 tablespoon is fine. Be aware that the more cinnamon you add, the slower the bread may rise.

Differences in Bread Machines

Because bread machines are all slightly different, the proportions for this recipe may or may not work in your bread machine as is. If this loaf doesn’t turn out correctly in your bread machine, I suggest locating your bread machine’s recipe manual and change the above same ingredient amounts to match the proportions listed in your manual’s white bread recipe. This should allow the recipe to work properly in your bread machine.

Using Butter as an Oil in Bread

So, you want to use a healthier oil than butter? The difficulty with using butter as an oil in bread is that it hardens at cooler temperatures, but it also imparts a flavor and richness you can’t get any other way. When at room temperature, it can make the bread seem stale to the touch and the bread can seem dry when you cut it. To revive the bread, you’ll need to warm it until the butter is softened again. You can do this in the microwave in 10 second intervals or you can use a toaster, but a toaster will toast the bread. If you have a bread warmer, you can use that. If you’re not looking for toast and you don’t have a warmer, then using a microwave is the answer.

To avoid this hardening problem in baked goods, don’t use shortening, butter, palm or coconut oil in bread. Instead, use oils that remain liquid at all room temperatures. These reasonably available oils include avocado, peanut, vegetable, canola, olive and corn oil. If you use any of these non-hardening oils, you’ll need to cut down the amount of oil in the recipe by at least half or increase the amount of flour until the dough is no longer sticky. If a recipe calls for 3 tablespoons of butter, you’ll want to use about 1 to 1.5 tablespoons of oil. The reason is that butter is about 20-25% oil to 75-80% water. This means that you’ll need to use less oil than you do butter. Oil adds to the moisture content of the dough, so contrary to thinking you might need to add more water, it’s not necessary unless your dough ends up way too dry.

If you use a non-hardening oil, your baked goods will remain softer at room temperatures and won’t require warming. I’ve wrestled with this problem for a while until I realized it was the butter causing the baked good to feel hard (and stale) at room temperatures. This doesn’t mean your bread won’t eventually go stale, but it does mean baked goods made with non-hardening oils won’t feel stale (or taste dry) at room temperature like when using butter.

Happy Baking!

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How To: Killing Apps on iOS and Android

Posted in Android, Apple, best practices, howto by commorancy on September 4, 2018

Kill_AppsHere’s a quick how-to tutorial. This tutorial will show you how to kill running applications on your Apple or Android phone or tablet device. Let’s explore.

Killing Apps

You might be asking, “Well, why would I want to do that?” There are times where apps misbehave or hang leaving a dead app on your phone or tablet. These can drag down the performance of your phone. For this reason, killing an app allows you to restart them to get them working again. Without further adieu, let’s get started…

Apple iOS

To kill apps on iOS 11, it’s simple. For Apple devices that have a home button (this excludes iPhone X), double click the home button. The home button is the button located at the bottom or side of your device (depending on orientation). It’s the only front facing button on the bezel. With the device logged in, double click this home button.

For the iPhone X, the line at the bottom kind of acts like a home button. From the line at the bottom, with your finger drag upwards to minimize the apps into a stacked list. This is similar to double clicking the home button.

Once in the stacked list, kill any specific app or all apps as follows:

  • Press and hold your finger on top of one of the stacked app screens and with a fluid motion, drag your finger to the top of the screen.
    • If you perform this motion correctly, the screen will disappear. The app is now killed.
    • If you notice the screen moving side to side and not up and down, you dragged sideways.
    • Scrolling side to side lets you selectively choose which app to kill. Try again to pull the app screen upwards.
    • If you touch the app screen once, it will bring that app to the foreground.
    • If you touch the background outside of the app, it will bring you to your home screen of icons.
  • To kill all apps, perform this motion on each and every stack app screen until there are no more left.
  • No, iOS does not provide a ‘kill all’ feature. You must kill app separately. Note, you can’t hear the double-clicking of the home button. Here’s an iOS demonstration:

Android

To kill apps on Android 6.x or above, you’ll need to locate the double rectangle button either on the bezel of your phone or on the display of your phone (at the bottom). This double-rectangle button drops you into the screen that shows you all of your currently running apps.

Click this button, then follow along based on the videos:

  • To kill all apps at once, there is a single button. You’ll see it after you press the double-rectangle button… it has 3 lines with an X, but it may look different on your device. Here’s a quick demonstration:
  • To kill apps one at a time, there is an X on the stacked app screen list. Click the X’s located in each window as demonstrated:

Obvious isn’t always

Because Apple and Android have both hidden this feature behind cryptic buttons, it isn’t sometimes obvious how to do this. Also note that even if you reboot your device, the apps may still continue to run from the state where they formerly were. To kill an app and start it fresh (particularly on iOS), the only way is to kill the app as described above. I find that, for example, I regularly have to kill Hulu as it likes to hang.

Good Luck!

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Hottest Video Games for 2018

Posted in video gaming by commorancy on August 31, 2018

The fall of the year is always the time when the majority of video games release. After all, kids are back in school and the holidays are right around the corner. The game industry waits until August to begin trickling out their biggest games, building momentum until the end of the year. As always, there are a number of games this year to consider. Let’s explore.

Video Game Inclusion Criteria

The games selected for Randocity’s top games list for 2018 only include games that I feel will be of high quality, will be fun and will offer the best play value for your money. Nothing is implied about any game that didn’t make this list. The lack of inclusion simply means that the game isn’t likely to offer the best play value for your money. Those other games are also usually for gamers who specifically look for those kinds of games. This is especially true if you’re considering using this as a gift guide. With pretty much any of these games you cannot go wrong giving them as a gift, with the exception of Fallout 76 due to its MMORPG nature. Without further adieu…

Randocity’s Top Video Game Picks for Fall 2018

PS4, Xbox One and Multiplatform Games

Game Platform(s) Release Date Rating Publisher
Destiny 2 PS4, Xbox One September 4th Bungie
Spider-Man PS4 Exclusive September 7th Sony Interactive Entertainment
Life Is Strange 2 PS4, Xbox One September 27th Rating Square Enix
Assassin’s Creed Odyssey PS4, Xbox One October 2nd Rating Ubisoft
Mega Man 11 PS4, Xbox One, Switch October 2nd Rating Ubisoft
Call of Duty: Black Ops IV PS4, Xbox One October 12th Rating Activision / Treyarch
Red Dead Redemption 2 PS4, Xbox One October 26th Rating Rockstar Games
Hitman 2 PS4, Xbox One November 9th Rating Warner Bros. Interactive Ent.
Fallout 76 (requires Internet)
PS4, Xbox One November 14th Rating Bethesda / Zenimax
Battlefield V PS4, Xbox One November 20th Rating Electronic Arts
Darksiders III PS4, Xbox One November 27th Rating THQ
Just Cause 4 PS4, Xbox One December 4th Rating Square Enix

Nintendo Switch Games

Game Platform Release Date Rating Publisher
Lifeless Planet: Premiere Edition Nintendo Switch September 5h Stage 2 Studios
Wasteland 2: Director’s Cut Nintendo Switch September 13th Rating InXile Entertainment
Super Mario Party Nintendo Switch Exclusive October 5th Rating Nintendo
Child of Light Nintendo Switch October 11th Rating Ubisoft
Dark Souls Remastered Nintendo Switch October 19th Rating Namco Bandai Games
Project Highrise: Architect’s Edition Nintendo Switch October 23rd Rating Kalypso
Pokémon: Let’s Go, Eevee! Nintendo Switch Exclusive November 16th Rating Nintendo
Pokémon: Let’s Go, Pikachu! Nintendo Switch Exclusive November 16th Rating Nintendo
Super Smash Bros. Ultimate Nintendo Switch Exclusive December 7th Rating Nintendo

The games listed above are not all of the games that will release this year, but they are on this list because they will work well as gifts for just about any gamer. Note, some of the games on the Switch may have previously released on other console platforms. This particular year there’s not a whole lot of games that really stand out as must play games. But, there are a few… specifically Pokémon, Super Smash Brothers, Fallout 76 and Red Dead Redemption 2. These are the only true must play games on this list.

The rest of the games will likely be fun, but they’re not games that I feel must be owned day one. Though, they do make great gift ideas. Note that Fallout 76 is an MMORPG in similar form to The Elder Scrolls Online. It requires an internet connection and Xbox Live if playing on an Xbox One. Be careful when considering this game as a gift item if you don’t know whether the recipient has always-on Internet or Xbox Live. If you’re not sure whether your recipient meets these game requirements, you might should consider other games on this list. All of the other games should be safe without Internet, but always read the back of the box to be absolutely sure.

Enjoy!

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Rant Time: Netflix’s Stupid Ideas

Posted in botch, business, california, entertainment by commorancy on August 29, 2018

NetflixApp-smNetflix has had made some questionable product decisions recently. That is, since it has begun buying its own original content. At the same time, it has made some platform changes that don’t make any sense whatsoever. Seriously Netflix, WTH? Let’s explore.

Original Content

Netflix has been having a hard time as of late. It has been heavily dipping its collective toes into original programming. However, much of the movie programming content has turned out to be bombs. Not just everyday bombs, but you know the movie kind that make you cringe so hard, you want to throw something at the TV. Programs like the oh-so-forgettable The Cloverfield Paradox, Bright, Extinction, The Beyond and Tau. With these questionable movies, Netflix seems to be missing its mark so much of the time. So much, in fact, that I’m contemplating cancelling my membership with this service. I’m beginning to think that Redbox streaming might be a better alternative.

Until recently, the only way to find out exactly how crap the movies actually were was to read the Netflix movie reviews. This is not possible any longer.

Netflix Deletes and Closes Review System

In its infinitely stupid wisdom, Netflix has decided to close down its review system (deleting over 10 years worth of reviews in a day), citing that it is not being used by its subscribers. I call bullshit on that excuse, Netflix management team. I, and clearly many others, regularly used the review system all of the time to steer clear of these recent Netflix bombs.

Unfortunately, we can no longer do this thanks to Netflix flipping us subscribers the collective bird after not only closing the review system down, but dumping all of that user review content. If Netflix’s management team is trying to tear the company apart, they’re doing a bang up job at it.

A review system says that service cares about its users’ opinions and it values its users. It allows users to make their views known to the larger community. Unfortunately, Netflix has now deprived its user base of that valuable resource by dumping all of the reviews and no longer supporting a review system at all. In fact, removing the movie review system says Netflix no longer cares about its users.

Worse, Netflix has dumped its 5 star rating system in lieu of a stupidly simple thumbs up and thumbs down approach. This overly simplistic system which, in reality, does nothing at all to influence anything. What this change says to us members is that Netflix solely wants to be the entire wielder of content power. No longer can any content be influenced by external user opinion… or so Netflix management mistakenly thinks. Nope, that is absolutely not important to Netflix. Netflix wants to be able to target its crap content to us with impunity and without those pesky user reviews getting in the way… even if the Netflix original content is the dreckiest dreck ever to have been conceived, which most of it is.

Netflix’s Agenda

I’m really tired of businesses like Netflix always feeling that they need to get the upper hand in every situation. In fact, even with the review system, they already had an upper hand. Netflix’s ultimate agenda to remove the review system isn’t what they stated on the surface. They claimed that people weren’t using the system. False. New reviews were being written every day. People were reading them every single day.

If people weren’t using the system, they wouldn’t write reviews… and yes, people were actively writing reviews. In fact, if the the review system was being used less, it’s because of Netflix’s design choices. It’s not because users weren’t interested in using the review feature. It’s because Netflix kept burying the review system deeper and deeper under menus, making it difficult to find. If reviews were on the decline, it wasn’t that people didn’t want to use it, it was because your UI team made it hard to find. Even with that said, people were STILL finding it and using it. That’s tenacity. That means your valuable subscribers actually WANTED to use it and did.

This means that Netflix intentionally caused the decline of the system. They set the review system up to fail and then blamed it on lack of use by the users. No, it wasn’t for lack of use, it was that it was too hard to find and too hard to navigate. That’s not failure to use by the users, that’s failure of your UX design team. People will use features when they are easily available and front and center. Bury it under layers of menus and it’s certain that usage will decline.

The real agenda is that Netflix no longer wants users to influence content such its The Cloverfield Paradox and the rest of its poor quality original content. Netflix mistakenly believes that if people can’t see the reviews or write them that more people will watch its crap. False. Netflix was likely also reeling over the horrible user reviews being left on its own site. Netflix wanted to stop that problem and the only way they could do that is step 1) bury the feature so it’s hard to find forcing many users to stop using it and then step 2) remove the feature claiming no one used it. Not only is that a lie, Netflix’s UX team is actually responsible for its lack of use.

Review systems work when they’re well designed and placed in conspicuous, well trafficked locations. They don’t work well when they’re buried under layers of unnecessary UI clicking. That’s proven. In fact, if Netflix’s user experience team doesn’t understand this fundamental UX 101 concept, they should all be fired!

Crap on a Stick

Netflix needs to get their crap together. They need to fix their horrible UI system and provide a much more streamlined system. They also need to bring back the user review system and place it into a much more prominent front and center position. A place where people can find it right up front, not buried under many UI layers.

Movies and Reviews

Movies and reviews go together like a pea in a pod, coke and hot dogs and hamburgers and fries. They simply belong together. You don’t get one without the other. Netflix thinking that they can change this fundamentally ingrained concept is a huge misstep. This misstep is as huge as when Netflix renamed its DVD service to Qwickster. That naming and concept failed miserably. This one will too… and it will backfire on Netflix.

I don’t even understand how a movie site like Netflix can even think they get away with not having a review system. By their very nature, movies require reviews. A movie is not 3 minutes long like a pop song. No one will spend 2 hours of their life watching trite, predictable, boring, poorly written garbage. Storytelling is an art form that when done right can take us to places we cannot even imagine. Yet, when storytelling is done wrong (i.e., too many of Netflix’s crap originals), it wastes hours of valuable time. The review system is there to prevent that loss of time.

Sorry Netflix, if reviews actually give you that much butthurt, you either need to grow a pair and get over it, or you need to shut down Netflix. Perhaps Netflix should stop its purchase of its crap original programming and this will no longer be a problem.

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Rant Time: The problem with Twitter

Posted in botch, business, social media by commorancy on August 27, 2018

Twitter-smTwitter began as a lofty idea for small text social conversation. For many of its early years, it managed to keep some semblance of order and decency. As of 2018, the platform has devolved into something far less useful and more problematic. Let’s explore.

Primary Twitter Topics

Today, Twitter is primarily dominated by breaking news, gun control and political rhetoric, sometimes all three at the same time. While these topics do have a place, reading these dominant conversations every moment of every day is tiring. It also goes against the diversity of what the platform is intended to offer. While these topics have a place, they don’t really have a place as the dominant force on Twitter. They exist simply to clog up each Twitter user’s feed.

Twitter’s Failings and Slow Development

When Twitter began back in 2006, it offered a fairly limited social conversation platform with its 140 character limit. In fact, that limit wasn’t raised until early 2018, 12 years later… when the limit went up to 280 characters. Talk about slow development! This 140 character limit was a holdover from SMS days which still to this day hold this limit. I do not know why Twitter chose this arbitrarily small amount of text for a social conversation platform. It had no relation to SMS and couldn’t send SMS messages, so it never made sense.

Twitter has also firmly embraced the “no edit” mantra to the chagrin of many. To modify a tweet, you must delete it, then recreate it. This is a cumbersome hassle. It also means that any feedback you had on that tweet must be forfeit. There’s a real incentive to get the tweet right the first time. For a conversation platform in 2018, this limitation on a text discussion platform is completely ludicrous. Clarification of thought is extremely important in all text mediums. The only way to ensure clarify of thought is via editing. We all make mistakes when typing, such as their for there or they’re. These are extremely common typing mistakes. Sometimes it’s the accidental misuse of homonyms. There are plenty of other types of common mistakes. There is also rewording. Yet, here we are… 12 years after Twitter’s inception and we STILL can’t edit a tweet. What the hell is going on over there at Twitter, Jack Dorsey?

While Twitter has grown little since 2006, only offering better privacy, limited feed customization, an ad platform and some UI improvements, it really has done next to nothing to improve the user functionality since 2006. I’ve worked at companies where the product has almost completely performed a 180º turn in product features in only 1-2 years. Twitter has remained nearly stagnant, feature wise and has implemented clamored features at an absolute snail’s pace (read, it hasn’t implemented them) in its 12 years of existence.

Censorship

As we all should understand, the first amendment free speech protections do not apply to private corporations. This ultimately means that there can be no speech submitted on the Twitter platform that is protected. As much as people want to complain that some left or right winger has been suspended, banned or otherwise dismissed from Twitter, that is Twitter’s right. Twitter is not a government owned or operated corporation. Therefore, they can censor, delete, suspend or otherwise prevent a user or entity from putting any content onto their platform for any reason.

What this means is that Twitter can do whatever they wish and claim violations of ‘terms of service’. After all, Twitter writes the terms of service and can modify them at any time without notification to anyone. In fact, Twitter isn’t even required to have explicit terms listed and they can still delete or suspend anyone they wish, for any reason. As I said, free speech protections on Twitter do not apply.

Leadership Team

Jack Dorsey heads up the leadership team at Twitter as CEO. In the last 1-2 years, he’s spouted rhetoric about reduction of hate speech on Twitter. What that ultimately translates to, within Twitter’s current moderation tool limits, is deletion of selected speech or accounts, regardless whether it contains hate speech or not. If Twitter doesn’t like what you have to say, out you go.

Twitter SuspendedNo more evident is that in those users who have amassed 15k followers or more. One foible on one of these accounts and Twitter closes it. No no, can’t have a 15k or more followers seeing something that Twitter management doesn’t like. Even celebs aren’t immune to this. If you are reading the article and you have amassed more than 6000 followers, your account is a risk with each tweet you post, particularly if your speech primarily consists of political messages, controversial topics or divisive ideas (NRA vs Gun Control, Abortion vs Pro Life, Trump bashing, etc).

The current technical means at Twitter’s disposal to reduce this kind of speech consists of tweet deletion, account suspensions or bans. Twitter has no other means at its disposal. In reality, Twitter has dug the hole it is now in. Twitter has failed to foresee problems of user scale. Whenever the total user base grows, so are the problems amplified that go with that. Twitter should have initially implemented some level of moderation and anointed users to help moderate its platform in a similar fashion to both Wikipedia and Reddit. It didn’t.

Twitter is to Blame

Twitter has only itself to blame for not taking proactive action sooner and in failing to build more complete moderation tools sooner. Additionally, social platforms that have implemented self-moderation automated systems have done exceptionally well. When the community downvotes certain content at a certain level, then Twitter should not promote it into user’s feeds. In fact, Twitter’s continual promotion of tweets into people’s primary feeds has actually propagated hate and problematic speech. Instead, Twitter should have been building a self-policing platform from day one or at least within the first couple of years. They chose not to.

Even today, Twitter still hasn’t built a self-policing platform. I regularly find hate speech in my feed. Worse, while I can mark the stuff I like with a heart, I have no such action to force items out of my feed that I choose not to see. The best I can do is mute the user or mute the account. Why is that Twitter? Why can’t I mark individual types of tweets that I no longer want to see and have that content removed from my feed? Why do I have to trudge all the way into preferences and put in mute words or, even more sledgehammery, mute or block the user? Even then, that only affects my account. It doesn’t have any impact on the global Twitter.

Employing Social Moderation and Tweet Grading

Using social moderation is both effective and necessary when you’re working with millions of users sending millions of messages per day. Twitter is a social platform. Let’s use that social interaction of those millions of people to bubble worthy messages to the top and sink crap messages so they never get seen. This is the ONLY way to effectively moderate at scale on a social platform. The value of each tweet is in its worth to viewers. Many viewers all marking tweets downward means less people see it. Many viewers marking tweets up means more people will see it. I can’t imagine that any sane person would choose to vote up hate speech, death threats or similar unacceptable or violent content.

I’m not saying that any one user should have undue influence over a tweet’s popularity. In fact, users will need to build their trust and reputation levels on the platform. For example, newly created accounts might not even be able to influence up or downward momentum of tweets right out of the gate. It might take 2-4 months of interactions on the platform before the user’s interactions begin to count. This way, users can’t go out and create 100 or more accounts in an attempt to get their tweet to the top of popularity. In fact, any tweet that ends up getting upvotes from too many newly created accounts without other upvotes should be marked as suspect and have their own trust levels locked or reduced.

Additionally, it should take interactions from many trusted accounts simultaneously to raise a tweet’s popularity substantially, particularly if those accounts have no relationship to one another (not following each other). This says that independent users have found a tweet’s content to be worthy of interaction by others.

This isn’t to say this is the only algorithm that could be built to handle social moderation, but it would definitely be a good start and a way to take this platform to the next level. Conversely, I will state that building an algorithm to scan and rate a tweet based solely on its textual content is next to impossible. Using the power of social interaction to grade a tweet and raise or lower its value is the best way to force those who want to game the system out of the platform.

Also, there should be no exemptions from the system. Not for CNN, not for Proctor and Gamble, not for any account. Social moderation needs to apply to all accounts or it’s worthless.

I’m not saying that social moderation is in any way a perfect solution. It isn’t. But, at least it can be fair when implemented properly. Can this kind of system be gamed? Probably. But, the engineers would need to watch for this eventuality and be ready to make change to prevent further gaming of the system. Eventually, the holes will be patched.

Multiple feeds and Topics

Here’s another area where Twitter has failed. As with any social platform, users have likes and dislikes and topic preferences they want to see. For example, I really don’t want to see political bashing. That’s not my thing. I’d prefer a feed that is politic free. My only interest in politics and political candidates is when there’s an imminent election. Otherwise, I want it out of my feed. Same for NRA / Gun control arguments. Same for Trump tweet bashing. Same for Pro Life vs Abortion. I don’t want to waste time with these types of divisive controversial topics in my feed. I have better uses for my time. If I want to see that content, I will explicitly go searching for it. I don’t want it to automatically appear in my feed.

Yet, Twitter has not implemented any customized feeds based on likes, hobbies or preferences of information (i.e., new technology). Instead, Twitter has based this part on following Twitter accounts that offer such information. The problem is, chasing down these accounts to follow. Even then, because those accounts might only post new on-topic information 20% of the time, the other 80% of the time I would see stuff I don’t want to see in my feed. Herein lies the problem with Twitter. It shouldn’t be based on following a user, it should be based on following conversation topics.

I’d prefer to customize my feeds (and have several feeds hooked to different topics) and subscribe to those feeds. I don’t need to follow any given account that’s talks about stuff I’m not interested in. Instead, by following topics, my feed gets interesting tweets. I can then discover new accounts to follow and also discover topics I’m interested in. This is the single important piece that Jack and team have sorely failed to address within the Twitter platform. To reiterate, I want to see stuff in my feeds that I am interested in, even if I don’t follow that account. I don’t want to see stuff I’m not interested in at all even if following an account that tweets about it. Following by topic is more important than following by user.

This is the power of social media. This is the power of Twitter. This is what is missing to make Twitter a complete platform… this, in addition to social moderation.

Twitter’s Hand Moderation

Instead of implementing a social moderation system or an interests based feed system, Twitter has spent its time hand moderating by suspending and banning accounts all in its stated goal of “reducing hate speech”. While deleting accounts may reduce that account’s ability to post hate speech, it doesn’t stop the user from creating a brand new account and starting it all over again. This is Twitter’s flaw in the user follow model.

Only the above two designs: 1) topic based multiple feeds and 2) social moderation will lead to lasting change within the Twitter platform. Nothing else will. Twitter’s hand moderation technique is merely a small bandaid with limited scope. It will never make a dent in reducing hate speech on Twitter. Lasting change only comes from innovating the platform in new and better ways to improve the end user experience and, at the same time, reducing the signal to noise ratio.

It’s time for Twitter to step up and actually begin innovating its platform in substantial new and meaningful ways… or it will perish.

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TV Review: Wayward Pines

Posted in botch, california, entertainment, TV Shows by commorancy on August 27, 2018

WaywardPinesNote: *** Contains Spoilers ***

Here’s yet another M. Night Shyamalan thriller, this time in the form of a two season TV series.  Let’s explore.

Comparisons

This show has a similar premise to Stephen King’s Under the Dome. However, it is based on novels by Blake Crouch. Basically, it’s a small town that’s been cut off from everything and everyone. As a result, the town must live by its own rules. These two premises pretty much match up.

The way in which the Wayward Pines diverges is how the plot unfolds. With Under the Dome we come to find that the town is encased in a huge dome that, when the dome wishes, allows some exchange of air with the outside. In the case of Wayward Pines, we come to find that it’s supposed to be set in the year 4028, after a great holocaust mutated the human population. Both Under The Dome and Wayward Pines have populations that are cut off from “the outside world”, but for differing reasons.

Both towns, however, fundamentally operate in very similar ways with the exception that Dome runs out of resources a whole lot faster since they were cut off from the world without any resource planning. The dome town’s resources wear thin much, much faster. Wayward Pines, on the other hand, has the benefactor, David Pilcher, who not only had foreseen this event, but seemingly planned for it well in advance by building infrastructure and storing limited food rations to sustain the small town. We’ll come to find that Pilcher didn’t quite think ahead much or have planned for all contingencies.

Characters

The Wayward Pines town is inhabited by a number of adults and children including a sheriff, a nurse, a doctor and several primary families who become part of the series. It’s a similar kind of makeup as there was in Under The Dome. There’s also a faction of disenchanted citizens looking to escape from the city… so they can get “back home”. The characters change over time, particularly in season 2.

Weak Opening Premise

The show starts off entirely on the wrong foot indicating the “making it up as we go” syndrome. Meaning, the show begins by making no sense. Burke wakes up near a creek, beat up, bruised and injured. The question is, why stage this 2000 years in the future? What purpose does it serve?

If he had just awakened from cryosleep, why take him out of his cryosuit, dress him back in business attire and place him in the woods? Is it simply stage his awakening as though he had just crashed from a car? Why not start the episode off with Burke in a hospital bed recovering from his car injuries. That’s just as easily explained and shows us the Wayward Pines hospital right from the start.

If they want Burke to accept his life in Wayward Pines, why spend that time and effort staging his awakening? Did they stage other reawakenings in this way? They didn’t do it for Burke’s wife and kid. Staging reawakenings like this also means that someone at Wayward Pines needed to be 100% up to speed on exactly how Burke (or anyone else) was abducted into cryosleep to know exactly how to restage the reawakening. There are so many better things to worry about in a burgeoning town than dealing with staged awakenings.

Trapped in the Past

As with the isolated town premise in Wayward Pines, I find that there are a lot of stupid ideas, particularly from the supposed creator of the town, David Pilcher. According to his telling, the first time Pilcher tried to set up Wayward Pines, he chose to reveal the 2000 year old truth to the residents. While the children seemed to accept their fate, the adults couldn’t face life in this way and eventually the town self-destructed. This forced Pilcher to commit genocide by using the indigenous mutated humans to clear the population. This idea is stupid from the go. If you’re trying to repopulate humanity from limited pool of people, why kill them? You’re going to need that genetic diversity to repopulate… as much of it as possible.

David Pilcher has his (very large) crew (including his sister Pamela Pilcher) clean up the town, only to reset it all and restart it for a second time with group B. For group B, instead of revealing the truth, this time Pilcher decides to only tell the children the whole truth and withhold that information from the adults. This led the adults to believe they are still in 2014 (or whatever time period they came from). It also meant the adults believed they could leave the town and get back to their families… the idea that would inevitably become the town’s undoing. This keeps the adults in the dark of the reality of the world. This second time up to bat, Pilcher decides to incorporate corporal punishment in the form of town center lynch justice as a means to control order in Wayward Pines. If someone gets out of line or breaks rules, they are summarily brought to town center and executed by slitting their throat in front of the town mob. This is called a reckoning.

Here’s where I dislike this plot idea, where I feel this part was entirely unnecessary and sent the story premise off the rails. Pilcher is indeed correct to be worried that his group B town is degrading into chaos and destruction, just has had group A. It is. There is an underground movement that is growing and sowing the seeds of a second town self-reckoning once again. However, the reason for this is primarily because of Megan’s ideas she fed Pilcher. Megan’s ideas were the poison seeds that fueled Wayward Pines’s destruction, every time. Megan is a cancer on Wayward Pines.

Cryonics and The Past

To give a bit of backstory here, Pilcher foresaw the destruction of the 2014 world due to a DNA mutation he found, a mutation that would lead to humanity’s destruction in the future. He tried to alert the attention of the scientific world, but failed. Instead, Megan Fisher (eventually becomes the teacher at Wayward Pines school), urges David Pilcher to take whatever means necessary to ensure survival. This was the primary piece of bad advice David Pilcher took in securing his vision and the piece of advice that single-handedly ensured Wayward Pines’s demise. Megan would go on to not only continue giving bad advice, but poison the children and jeopardize the entire project.

Anyway, Megan’s continual bad advice leads Pilcher (being all wealthy that he is) to use his great wealth to hire people to nab random folks off of highways and put them into cryosleep. One set of unwilling participants is our protagonist Ethan Burke, his wife Theresa Burke and his school age son Ben Burke (season 1). Ethan Burke was sent to the area by the secret service (?) to investigate the disappearance of two of his colleagues. Ethan becomes the eyes of the audience as the great mystery of Wayward Pines unfolds. Of course, the premise includes everyone else in Wayward Pines, who were all unwillingly abducted and cryofrozen. The only people willingly there are those that who David Pilcher hand picked to operate the mountain complex to keep Wayward Pines functional as a township.

The Philchers (Pam and David) call Wayward Pines the Ark.

Aberrations

In season 2, we find out more about the original awakening of group A via C.J. Mitchum. He was the advanced cryo engineer who was the first to awaken and who awakened group A. He was also the person who found the aberrations and alerted Pilcher to them. This is also where the story takes a bad turn. Instead of staying and killing off a bunch of indigenous humanoids, C.J. suggests heading back into the pods to wait more time for them to die off. In fact, there were so many ways this story could have been handled, Wayward Pines might have worked as a simple utopia. Pilcher decides not to wait… yet another dumb idea from someone who’s supposed to be very smart. Anyway, Pilcher clears the area and erects an electric fence.

Outside the electrified fence, the indigenous humanoids (called Abbys … short for aberrations) inhabit the countryside. They also inhabited the area where Wayward Pines has been built. This means that David Pilcher kicked them off of their land. The aberrations are the remnants of humanity left over after the DNA mutation and the event that David had predicted. The aberrations are vicious carnivores that eat any animal flesh they can find, including any 2014 humans that happen along the way.

However, we come to find in season 2 is that Pilcher cleared out the area where Wayward Pines was to built by killing all off the indigenous folks. This action effectively starts the war between the aberrations and the humans and ensures all of the problems for Wayward Pines going forward. A problem that could have been avoided had Pilcher taken CJ’s advice and waited longer.

Keep It Simple Stupid

The first problem I have with this premise is that Pilcher kidnapped folks without consent. He also didn’t vette them for suitability or compatibility for living in a utopia city project. He yanked them out of their life and put them into cryosleep. After unfreezing them in the year 4028, he has two options. Tell them their reality or make them think it’s still 2014. After all, the town looks like it did in 2014 so it’s not that hard to convince those who are unfrozen.

There are lots of reasons why this town won’t ultimately succeed. The primary reason it is doomed to fail is that these folks didn’t consent to be there, the problem treated by Megan. They still think it’s 2014 and they think they can leave and get back home. Yet, they are being told never to talk about that. That idea won’t work. You simply can’t tell people to suppress their desires to go back home to their families and loved ones. If he had explicitly kidnapped folks who didn’t have loved ones waiting, then perhaps he could have used that. David didn’t think the kidnapping idea through very well.

Another secondary reason why this township won’t work is limited food and medical supplies. While he did stockpile food to get the town started and maintain certain levels of conveniences like ice cream, liquor, fudge, toy shops, hair stylists and various amenities offered by the 2014 standards, that cannot possibly last. There is also simply not enough food resources to maintain a growing community of people. Pilcher also failed to foresee the need for medicines in the future. While he did bring some medicine forward in time, it simply wasn’t enough (season 2). Over time and with enough generations, there would be no way for 2014 humans to survive, particularly without access to modern medicines. It’s not like he also brought along a pharmaceutical company and people to run it.

This lack of foresight sows the seeds of destruction for any forced community at some point in the future. The corporate punishment only serves to double-down on this destruction by, along with microphones and cameras monitoring everything in the town, eventual dissent and violence. If David stays this course with each successive town reset and restart, he’ll eventually run out of people to inhabit the town. Thankfully, Pam puts a stop to that, but too late to really save Wayward Pines.

Survival

Even if there had not been any indigenous population to defend against, the community would still have failed. As I said above, Pilcher didn’t bring along enough medications, vitamins and food to last indefinitely.

If the town had been able to survive without the threat of attack, the population would have eventually overgrown the town. They would have had to either institute population controls or force people to leave and settle elsewhere. There were so many better and more horrifying story avenues than the aberrations, the aberrations simply ended up as a convenient copout distraction from all that was missing when actually trying to build a utopia.

Season 1 versus Season 2

Season 1 started out promising by offering hope that the town might survive and morph into something useful. By season 2, not only had the show jumped 3 years into the future, which robbed us of the internal struggles, we come to find that the first generation is now running the town. While this is a fairly stupid premise to begin with, it effectively turned the show into a Young Adult novel.

On so many levels for a TV series, this change doesn’t work. You can’t start out with adults running the show only to turn it into a teen fest. That, in and of itself, caused too many problems going from season 1 to season 2.

Additionally, season 2 introduces a lot of foreign concepts that take the show in a direction that really doesn’t make a whole lot of sense. While I have not yet read Crouch’s novels, I’m assuming that the two seasons follow the novels to some degree. Ultimately, I can see why this show was not renewed after season 2. It just wasn’t strong enough of a premise to survive such jarring changes between season 1 and season 2. By jarring changes, I not only mean the survival concepts, but also the never ending cast changes, particularly the teen fest.

Overall

This was not a great show. It had a lot of promise when it began, but it quickly degraded into a story place that couldn’t work. Additionally, there were so many unaddressed mistakes made by Pilcher, these made the show’s story entirely weak. For example, where was the livestock? If you can cryofreeze humans, why didn’t Pilcher cryofreeze cows, pigs and chickens? They will need protein and vegetables as food sources… particularly if they’re to repopulate the earth.

Also, if Megan’s population birthing initiative was so all fired important, then why didn’t they cryofreeze a bunch of babies or pregnant woman to immediately restart the repopulation process?

Additionally in season 1, it was never addressed where all of the food was coming from or how much food there was. By season 2 and three years later, the town was already running out of food and needed to build farms to sustain the population. However, the valley soil where Wayward Pines is situated is supposedly tainted and cannot grow food with no real explanation of this. If food was an important thing to consider, why didn’t Pilcher cryofreeze some farmers and botanists? Also, why wasn’t this idea addressed in season 1?

Also, if Pilcher wanted his Wayward Pines town to thrive as a small town circa 2014 style, he must have packed enough rations to last for well more than 3 years. I’d suspect he’d brought along enough to last 10 or 20. If you don’t bring along enough rations to last 10 or more years, then why lure people in with all of the ice cream and hot dogs when in 1-2 years they’ll be starving or subsistence farming? Also, ice cream is made from milk. Where was the livestock to keep it all going? What about clothing? What about making cloth? What about growing cotton to make yarn to make cloth? What about sheep to make wool for winter clothing?

Clearly, the show’s writers weren’t thinking ahead. They might be able to blame some of this on Blake Crouch, but the show’s writers should have been able to read the book material, see the problems and fix them in the series. Overall, it’s a generally weak show that appears better than it actually is. It’s easy to see why it was cancelled after 20 episodes. In addition to being only half-assed in concept, the stories were simply not thrilling enough. The story needs a whole lot more thought and work.

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Rebuttal: Kelly Marie Tran’s NYT Op-Ed Piece

Posted in Employment, entertainment by commorancy on August 21, 2018

Rose and FinWhile I can’t identify with Kelly Marie Tran’s problems growing up as an Asian female as she describes in the New York Times, I definitely feel she has made some very empowering points regarding her observations. However, I also believe Ms. Tran missed some points that many Star Wars fans were trying to address within the Star Wars series. Let’s explore.

Haters Gonna Hate

It doesn’t matter much how much of a celebrity you are, you can’t please everyone. This is simply not possible. In fact, it’s not even worth trying. However, the bigger of a celebrity you become, the more of these folks will appear and attempt to make your life miserable. You can’t let them. This is why everyone needs to make a decision about social media and celebrity. I don’t know a specific number, but I’d venture to guess you’ll find at least 40% of the people at most social media sites spout some form of vitriol towards at least one or more people. Perhaps that number is even higher. While I personally believe vitriol has no place on social media, I acknowledge that it exists.

Judgmental Society

No matter who you are, you can’t let the vitriol define you.. not on Twitter, not on Facebook, not on YouTube, not on any other social site. Criticism is everywhere in every form everyday. It happens when you drive your car. It happens when you eat out at restaurants. It happens when you drink at a bar. It happens when you post pictures to Instagram. Simply… it happens. Everyone around you is always judging you.

People judge you for what you wear, how you look, how you walk, how you talk, how you act, what you say, your shoes, how your hair looks, your makeup… etc. People judge other people everyday. You can’t stop it. You can’t do anything about it. But, what you can do is ignore it.

I know it’s hard, particularly if people use cruel words that you read or that you can hear. However, you can’t live your life by other people’s judgement of you. You must live for yourself, not for anyone else. If you find someone who is particularly cruel or judgmental, eliminate them from your life. You don’t need Negative Nancys and Toxic Tommys around you. Simply cut those naysayers off. That doesn’t mean killing your entire social media presence, but it does mean actively using the moderation tools given by these sites to block those who only serve to harass you.

Constructive Criticism vs Prejudice

In any profession where you must perform, act, sing or even create visual art, your work will be criticized. Some people will like your work, some won’t. Many will be vocal about that criticism. As I said, you can’t please everyone. Criticism is the unpleasant part of the performing and visual arts. But, it doesn’t have to define you. When reading criticism, you must always review that criticism objectively. If you don’t, you’ll always assume that everything is a personal attack. Step back and see it for what it is, someone else’s problem. Not yours.

Someone who is looking at your work isn’t necessarily judging you personally, even if it may seem that way. If you put your acting skills up onto a silver screen, people will judge that work in the context of that entertainment. As I said, some will like it, some won’t. If you’re an actor and you don’t understand this concept, then you probably chose the wrong profession. The same goes for any other performing or visual artist.

Basically, if you can’t take criticism of your work, then you should consider a profession that doesn’t require putting so much of yourself out there to be judged in harsh ways.

What this all means… it seems Ms. Tran is a little bit too sensitive to be a celebrity in today’s Hollywood. It’s a rough business to begin with. If you feel dejected every time you release a film or because fans tongue lash you, then you’re way out of your element.

Star Wars fandom and Acting Roles

What’s worse, a lot of Star Wars fans can’t seem to distinguish an actor from the role they play. Ms. Tran did the best with the material she was handed by Rian Johnson. None of the vitriol aimed at her after the film’s release is in any way justified. However, being judged and criticized is part of being an actress and part of the Hollywood business. That is something you need to accept being in the public eye.

However, if Ms. Tran is guilty of anything in this, she’s guilty of not understanding the reason behind why the Star Wars team cast her in the role. This casting reason is not her fault, but it is her fault in failing to foresee and act on the potential problems caused by her being cast in that role. She states she was the first Asian female lead in a Star Wars movie. True. Though, we need to read on to find out why she might not want to be proud of that fact here.

I can fully understand Ms. Tran’s temporary blindness of insight she might have suffered after her agent told her she got the role. Seriously, who wouldn’t want to appear in a Star Wars movie? With that said, this franchise was already off on the wrong foot with the affirmative action program enacted by The Force Awakens casting folks. It was completely foreseeable that this program would both carry forward and escalate within The Last Jedi. To no one’s surprise, it did.

There was absolutely nothing wrong with Ms. Tran accepting a part in The Last Jedi… had the part been anything other than blatant attempt by the filmmakers to escalate an affirmative action program by creating a character and a role that didn’t need to exist. This is what Ms. Tran should have foreseen. This is what she should have understood about that role she accepted. This point was crystal clear to me the moment her final scene appears on the screen. This is what her gut should have told her before accepting the part. This is what her agent should have seen and explained to her. This is what she likely would have understood by reading the script in full. These were all mistakes made by her and the team around her. She was more than likely blinded by the words, Star Wars.

Film Roles can Backfire

Not every film role that an actor or actress accepts will be a success. Sometimes the filmed work never makes it into the final film. Sometimes the role is wrong for the actor. Sometimes roles occasionally end up backfiring on the actor or actress. This goes with the territory. No one can fully understand the consequences of a role they might accept until a film is released. However, an actor can usually ascertain if the filmmaker has created a part that is genuinely necessary to a film by reading the script. You can’t blindly take the word of any filmmaker, you need to read each script and understand the full role being offered.

In other words, as an actor, you shouldn’t jump into a part because it has a name like Star Wars which blinds you in excitement. You still need to do your due diligence to understand if the part fits with your personal ideals before accepting it. As an actor, you always want to be taken seriously. You don’t want yourself and your craft to become the butt of an inside joke only to become immortalized on the silver screen. You don’t want your craft to be taken advantage of by a filmmaker’s personal agenda. This is the reason that doing research about the project, even a high profile project like Star Wars, is extremely important.

In fact, this problem is not limited to the entertainment profession. You need to always research the company and the folks where you might consider working. If their company ideals don’t match with your own personal ideals, you likely won’t be happy in a job there.

Star Wars as a franchise

Rian Johnson broke away from the Star Wars mold by introducing a new lead character in the middle of an existing storyline. One might argue he introduced two of these. Yes, but kind of. Holdo was technically a dispensable secondary character. The new lead role was for a love interest to Fin, Rose Tico (Kelly Marie Tran). There’s a right way and a wrong way to introduce new lead characters into a narrative. Rian Johnson did it entirely the wrong way. Not only was the Rose Tico character’s presence entirely unnecessary for the greater narrative, Rose also served no real purpose in the side narrative. Rose’s presence, in fact, only served to distract the storytelling of the greater narrative.

That story and character problem is most definitely not the fault of Kelly Marie Tran. She didn’t have a hand in writing the character or the story to which the character is involved. That’s on Rian Johnson, Kathleen Kennedy and Disney. No, she simply acted the part on film. Unfortunately, many fans don’t understand this fine point in filmmaking. Instead, they see Ms. Tran as the problem. She’s not the problem, she’s the victim. She even admitted that, for a time, she also saw this as her problem.

In fact, the producers were the ones who sowed the seeds of affirmative action in this franchise and they followed through with its execution. That’s a production problem, not an actor problem.

Fans need to wake up and point their vitriol at the place where it belongs, at the producers and Disney. Leave the actors alone. They did their part by acting their role. Kelly Marie Tran performed her part admirably, all things considered. Their job is done. The producers, writers and directors must take the blame for anything related to the film itself, including casting and poor story choices.

Kelly Marie Tran’s Message

While I understand and agree with much of what Kelly Marie Tran describes in her New York Times article, I also agree that Ms. Tran needs to do a bit of soul searching and determine whether being an actress in Hollywood is her best career choice.

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How to fix Touch ID purchasing after Apple ID unlock

Posted in Apple, botch, california by commorancy on August 14, 2018

Touch ID App store purchasing no longer works after your Apple ID is unlocked? How do you get it working again? Let’s explore.

Apple ID Locked

I’ve recently begun having problems with Apple locking my Apple ID account about every 3 weeks with no explanation. After I’ve unlocked my account, I find that the App store app refuses to use Touch ID and forces entry of my password to download an app. Hey Apple, I set up Touch ID so I don’t have to type in a password.

I’ve called Apple twice about this problem and they are of no help. I had to figure this one out on my own. Thanks Apple… not!

Not only does Apple have no logs to determine why the account is locked, they simply don’t care about this problem. Their login system has become shit in the last few months beginning in June of 2018. I have no explanation for this lockout problem except that Apple needs to get their shit together. I’ve never had this problem before this point. Anyway, once an Apple ID is locked, you’ll need to unlock it to proceed cleaning up the mess Apple leaves behind.

Note, I have no problems unlocking my account. In fact, it takes about 5 minutes or less. However, there’s a bunch of crap to do to clean up Apple’s mess.

Unlocking an Apple ID

To unlock your account, go to appleid.apple.com. Note, I have chosen not to linkify in the address in this article for security reasons. This is why it’s not clickable in this paragraph.

Instead, simply select the text => appleid.apple.com . Then copy and paste it into your browser’s address bar. Or better, type it into your browser’s address bar manually. Next, browse to this destination. Because this is Apple’s security site which manages your Apple ID security settings, I urge you to make sure you type it in exactly and carefully. If you mistype this address, it’s possible that you could land on a malicious web site that looks identical to Apple’s site and which could collect your Apple ID and password. Alway be cautious, alert and careful when visiting sites which manage the security of your account(s). Here are the steps to get you started:

  • Once you’re on the Apple ID site, under the ‘Manage your Apple account’ text, enter your Apple ID username and click the arrow pointing right →
  • Now enter your current password and click the arrow →
  • It will tell you your account is locked
  • At this point, follow the prompts to unlock your account

You’ll need to need to know the following info (as of 2018) to unlock your account:

  • Birthdate
  • Answers to the security questions you set up previously

This section assumes you have not set up two-factor authentication. You can choose to unlock by email or by answering security questions. It’s up to you which path to follow. Whichever path you choose, complete the process to unlock your Apple ID. After unlocking, here’s where the fun begins. /sarc

If you can’t remember your security questions or birthdate, you’ll need to contact Apple Support and request for them to help you with unlocking your Apple ID. If you have set up two-factor authentication (2FA), you will need to know your recovery key. If you’ve lost you recovery key and access to your trusted device after setting up 2FA, you’re out of luck. If you have access to your trusted device, Apple can send you a text to finish the unlocking process. You cannot recover your Apple ID when using 2FA if you have lost the recovery key and lost access to your trusted device. For this reason alone, I cannot recommend setting up 2FA on your Apple ID. Stick with a strong password and avoid 2FA.

Note, I strongly recommend unlocking your account via this web browser method only. Even if your iPhone or iPad prompts to unlock your account directly on your device, don’t. Do not rely on the methods built into iOS devices as I have found them to be problematic and unreliable. Using the browser method, you will have no troubles.

Account Unlocked / Touch ID problems

Once your account is unlocked, you’ll find that all devices that were formerly logged into this account will have been force logged out. This force logout method is different than the method you would use to logout on the device. If you log out of the device, you will be prompted for both the account name and the password. With Apple’s force logout due to a lock, you are only required to reenter your password. Your login ID will be remembered and cached.

An account lockout wreaks havoc on certain features in iOS like Touch ID. Because the account was force logged out, then unlocked, Touch ID will fail to work on both the Music and the App store app. As I said above, you’ll find that the App store now prompts you to enter your password rather than using Touch ID.

Worse, you can go to settings and clearly see that Touch ID is still enabled for the App store app, but it is not working. This is demonstrably a bug that Apple simply won’t fix. How do we resolve this? Let’s continue.

Fixing Touch ID in the iTunes and App store app after a lockout

Here are the steps to fix this problem:

  • Kill the Music and App store apps on your iOS device. DON’T SKIP THIS STEP. You do this by double clicking the home button. Then scroll through the apps running, then drag the app up to the top of the screen with your finger until it disappears from the list. This will kill that app. It’s always a good idea to periodically kill all running apps on your phone to improve performance. Be sure to kill the App store app before proceeding. If you have many apps in the list to scroll through, you can bring the app to the front of the list easily by launching the app before trying to kill it.
  • Once the apps are killed, proceed to the Home screen and touch the Settings app
  • Scroll down to Touch ID & Passcode and touch it
  • Enter your pincode (if requested)
  • This is the screen you’ll see next
  • On this screen, you’ll see the iTunes & App store is already enabled (green). This setting is a lie. After a force lock and unlock, Apple automatically disables this feature internally even though the button shows green and enabled. That this button remains enabled is a bug and is the reason Touch ID doesn’t work.
  • Click the green slider button next to iTunes & App Store to disable this setting.
  • Wait for a moment for this to register and turn grey, like so 
  • Now, click it a second time to re-enable it. This time, it will prompt you for your Apple ID password.
  • Enter your current Apple ID password in the password prompt
  • Wait for the button to do a little jig before leaving this screen. The jig is described like so: the button starts off green, then turns grey for a moment, then slides back to green. This jig confirms that Touch ID for the App store is now truly enabled
  • Exit to the home screen and launch the App store app
  • Browse to any free app in the store and click ‘Get’. Touch ID should now prompt you for your fingerprint instead of prompting for your password.

If you skip killing the apps where I asked you to do that, you’ll find that the App store app still prompts for a password. The reason for this is that the App has cached the forced logout. To break that cache, you perform all of the steps described above. Following the order of these steps is important.

If you leave the App store app running when you reset the Touch ID settings, you’ll find that the password prompt problem remains. You may find that killing and relaunching the app even after resetting the Touch ID after-the-fact also won’t work. That’s why the order the steps is important.

Stupid Problems, Debugging and Network Settings

Problems this stupid shouldn’t exist on iOS devices, but here we are. I’ve already discussed this issue with Apple Support, but they simply won’t do anything about it. In fact, because this problem was formerly a rare occurrence, Apple Support isn’t even aware of this workaround.

In fact, while on the phone, Apple Support “recommended” that I reset my network settings. Never reset network settings as a first step. Resetting network settings should be the absolute last step and only when nothing else resolves a problem. The difficulty with resetting network settings is that it wipes all iCloud stored network passwords and access point information, like WiFi passwords. Not only does it wipe all WiFi networks and passwords on iCloud for the device where you wiped network settings, it wipes it for every device also using iCloud. This means if your Apple ID is being used on a MacBook, an iPhone, an iPad, an iPod or any combination of several of these devices, you’ll have to reinter the password on every device manually. It will also have forgotten all of the access points that iCloud formerly knew. Each new device will need to relearn them all.

You can somewhat solve this problem by first signing your device out of iCloud before wiping network settings. However, when you log your device back into iCloud, it might still wipe some settings from iCloud once logged back in and synced with iCloud. Be cautious with doing this.

I’ve been there and done that. This is a pain-in-the-ass. If Apple Support ever requests you to wipe network settings, tell them politely but firmly, “No.” Then state, “I only wipe network settings as a last ditch effort. Let’s exhaust all other workarounds and possibilities first.”

Wiping network settings usually only resolves actual networking problems, such as the phone refusing to connect to a WiFi access point. Touch ID has nothing to do with networking. Be wary of Support Team members requesting you to wipe network settings to help resolve non-network problems. The last thing you want to do is spend hours fixing all of your other devices in addition to not resolving the original problem. The Apple Support team is very good at causing more problems without actually solving the original problem. It is up to you to always exercise your best judgement to prevent Apple Support slip ups.

I really wish that Apple would just fix these stupid bugs. I also wish that they would tell me why my account keeps getting locked out.

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