How To: Portals in No Man’s Sky
While there have been a number of articles describing the portal travel system within No Man’s Sky, it seems that these articles leave out some very important details and restrictions when traveling by portal. Let’s explore.
Finding a Portal
The difficulty with using a portal is finding one. Portals look like a Stargate from the SG1 TV series. In fact, they “dial” almost identically to the SG1 gates, thus requiring glyphs to complete the “dialing sequence”. Once a sequence is input, the gate will either open or fail to open. Putting in random values may lead to a world, but it can also lead to your own peril.
If you choose to dial a random sequence, you should make sure to have a current saved game position that you can go back to if it ends up some place perilous. I should also mention that for the first portal you find, you’re going to need to repair each portal glyph button with varying resources. Expect to carry a bunch of various resources like Indium, Sodium Nitrate, Oxygen and so on to repair the entire panel.
Finding a portal, however, can be a real challenge. With that said, there are multiplayer quest lines (you can reach these from the Anomaly space station) that will lead you to a portal as part of the quest line. Once you complete one of these basic quests that lead you by starship to a world with a portal, build a base near that portal before you use it. Place a terminus on your base and you can always return to that base right near the portal for use later. You’ll thank me for this advice later. Once you find a portal on a world, it’s always a good idea to build a small foothold base near it so that you can return and reuse that portal later. Otherwise, you’ll be hunting for a portal again once you leave it. Once you have a base near a portal, you can then find portals on other worlds. It’s a complicated process to get back to remote portals, but suffice it to say that it can be done in defiance of the below documented restrictions.
The second way to locate a portal is that you can accidentally happen upon portals on worlds simply by flying over them. If you happen to find a portal through happenstance, create a base near it so you can return to it and use it later. You can reuse any portal you find. You really only need access to one portal in the game. All others are extraneous. However, if Hello Games decides to add world destruction scenarios into the game (not currently in the game), then you might want to have access to several different portals in your chain of bases.
The third way to locate a portal is to use a structure scanner or an acquired navigational map to find one, but this is a hunt in the dark. The scanners (and maps) only locate a close / random structure and may not locate a portal. Though, every world appears to have a portal somewhere on it… including moons apparently. Airless worlds might be easiest to locate a portal as there are no clouds to get in the way of scouting by air.
Using a Portal
Using a portal is easy. To find the portal address of a world, you simply need to enter photo mode. Once in photo mode, a glyph sequence like the following… (to the current closest planet) will appear on the bottom left corner of the screen. You can then snapshot this screen and use these symbols to get back to that world’s portal.
In fact, using Photomode is the easiest way to find a portal address for a given world. Using the glyphs on your screen snap will land you at that world’s portal. You can then leave a Save Beacon at the portal location to find your way back there easily while revisiting in your ship.
Unfortunately, here is where the restrictions for portals come into play. Using a Save Beacon only really works if you’re within jumping distance of the world. If you’re hundreds of thousands of light years away, it’s going to take you a long while to get back to that world by ship.
Portal Restrictions
When you use a portal to reach a destination, Hello Games has designed some heavy restrictions on that solar system you are visiting via portal. These restrictions include:
- You cannot use the Galactic Map while visiting a system via portal. The open portal apparently creates “interference”.
- You cannot create a Base Computer on any world in the system you are visiting via portal. This means you cannot build a base there. However, you can leave a Save Beacon behind which will allow you to return to that specific ground location on that planet after you have returned back through the portal and flown there in your starship.
- You cannot shut down a portal at all… either on the visiting side or on the dialing side. On the dialing side, you can dial a new system and that will override the currently open portal.
- You cannot dial a portal while still on the visiting side. In fact, the dialing controller will not even raise out of the ground. You can only dial on the side where you began.
- You cannot dial out of any other portal on any other planet in the visiting system. In fact, all portals on all worlds, for whatever reason, only allow you to return to your dialing point. This means even if you leave the dialed world and head to another world in that system… and then you manage to find the location of the portal on another planet there, you still can’t dial out. You’ll find that that portal (and every other portal) is currently open back to your dialing world.
- The Terminus at the local space station is shut down and locked. You cannot use a terminus to leave that visited system.
- You cannot call the Anomaly Station (Nada and Polo’s ship) while visiting a system through a portal.
- You cannot call your freighter.
These restrictions are intended to dead end you in the solar system you’re visiting by portal. You can’t leave that system in any other way than back through the portal. You can’t build on any of the worlds you’ve visited while through the portal, with the exception of certain small tech devices like a Save Beacon or a Message Beacon. As I said above, you can’t build a Base Computer on any planet in a Portal visited system. You also can’t leave that solar system in your ship. You can travel from planet to planet in that system. You can pick up resources and return with them through the portal, but you cannot use the Galactic Map to leave the system. You must head back to the open portal and return to your dialing point to continue playing.
Save Beacon
The only sort-of workaround here (at least to find the world again) is to leave a Save Beacon behind on one or several of the worlds. You can then hop into your ship from your own system (the dialing system), then use the Galactic Map to navigate back to that system. Once there, you can then use your Save Beacon to lead you back to that specific portal point on that world.
If you travel to that same system with your ship using Hyperdrive, there is no problem building Base Computers or any other structures. Basically, if you find a particularly compelling system via portal, you must return back through the portal and then use your ship’s Hyperdrive to get you back there. Of course, it could be many thousands of light years away… so there’s that.
Commentary
I can’t really understand the unnecessary portal restrictions within No Man’s Sky. In Stargate SG1, there were no similar restrictions. The one rule in Stargate SG1, though, is that you couldn’t return back through an already open gate. Gates in SG1 were one way. If someone tried to return through an already open Gate, the person would be fried. This is the reason that after traveling through a Gate in SG1, the gate would shut down. This meant that the person visiting via the portal would need to dial back out to open their own portal back to the originating world. This is how No Man’s Sky should work.
I want to understand the developer’s rationale here. I do. But, I must counter any such argument that this is an exploration game. There’s absolutely no reason why we can’t use a portal to travel to another system as open-ended exploration, then continue our journey from there or build as we see fit.
If the developers are concerned that we’ll shortcut our way to the center of the galaxy, restrict that. If the dialed system is at or near the center or within a small diameter of the center, then restrict how travel is handled. Don’t restrict every solar system simply because you’re trying to keep us from using a portal to get to the center. Even then, this restriction is somewhat stupid.
Portals are Mostly Worthless
Ultimately, the restrictions imposed on visiting portal worlds make them a novelty form of travel, but entirely useless. You can only use them to “see” a specific world. You can’t use a portal for any other travel purposes.
Once you understand the heavy restrictions imposed when using portals, you’ll quickly realize the futility of using them. Basically, Hello Games wasted their time building this portal system feature. Unless Hello Games chooses to lift these unnecessary portal restrictions, the best way to travel is strictly by Hyperdrive. There are no such silly restrictions when traveling by Starship or Freighter… at least none that I know of.
Consider that it’s also a major hassle to portal to a world, drop a beacon, travel back via portal then hop into your starship and make your way back there. Yeah, it’s a real pain in the ass. I don’t get why game developers feel the need to place such silly restrictions all over games when they are entirely unnecessary.
No Man’s Sky is supposed to be an open exploration game. Why close off avenues of game play when using a built-in travel system? If I choose to build on a world in a portal system, let me. If I want to use the Galactic Map, there should be no problem. If I want to use the Terminus to get back home, that’s my choice. These stupid restrictions should not exist in No Man’s Sky. Hear me, Hello Games!
The only restrictions that should exist are restrictions on traveling to worlds within 10,000 light years of the center. Simply place the restrictions on these worlds and systems. Don’t allow portal travel at all to these worlds. Force the player to fly in by ship. Honestly, though, what difference does it make if the player flies in by ship or arrives by portal? Why does it matter if the player has chosen to use a portal instead of a starship?
Video games should allow players to travel in whatever method they choose, even if it ruins their own game experience. What difference does it really make if the gamer flies to the center by ship or arrives by portal? However, if you must, place restrictions on key worlds… but don’t restrict the entire game of billions of worlds strictly for a very small subset use case. 🧐
Update for Feb 2021: Getting around the restrictions
There is a way around the restrictions mentioned above, but it requires being on a multiplayer team. The first person to enter the portal is always restricted. However, when your teammates join you by exiting the Anomaly station and following you into the system, your teammates will have unrestricted and unfettered access to that system. The first person can then leave the system back through the portal, then go into the Anomaly and then join your teammates back in that system to lift the restrictions. It’s a convoluted workaround, but it’s a way to visit a portal system and then be able to build a base and get back there without the silly restrictions of the portal.
However, it’s worth noting that it is entirely possible that Hello Games could patch this portal workaround, so be sure to use it for as long as you can before Hello Games changes their minds.
If this article helped you better understand No Man’s Sky‘s portals, please let me know in the comments below.
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Game Review: The Outer Worlds
[Updated Dec 2019] While I hadn’t specifically heard that Obsidian was building “The Outer Worlds”, I was certain that this studio must have something in the works. I only came to find out about The Outer Worlds a week before its release. Due to other commitments, I hadn’t actually been keeping up with game releases for 2019. Let’s explore this game.
The Engine
Let’s start with the brightest star of this game. Unlike other RPG game studios that will remain nam… oh, that’s never gonna work. Bethesda. Ok, I said it. Bethesda… Happy now? Anyway, as I was saying, unlike other RPG game studios like Bethesda, Obsidian’s engine driving this game is rock stable. By “rock stable”, I mean nary a crash, glitch, frame rate drop or any other odd artifact have I run into while playing this game. The engine delivers a solid, fully functional, fully realized gaming system that seems free of major bugs or defects. Definitely a welcome change in the game development industry. That doesn’t mean this game is “bug free”… oh, no no no, my friends, but it does mean that unlike Bethesda, Obsidian seems to actually employ real game testers and a real QA team who do their jobs correctly. The bugs you are likely to run into are small, super edge cases you’re almost never likely to run into. The bugs you’ll find are also not at all likely to be showstoppers. Inconvenient occasionally, yes, but we can all live with an occasional minor bug.
What that means in this game is a poster child and a shining example to pretty much every other bug laden studio out there. The Outer Worlds proves that, yes, games CAN be written without glitching and crashing every 30 minutes. Obsidian definitely shows us and the industry that this level of software development is, in fact, possible. No, you don’t have to rely on your users to beta test your games and file bug reports. You can, instead, employ actual teams designed to locate, spot and eliminate these bugs before players ever venture into your story or your game world.
However, while this reliability and stability is a shining spot in The Outer Worlds, let’s talk about the features of this game including what it is and what isn’t… and believe me, there’s a lot to talk about here.
Role Playing Game?
While The Outer Worlds does employ a number of role playing elements, it isn’t really a role playing game in the truest sense. In effect, The Outer Worlds is a party/team-based first person shooter. Sure, there’s looting, skill-building and limited workbench activities, but that’s really where the “Role Playing” ends. It has about as much a role playing in the game as the Resident Evil series.
A “role” playing game usually indicates that there are, in fact, multiple role types available. In Skyrim, for example, you could choose your race and your class. These features are typical in role playing systems. In Skyrim, you could make your character a Khajit Magic User or a Breton Warrior. It was up to you how you set up your character. If you set your character up as a warrior, this would increase certain “warrior” attributes up front and decrease others. This meant you had certain types of attacks which were very strong and certain attacks that were very weak. That’s the point in an RPG. Setting up your character to perform a certain way in specific combat situations.
In The Outer Worlds, there are no classes or character types. You are who you are and what you are. In this case, you’re human and you’re a colonist on a failed transport mission. It is now your mission to free your fellow colonists still stuck in the transport. That’s the pretext. The rest of the game is about leveling up your character, learning about the enemies and foes, negotiating with them (yeah, we’ll talk about this shortly) and sometimes killing them.
Anyone classifying this game as a true role playing game doesn’t fundamentally understand what an RPG is. It is, in fact, a first person shooter containing limited RPG elements. I liken it to Mass Effect in this way.
Space Epic
Here’s another area where it’s difficult to quantify this game. It purports to be a space epic, yet it has almost nothing to indicate it even takes place in space. Sure, you’re aboard a “space ship”, but not once do we get to see any space battles, scenes of landing on planets, no cut scenes, nothing to indicate the ship is, in fact, space faring.
All we get is a small galaxy map that when your ship travels, a tiny little sprite representation moves across the map and then, bam, you’re there. No space scenes. No faster than light travel scenes. No cut scenes. No waiting on travel. One second you’re in one location and the next you’re in another.
It’s entirely disappointing that being a space epic, you have absolutely no space flying scenes at all. Not a single one. The only cut scene that indicates space travel is the very first one that opens the story. After that, nothing.
Dialog
Unfortunately (or fortunately, depending on your point of view), within The Outer Worlds the dialog abounds… and boy does it ever! If you love having random conversations with random NPCs, this is your game. The amount of dialog in this game is astounding. You can have several multi-minute long conversations about nothing in particular with an NPC that really makes no difference to the outcome of the story. Sure, it might make a difference to your “charisma” with that specific character, but the dialog is shallow and pointless.
For the same reason that Bethesda expects you to spend minutes tooling around listening to pointless holotapes full of “lore”, Obsidian expects you to tool around for minutes in dialog with pointless NPCs. Worse, too much of the dialog is dry and really doesn’t do anything specific.
The only reason to even converse with random NPCs is to, hopefully, receive a new quest so you can get loot and gain more experience. Not that that’s really required as you can get loot and experience simply by joining random skirmishes in the landscape.
If you’re really happy about seeing tons of dialog throughout a game, well then this is your game! For me, there’s a tipping point to too much dialog. Dialog should be equally nestled into a solid gaming experience. Dialog should only be used to advance the story, but never to sidetrack the player into pointless dialog experiences. Unfortunately, The Outer Worlds falls far into the “too much dialog” trap.
Voice Actors
While there are a few solid voice actors in the roster of characters within The Outer Worlds, there are a number of voices that are outright bad. There’s nothing worse than trying to dig through dialog choices when the voice actor is so bad you have to cringe. It only makes the dialog experience worse. If you’re going to rely so heavily on dialog in a game, you should also make darn sure that your voice actors are up to that task.
Visuals
Here’s where this game gets rough. I’m not talking about stability here, I’m talking about lighting, textures and stylistic design. What I mean here is that the game’s visuals are problematic. First, there’s an odd choice of heavily relying on chromatic aberration over the entire screen without the option to turn it off. Not only is this effect hard on the eyes, it’s tiresome to look at constantly, it dulls the image and makes the image muddy. It’s fine to put a screen effect on as long as it can be disabled in a setting. If I don’t want chromatic aberration on the screen, let me turn it off.
Night scenes with low lighting fare even worse with this effect. The textures don’t read, become lower res and generally look bad. This is a rendering issue in the chosen engine. This game isn’t very realistic as it is, but certain lighting conditions look particularly bad. The above Stellar Bay image looks reasonably okay, but clicking to enlarge that image will show off the chromatic aberration problem.
Second, the game adds an odd color hue filter over the screen to not only give the world a color cast, it also dulls the scene by reducing contrast. Instead of the visuals popping because of contrasts, it all remains a similar monotonous contrast range.
Third, the game is chock full of “fake” product placements. In fact, that’s part of the story. These products are strewn all over the world on tables, in containers, in vending machines and so on. You can buy them, you can find them and you can even steal them. There are so many food and drink items in this game, it’s almost confusing what’s available. It’s just the opposite of Fallout, where you basically have only Nuka Cola and Blamco Mac and Cheese. The rest of the food’s labels are so degraded, the maker has been lost. In The Outer Worlds, there are at least 4 different vending machine types selling at least 4 different types of “branded” products. You can find these items strewn all over the world in containers, but you can also buy them.
On the one hand, I appreciate all of the “brand” artwork that was built to make this world seem (and is the key word here) grounded, but too many branded products means overkill… and in this game, there’s plenty of overkill.. but not for the…
Combat
Here’s where the game gets really weak. The combat system in this game is completely last gen. While it does offer a tactical time dilation (TTD — time slowing) gimmick, unfortunately that gimmick just isn’t very useful. It doesn’t increase damage output. It doesn’t help you aim. It doesn’t provide auto-aim. In fact, the only thing it does is slow down movement… and not even for very long. Yes, it might help you target the enemy’s head better, but that’s about where the benefit of TTD ends. It’s a “wannabe” VATs, but fails to work like VATs on just about every level.
As for straight up combat, it’s average. It’s no better than just about any other shooter and it relies heavily on the player’s ability to use the controller to aim. If you’re good with movement and aiming, you’ll do fine in combat. If you aren’t good at aiming, your character will die often and you’ll need to employ other strategies to win. Also, the combat is repetitive, but not in the way you might be thinking. It’s repetitive because the skirmish locations are entirely predictable, coupled with always being manned with the same exact enemies in the same quantities and strength. It’s simply monotonous after the first skirmish.
Perks and Skills
As with any modern first person shooter, the game wouldn’t be complete without some form of leveling system. To that end, the game offers you both perk and skill points. Perks offer your character an ability that enhances your character or your companion(s) in some way. For example, you can apply a perk that increases your carry weight, increases TTD duration, decreases cool downs, allows you to fast travel while overencumbered and so on. There are many perks that can enhance your play experience. However, you are limited to one perk point every few levels. This means these perk points take a very long time to achieve.
The second way to get perk points is by the game finding “flaws”. For example, if you’re hit too many times by energy weapons, the game might find a flaw that makes you more vulnerable to this type of weapon. If you accept the flaw, your character’s damage resistance to that type of weapon will be reduced by up to 25% in exchange for giving you a new “perk” point. Let me say right here that this is absolutely, without a shadow of a doubt, one of the worst, most ridiculous game mechanics (and ideas) included in a video game in a very long time. Why the hell would anyone intentionally hobble their hero character simply to get a new perk point? Why would you do it multiple times over and over? Yeah, it’s a very dumb idea. Extra perk points? Fine. But, not at the expense of intentionally hobbling my character.
Skill points, on the other hand, enhance your character’s attributes, such as persuasion, lying and dialog. It can also help your melee skills, your ranged weapon skills and others. However, until level 50, you can only apply skill points by section. This then applies one point per each item in that section. Once skill points reach 50 in a section, you can then apply points individually to specific skills. Skill points are issued at every single level up where perk points are only issued every now and then.
Additionally, you can also find wearable items that can enhance your character’s skills without the need to add points or wait for a level up. For example, a pair of goggles might add +5 to sneak or tech.
Crafting
Here’s another place where the game is extremely light. There is a single workbench in the game. This workbench allows you to modify, break down, repair and enhance existing weapons and armor. This is as far as crafting in this game goes. You can’t actually craft anything in this game, you can only fix, modify, destroy or upgrade existing items that you find. Destroying something only returns components which are needed to repair items, which wear down.
Weapons and Armor both wear down rapidly in this game. Without perks equipped which reduce the speed of damage, you’ll find yourself at a workbench after one or two skirmishes to repair your gear. This means you’ll need to break down lots of stuff to have enough components to perform these repairs. This means grinding and lots and lots of looting. Don’t pass dead enemies or containers by without checking. You’ll need to do this to progress in this game.
Unfortunately, while the planets team with plant life, you can use none the plant life to create potions, foods or healing serums. Expect that you’ll need to loot or buy your health items at vendors. I found this lack of health item crafting a huge miss for this game (and, in general, a miss for a modern RPG style game). There also aren’t specific health containers in this shooter. You’ll have to open buildings and loot kitchens for items. Even then, you will more than likely need to buy health inhalers and such from vending machines… so expect to grind, loot and then sell, sell, sell to get enough bits to buy this stuff. Same for armor.
Assigning Weapons and Health
You can assign weapons to 4 slots and toggle through them one at a time. You can also assign health items to slots which can then be used when you press the “emergency medical inhaler” key. You’ve got to manually remember to go assign these, though. If you forget, you’re going to be doing this in the heat of battle.
Autosave and Character Death
The game offers only a limited Autosave feature, it only saves when you exit certain buildings. There’s no way to trigger an autosave manually. These only trigger under specific limited conditions.
When your character dies, there is no “respawning”. This is a game where character death means “game over”. This means you need to reload a previous save from the saved games area. The game doesn’t automatically reload from that save. Instead, you are forced to stop what you are doing, open the save game area and reload… waiting for the game to reload the whole area again.
This is much more than a mere inconvenience. I also consider this a huge miss in game design. Most modern games are designed with at least minimal respawn capabilities. How hard is it to hold a save location somewhere in reserve, then use it to automatically reload the game after a player character’s death? We’ll come to why this is important shortly.
Quests and Currency
Many game designers seem to think that putting up a huge hurdle to overcome at the beginning of the game is a smart choice. It’s not. However, Obsidian decided to use this idea and run with it. Within the first four main questlines, your character is required to come up with 18,000 bits (in-game credits) to buy two mostly nonsensical items. Let’s understand why this is such a bad idea and such a miss.
In a game where your character is just barely getting its footing with armor and weapons, the game throws two main quests at you basically forcing you to gather 18,000 bits (in addition to the bits you’re going to need to buy weapons, armor and health). Being new to the game, you have to make a choice. Do you hold all of your bits and not spend any so you can get through these quests or do you spend your bits and upgrade your character properly? That the designers forced gamers into making this choice very early in the game, it means that those who want to progress the main quest must leave their characters and companions weak until past these quests.
This type of quest shouldn’t have appeared in this game until at least halfway through when, by sheer volume of questing alone, you will already have amassed that many bits organically rather than being forced to do so. It makes absolutely no sense to throw these “reach for the stars” kinds of quests at the gamer 3 and 4 quests into the game. This is not only a huge miss, it’s a poorly designed quest choice.
Modern Video Game Design
The Outer Worlds seems as if it had begun its design phase back when the Xbox 360 was an active current console. It seems that this game was designed to operate on a lesser console platform like the Xbox 360. A console with lower res graphics, limited audio, lower res textures, lesser speed CPUs, lesser ram and so on.
This game doesn’t in any way seem or feel modern. It feels like The Elder Scrolls Oblivion (or more aptly) Fallout New Vegas in look and feel. These latter games were designed to operate on the Xbox 360’s limited constraints with none of the “modern conveniences” being designed into today’s bigger, bolder and brighter games. The Outer Worlds seems to have been designed using the same creative mindset as Oblivion and New Vegas.
Instead, The Outer Worlds is a lightly designed game with a light operational framework offering few modern conveniences. It’s like thinking you’re buying a Tesla only to find that you really bought a bare bones Toyota Camry. Sure, both are cars, both get you from point A to B, but instead of that cool innovative touch screen LCD computer panel to guide you on your way, you are disappointed to find an antiquated illuminated speedometer with a needle. Not exactly what you were expecting… and, thus, this is The Outer Worlds in a nutshell. That doesn’t make The Outer Worlds bad, but it does make The Outer Worlds a less than modern gaming experience.
Missing Modern Conveniences
Unlike many recent games which have sought to solidify and define both the PS4’s and the Xbox One’s next gen gaming standards, The Outer Worlds seems intent to break many of these existing standards and revert back to older days. For example, on the PS4, this game’s control scheme is upended. Whether this was intentional by Obsidian or simply ignorance, I don’t know. Back when a game like Star Wars: Knights of the Old Republic was published, such button control standards were only just becoming defined.
Today, controller standards are well defined. Placing “back” onto the O button and “interact” on X is as natural as tying your shoelaces. When a developer comes along and moves the Interact function to a button where it doesn’t belong or places jump onto the X button, it seems well out of place. And, out of place it is. Even switching to the alternative predefined controller maps on the PS4 doesn’t completely solve this problem. For example, the more or less useless and single purpose Tactical Time Dilation is oddly placed onto the X button when using the “Modern” or “Legacy” remapping. This odd choice of button placement gives me pause to consider Obsidian’s gaming ideals. Why would they choose to NOT map interact onto X in at least one controller mapping when this is pretty much the industry standard today? It’s a small peeve, but it is a concern for this game.
Another questionable choice is the lack of a manual Quicksave feature. Instead of spending time hopping through multiple layers of menus simply to save a game, you could press “Quicksave” at the top of the Save Game menu. You could then perform a quicksave and be on your way. You don’t need to stop everything you’re doing, then press “Save Game” and go through a bunch of dialog boxes simply to save a game. Additionally, on character death, you are summarily thrown to the “Load Game” screen. You are then forced to navigate through your saved games and load one of them. You have no choice. It’s an odd play. The convenience of Quicksaves in games like these is both readily apparent and a necessary modern convenience. That this convenience is inexplicably missing from this game is, again, an odd play.
For this reason, this is why I continually feel that this game must have be begun its development roots back sometime between 2005 and 2011 when this project was, for some reason, shelved. It seems like this game was then pulled off of a shelf by Obsidian, polished and released in 2019. It feels every bit like a game designed over a decade ago, spit polished to look somewhat modern. Even the liquidy-looking health and TTD UI elements hearken back to games from day’s past, though I can’t recall which exact game used a similar UI element.
As another example, when you press the pause button, the entire screen blacks out to a small menu. This is something that would have been used back in the days of the Xbox 360. Today, game designers use much more modern, sophisticated approaches to drawing a menu screen. For example, most developers use depth of field to blur the game imagery and then place a menu over the top of a blurred and darkened screen. It’s a modern approach to this screen. Not only does it make the game look more polished, it shows that the developers are aware of the importance of continuing to show the game imagery. When you black a screen out, you can’t see at all where your characters are, where the camera is or anything else about the game. You must exit the pause screen to see anything. A blurred version of the screen is much more informative than having nothing at all. It is an innovation and convenience that has helped retain the action of the game. That it’s not here is yet another odd play.
The “Inventory” screen also has its fair share of problems. For example, it doesn’t remember where you were when you last left it. When you enter the inventory screen, it always throws you back into “Inventory”. If you were formerly on the map screen and you exit the screen, then reenter it, you are back on “Inventory”. It doesn’t remember which tab you were on. This is yet another convenience that’s missing. These kinds of UI problems existed in games back in 2006, but haven’t existed in modern games since about 2013 (when the PS4 launched). That this game has reverted back to the days of 2006 seems odd.
Additionally, the use of hand drawn icons in the inventory instead of rendering an actual 3D model is something games back in 2006 would also have used, back when memory was short and showing 3D models in small places wasn’t something that was easy to do. Today, showing 3D models all over the screen is a common and regular occurrence. That Obsidian opted for hand drawn art in the inventory screen seems antiquated and, again, odd. It is also another indicator that this game may have begun its development lifecycle back in 2006.
Innovation (or Lack thereof)
Not using modern conveniences is actually only half the problem in The Outer Worlds. The other half is the lack of adding any modern innovation to the game. Other than TTD (which isn’t very modern nor innovative), that’s the extent of the gimmicks I’ve so far found. For example, there is lack of innovation in the dialog system. It’s straight forward and simplistic. Not only does the game zoom in for a bust shot of the other character, it locks the camera to a fixed position. Games haven’t done this for many years. In most modern games, when you’re taking to an NPC character, you can continue to walk around and talk to them so long as you don’t wander too far off. As long as you remain in the talk circle, you can continue to converse with them without the screen being locked into a fixed position.
Additionally to this, most games now voice the main character as a modern standard. This means that when the main character asks a question, you get to hear the main character say the words audibly. Then, the NPC character responds with their words. This mechanic makes the game more genuine, conversational and realistic. In The Outer Worlds, the protagonist is not voiced at all. In fact, the only thing you get to choose is the text in a menu of dialog. Again, an odd choice. Yes, some people complained that Fallout 4’s main character’s acting and wasn’t great. But, it did add to the experience of the overall game. That this is missing in The Outer Worlds makes it seem like Obsidian cut more than a few corners.
Other innovations that were missed included the use of individual armor pieces (left arm, right arm, left leg, right leg, chest and helmet). Instead, armor is full body and helmet only. Again, oddly not innovative.
Cutting Corners
In fact, let’s jump right into the heart of the issue with this game. The corner cutting in this game is palpable. These cut corners make The Outer Worlds seem less than a modern gaming experience. Indeed, the lack of being able to change much of the appearance of the main character is odd, though you do get limited customization. Worse, there seem to be a total of about 4 to 6 each male and female character models in the game. What this means is that the game uses and reuses these models with all NPCs. In fact, several character models are overused so many times, it’s almost like talking to clones all over this universe. It’s, once again, an odd play. Modern games typically utilize custom models for primary characters to avoid this “clone” problem. Yet, here we are.
Nothing makes a game seem less realistic than continually reusing the same 3D character models over and over on main story characters.
Space Scenes
Let’s talk about space scenes. Earlier, I discussed that this is a space epic. How can this be a space epic when there are no space scenes at all? It’s a space ship, yet the only places of interest are planets? What about space battles? What about other space ships? Again, it seems that Obsidian may have cut corners here to get this game produced. Instead of focusing on space scenes, the game focuses on ground play and combat. In fact, there are pretty much two things that this game heavily relies on… dialog and ground skirmishes. Fetch quests are obviously part of the reason for the ground skirmishes, after all there’s no point in running all over the terrain without a reason. Hence, fetch quests.
Simplistic Quests
With questing, there seem to be even more corners cut. Most of the quests are simplistic at best. Get quest from A, go to B and get thing, return to A and tell of success (ABA). The vast majority the quests given in this game are of the ABA variety. There are very few extra steps, options or things to do along the way (other than skirmish). These are not in any way deep, thoughtful quests. They are, instead, simplistic and straightforward. Even then, when skirmishing, the skirmishes are predictable, simplistic and straightforward.
Is it fun?
Well, that entirely depends on your idea of fun. If running around doing another NPC’s bidding is fun, then maybe. The difficulty with the quests in this game is that they are simplistic, short and somewhat nonsensical. For example, Udom on the Groundbreaker has you run over to a shop just mere steps from where he is sitting and has you spend 8000 of your own bits (in-game currency) to retrieve his “stamp”… a task which I am quite sure he not only has bits to handle, but one that he can walk over himself and resolve. Why is the “hero” the one who has to go gather said bits and spend them on another NPC’s behalf? This is but one example of similarly poorly written quests. Another is getting “auntie-biotics” for a guy. When you exit the shop, a nosy ne’er-do-well eavesdrops on your conversation who also wants these “auntie-biotics” for her own purposes. As cliché a quest setup as I’ve ever seen. And yet, also a very simplistic ABA quest.
Lack of Multiplayer
With all of that said above, the game also doesn’t sport a multiplayer mode. It’s still early in this game’s lifecycle, so there is a possibility for DLC to add this feature (and other multiplayer features). However, in this first release, there is no multiplayer anything this game. It is as single player as a single player game gets.
Overall
For as relatively antiquated as this first person shooter game seems, its rock stable engine helps this one along tremendously. We’ve ALL grown tired of having games crash every few minutes, particularly Bethesda’s games. The Outer Worlds’ stability is definitely a welcome relief from this level of bugginess and is a step in the right direction. Yet, there is so much unfulfilled potential in this antiquated game, it’s really hard to rate this one.
What I will say about The Outer Worlds is to be cautious when considering a purchase. If you like the simplistic nature of earlier Xbox 360 RPGs and significant amounts of dialog, you might like The Outer Worlds. If you’re looking for more complex questing, complex combat situations, unique space combat or a useful crafting system, you’ll need to look elsewhere.
[December 2019 Update]
I have completed this game fully and can, without a doubt, say this is definitely an Xbox 360 throwback game. It is a game that should have existed on a lesser platform with more strict graphics and RAM limitations. In fact, with only slight alterations to support touch, this game would play just fine on an iPad of any size. This is why I firmly believe this game may have begun its development life back when the Xbox 360 was still an active console. It may have even begun its development around the same time as Mass Effect (the first game). As a result of Mass Effect and because of Mass Effect’s similar play style, Obsidian might have shelved this title until 2019 to avoid any unnecessary comparisons to Mass Effect… when it seems that in 2019 it pulled this game from its code vault and began the work to complete it.
While I could be entirely wrong on this, this is the way the whole game feels. Regardless of its origins, it’s definitely a throwback game. It’s definitely not a game I would have expected to see on a Next Gen gaming platform in 2019. It has none of the Next Gen eye candy I would have expected to see in a modern Next Gen game.
Worse, the close of this game is a very l o n g montage outro consisting of a bunch of still images which cut from one to the next, narrated by a less than stellar voice over providing a very matter-of-fact and bland reading. The closing narrative strings together what your play through accomplished and how your shipmates fared after the story ended. Ultimately, this outro is a complete and utter letdown for a game that had a throwback-ish, but promising start.
In among the incredibly weak outro, it’s unfortunate that the close of this game is also bittersweet. That may have to do with story choices, but I can’t see how. Ultimately, Halcyon must fall and the beginnings of that fall had nothing whatever to do with game’s hero. The hero may have played a part in ushering along that fall faster, but it would have fallen regardless of the hero’s involvement. Ultimately, Halcyon has to fall based on the final narrative on Tartarus. It’s like the game is trying to blame the hero for all of the colony’s woes, yet the narrative can’t exactly do this because the hero had only just awoken from the Hope but a short time ago.
The story also brings up unnecessary information, such as the loss of communication with Earth and the loss of a large space vessel with many thousands of troops on the way to Earth. There’s no follow-up after the game ends to understand if this claim is even true. Perhaps the game is setting itself up for DLC or possibly for The Outer Worlds 2? This game feels like it was intended to be episodic in nature, but fails to solidify that this game is but one episode in a series. If you’re planning on creating a game as a series, at least disclose that it’s a series somewhere along the way. I believe this information may be left open for DLC because there are still 4 planets left locked on the star chart map. It is assumed these 4 unvisited planets will make their appearance in possibly upcoming DLC. Though, if DLC is coming, where is the season pass?
The additional trouble with the Earth communication loss information (and loss of a ship en route to Earth) is that this information comes solely from Adjutant Akande, a person who has proven herself (and the rest of the Board) to be an unreliable source of information. That Welles believes Akande wholeheartedly means Welles is incredibly gullible or simply woefully stupid. The game has given us no reason to believe the truthfulness of anyone on the Board, let alone Akande. If anything, Akande was, as the hero stated, a psychopath… and she probably was. The rest of the Board wasn’t much better in this regard. They were all at least sociopathic liars, treating the colony as nothing more than nuisances who spend money. The Board even had no trouble putting people of Byzantium to death just because (the retiree quest line). How can you trust a Board of people who are that subversive and uncaring about its very own population?
Worse, when the hero does put an end to the Board, the game summarily ends. There’s no more playing the game. You can’t walk the streets and see what all of your hard work has accomplished. Instead, we’re treated to that still image montage voice over. Obsidian, at least put just a little bit more work into the closing montage. Seriously, how about a cinematic with characters actually moving around and doing things? How about having some of the characters voice their lines? Oh well, it is what it is… a letdown.
Graphics: 5 out of 10 (decent, but chromatic aberration is hard on the eyes)
Gameplay: 6 out of 10 (fair, game is predictable, all planets look the same, no crafting)
Voice Acting: 5 out of 10 (ranges from very good to very bad)
Music: 8 out of 10
Combat: 5 out of 10 (too much of the same thing every time)
Stability: 9.5 out of 10
Story: 5 out of 10
Ending: 1.5 out of 10
Overall: 6 out of 10 (wait for a sale or rent… $60 is too pricey for what amounts to an Xbox 360 throwback with such a lame ending.)
↩︎
Update Review: Wild Appalachia – Fallout 76
Wild Appalachia is the newest DLC addition to Fallout 76. Let’s explore.
Fallout 76
Not to get into too much detail, I would be remiss by not discussing what Fallout 76 is. I’ve already written a fairly concise review of Fallout 76 and a Fallout 76 rant. If you’re interested in reading more, you might start with these. Anyway, Fallout 76 is basically an MMORPG similar to the Elder Scrolls online. It offers both multiplayer and single player aspects. I won’t get into too many specifics, but suffice it to say that when it was released in November 2018, it was (and still is) a completely rough game with many bugs, glitching, crashing and is still to this day, highly unstable.
If you’re thinking of investing in the purchase of this game, you must take the very bad with a little bit of good. The good being very limited in this game. There were many promises made for Fallout 76, many of which Bethesda has not yet delivered. Unfortunately, with this newest DLC, there’s not a whole lot here that improves Fallout 76 in useful ways. Yet, it adds some small new things which I will get into next.
Wild Appalachia
On March 13, Wild Appalachia dropped into the Fallout 76 world. Other than a few cosmetic improvements to the UI, the game is basically what it was prior to this release. The primary additions in this release include:
- Brewing Station — Craft your own Beer, Wine and Hard Liquor at your own base or workshop
- Two new map points: Tattoo Parlor and Fraternity Row in Morgantown
- A new quest that rewards you with the crafting station plans
- A new daily quest that rewards you with recipes for the distillery
- Increased base budget (to allow for building the distillery workbenches)
- A new drink called Nukashine (and other new recipes)
- Brahmin can be milked
- CAMP sites now remove all grass and vegetation around the area
- Radios are back. You can create a radio and tune it to Appalachia or Classical stations.
- A way to report “bad seed” players. It’s anyone’s guess what Bethesda will do with these reports.
Some negative additions include:
- Poor quality load-in. Where the prior release load-in was relatively smooth and worked well, we’ve taken a step backward. Now the load-in is slow, awkward and adds a new stuttery / jittery experience when the controls are being released to the client.
- Poor quality fast travel. When the last release had mostly fixed the fast travel lock up problems, the disparity between when you appear and when you get control still exists. In this latest release, it’s gotten worse again.
- Radios turn off when you fast travel away from your base and then return or when you load in new. You have to always turn them back on.
- Building camp mode drops frame rates to unacceptable levels (less than 15fps at times).
- Icons of people on the map get in the way of actually using the map.
- Mixing the same food items of differing conditions messes with the condition. Items that were added at 100% condition mixed with items that were at 20% condition yield all items at 20% condition in only a minute or two after mixing.
- Button presses on the Xbox controller are now indeterminate. Sometimes you can press and the button will react, sometimes you press and it doesn’t. You’ll sometimes have to press 2 or 3 times to get the game to react to the press.
- Food and Fusion cores now appear to expire faster with this update. Bethesda has even acknowledged the faster food spoilage problem. It seems they interfered with the food spoilage clock when crafting this DLC. It probably affected the rate at which Fusion Cores are used also.
Fasnacht Parade Event
As of March 19th, the Fasnacht Parade event was released in the town of Helvetia in the game. This is a limited seasonal event very similar in style to Distinguished Guests at Bolton Greens, where you need to first go find the robots, then do things for the robots. With Distinguished Guests, after finding all of the robots and getting them back to the house, you need to go find both place settings and table centerpieces. In the Fasnacht Parade, you must help each robot individually with things they want.
In this event, there are the following Robots:
- The Butcher
- The Baker
- The Candlestick Maker
- The Beekeeper
- The Historian
- The Decorator
- The Frog Egg Collector
- The Woodchopper
This is a seasonal event that will run for about 1 week, we assume. So, if you want to participate in this event and potentially win Fasnacht masks, you’ll want to do so quickly.
There is only a chance you’ll win a mask at the end of the event. If you want to be sure to win a mask, you’ll need to participate in this event as often as you can. You’ll probably get a bunch of duplicate masks doing this.
Anyway, the game randomly selects 5 of the above robots to participate in the parade. You’ll need to read the quest requirements along the way to know which robots have been selected. Once you perform the requirements for each robot, for example, collecting frog eggs for the Frog Egg robot or collect beeswax for the Candlestick maker, each robot will make its way to the road (slowly) and get in line.
Once you have all 5 robots in line, the Master of Ceremonies robot will head to the line and begin the parade.
Along the way these robots will be attacked by different creatures in 3 different waves. First frogs, then Supermutants than finally by wolves, Stingwings and a legendary Sloth. After killing all of the interruptions in the parade (and protecting the robots), the MC will officiate a bonfire and the event concludes. It usually takes about 10-15 minutes for the entire parade to make its rounds. Just gotta make sure to protect those robots. As of 3/26, this event has closed.
Lemonade Stand
I debated about even discussing this as it’s nearly inconsequential, but here it is. In separate addition to the distillery, Bethesda has added a lemonade stand to the game. It’s a randomly spawned vendor who sells only, get this, two recipes: Lemonade and Hard Lemonade. That’s it. That’s the sole reason for this vendor’s existence. This vendor spawns at various locations around Appalachia complete with wooden stand adorned with blue and yellow balloons. I’ve found him not far from the Charleston train station and not far from the big Teapot under one of the high tension towers. The recipes aren’t that expensive, but at the same time they’re not that useful. It’s not even really lemonade.
The ingredients for “lemonade” include acid and boiled water. Not exactly lemonade. Perhaps Bethesda should have included a lemon plant (or even lemon grass) into the game first? Then had us go pick this plant to make lemonade? I don’t know, maybe that would have worked better? Hard lemonade is made by mixing Vodka with Lemonade. Note that I discuss the effects of the Hard Lemonade below.
Survival Mode vs Adventure Mode
As of 3/26, Bethesda has introduced the somewhat anticipated new PVP area entitled ‘Survival Mode’. This new server has fewer restrictions on PVP. For example when you load in to a Survival mode server, you’re automatically in PVP with anyone who comes along. No longer do you need to initiate PVP through the old (and stupid) “shoot at someone, then they must shoot back” system. Additionally, here are a few more rules:
- Upon player death, you must respawn at train stations, friendly CAMPs or Vault 76.
- Cap rewards for player kills are doubled
- Drop all junk and some aid items on death
- Only “Wanted” players and the Top 3 are visible on the map
- All XP gained increased by 20% (possibly temporary)
As far as I can tell, the same rules on the Adventure Servers still apply and nothing has changed. If someone tries to initiate PVP, they can. If they want to grief or harass you or your base, they are still free to do so. No rules around PVP have apparently changed in the Adventure mode servers. You choose which environment you wish to enter at the load-in screen right after pressing “PLAY”.
What went wrong?
While it’s fine to add new things to Fallout 76, Bethesda has been entirely remiss with this game. Instead of trying to fix the MANY existing stability issues, they insist on adding new features to the game which don’t add a quality new experience. For example, the primary addition to this DLC is the Brewing Station.
The problem I have with adding a distillery is that liquor is already incredibly easy to obtain in Fallout 76. Sure, you can now brew your own at your camp, but for what purpose? You can still go find all of the free liquor sitting around on tables and all over Fallout 76 that readily and quickly spawns and that doesn’t require collecting a bunch of corn and razor grain. In just two days of roaming Fallout 76, I had amassed hundreds of bottles of beer, liquor and moonshine. Granted, I know where the spawn points are likely to be, but still I was able to amass a crap ton of beer, wine and spirits. Worse, to brew, you need boiled water and various ingredients like corn, razor grain and similar. This means you need to build out a farm if you intend to brew. If you roam the world looking for already brewed liquor, you don’t need to worry about maintaining a farm on your base or workshop.
Talking to Biv at his bar is as much fun as talking to Rose at Top of the World. This robot is not only as tedious as it comes, he’s just not at all a fun addition to the game. Worse, not only are the quests offered only once per day, you’re likely to get duplicate awards at the end of each quest (or nothing at all). I’m still waiting for Biv to give me the recipe for Lead Champagne. Like the Fasnacht festival drops below, they’re far too random to be of real use.
Additionally, what does liquor really do for you in Fallout 76? Unless you have invested in the three perks Professional Drinker, Happy-Go-Lucky and Party Boy/Girl, honestly not much. Some liquor adds limited points of strength and charisma, but not enough to run around hunting for liquor. It’s not until you invest and rank up the above perk cards that drinking liquor in Fallout 76 becomes useful. Even then, its limits are quite apparent. If Happy-Go-Lucky gave us up to 9 points of Luck instead of 3, it might be a more useful card. Worse, Party Boy doesn’t stack with Happy-Go-Lucky. This means that while the 1 strength of beer becomes 3 when Party Boy is on, it doesn’t impact the Happy-Go-Lucky card when it should.
Where did Bethesda go wrong? They went wrong by introducing this update at a time when it was half complete. Because these are new crafting tables, unfortunately there are no new perk cards to control them. For example, the chemistry table has perk cards that double the quantities produced. With other perk cards like Super Duper (Luck), you can quadruple your output. None of these perk cards apply to the Brewing Station. And worse, because there are no new Perk cards to control the Distillery, you’re limited to crafting them one at a time with full amounts of ingredients. No doubling or quadrupling here.
Even worse, the new liquors have very bad “hangover” effects. For example, Nukashine randomly fast travels you to some location in the world when the hangover starts. Rad Ant Lager gives you +50 carry weight for a limited period of time and then penalizes you with a -50 carry weight “hangover” for around 1 minute. The Hard Lemonade gives you super fast AP regeneration at the cost of the exact opposite effect during the 1 minute hangover. In fact, because AP regeneration comes to a halt and doesn’t regenerate, this leaves you with no AP at all when you run out. These effects are WAY overkill. No other “standard” liquors in Fallout 76 have such bad negative effects. Additionally, there are perk cards there to help out those liquors. Yet, with these new liquors, there are no perk cards at all to reduce or eliminate the negative effects of Rad Ant Lager or Nukashine or Hard Lemonade… making consuming these new liquors useless. Just stick with the “regular” beers and spirits with no such negative effects.
As for Fasnacht, it’s okay. Just okay. The parade is effectively a remake of Distinguished Guests at Bolton Greens. If Bethesda could have designed something new here, I might be a bit more kind. Unfortunately, redoing something that’s already been done in the game is, well, boring. Additionally, the mask drops at the end are tedious. So far, I’ve amassed nearly 4 duplicates of every common mask. I’ve yet to get any of the rare masks, like the Jester. Bethesda needs to award masks every single play through and while they are awarded randomly, they shouldn’t make some masks more rare than others. Make the weight of all mask drops equal. This way everyone gets a chance at every mask possible. Additionally, lose the extra stuff. It’s great that plans drop for festival decorations, but no one really wants these. Instead, just place these plans around the Fasnacht festival (and around the rest of the world) for people to find. No need to award these more-or-less useless items.
This is the example of how Bethesda continues to go wrong with this game. They only half think through these ideas and then they half-assed implement them. Worse, the Distillery may have seemed like a great idea on paper, it’s pretty much worthless in practice. If they had given us a new liquor that drastically increases damage output of weapons or drastically increase damage resistance against certain types of foes without the negative effects, that would be a useful addition. Because none of this exists, brewing liquor is pointless.
Mask Drop Rate Controversy
It has come to the attention of many gamers that certain “rare” masks never dropped during the Fasnacht event. These masks included the Skull, Goblin, Old Man Winter, Sun and Jester masks. The masks that dropped most frequently included Giant, Witch and Soldier. The masks which dropped a little less frequently are the Toothy Man and the Owl.
A gamer claims to have received the Sun mask, but it is unclear if the user actually got the mask at the completion of a Fasnacht event or through the Dev room. According to a poll on Reddit, no other masks dropped for anyone besides that one mask for that one user.
It has been estimated at a .03% chance of receiving the Sun, Skull, Jester, Old Man Winter or Goblin at the end of any given event. That means you’d need to play over 3000 events to actually have a chance at receiving one of these masks. Considering that only 24 events exist on any one server in a 24 hour period and considering this event only ran for 7 days, it was almost impossible to receive any masks other than those that did drop.
Why Bethesda decided to dropped these specific masks at that low of a rate is as yet unknown. It’s also very unlikely Bethesda’s devs would ever be forthcoming about their own failures. The reality is, the devs probably screwed up on the math and those masks just didn’t drop.
Bethesda could make it up to us by offering a limited time duplicate exchange. Let us exchange some of our duplicate Witch, Soldier, Toothy Man, Owl or Giant masks for the “rare” masks which we should have gotten had the drop percentages been programmed correctly. Bethesda, you made a mistake, just be straightforward with us and give us an even swap of our duplicates.
The difficulty I have with these masks isn’t the drop rate or the rarity level. It’s the fact that the event only ran for 7 days. For an indefinite and ongoing game, setting extremely low drop rates is fine because you have infinite amounts of time to quest for these items. For an event that runs for only 7 days, Bethesda should have increased the drop rate. The drop rate should have been increased commensurate with the limited length of the Fasnacht event. Instead, Bethesda kept the drop rates at the same levels as events that would operate continually throughout the year.
By prominently showing the masks in promo materials to rope users in to play the event and then promise the hope of obtaining one of the masks, this sets an expectation that these masks would drop with more frequency than zero (0) during those 7 days. If even 10 players got them, that would at least show some effort by Bethesda. Yet, with a .03% chance of obtaining one of those masks in those 7 days, Bethesda seems intent to defraud its users… particularly any gamer who bought the game with the intent of getting one of those masks. Bethesda needs to be more careful with these limited time events when considering the promo materials they are using. Promo materials promise things, but when those things don’t deliver, that’s when a legal problem exists. It’s called fraud.
Crafting Stations
There are two crafting stations for your distilling pleasure: A Brewing Station and a Fermenter. The Fermenter is not strictly even needed. The Brewing Station produces unfermented bottles. These bottles have a condition meter. As the condition deteriorates, it leads toward a completed bottle of liquor. All unfermented bottles of liquor will eventually become fermented. An ‘unfermented beer’ ticks down to become a ‘beer’. This is just the opposite of food spoiling. This means you don’t need to use a Fermenter. You can simply carry them around in your inventory and eventually they will ferment. It’s much faster to use a Fermenter, but you don’t need to use it if you have inventory space and you’re willing to wait. I’ll also point out that using the Fermenter requires space in your stash. As you place up to 10 bottles in the Fermenter, they weigh 1 each which means you’ll need a total of 10 weight of free space in your stash to ferment. For those of us always 1 or 2 points away from being full, that’s no bueno. Again, half-assed implementation. The Fermenter should have had its own 10 bottle space just for fermenting.
Whether or not these unfermented items are affected by the Good with Salt perk card that preserves food condition is unknown. However, knowing Bethesda, Good with Salt probably does slow down the fermentation process if you’re carrying around unfermented beer expecting it to ferment. I would suggest removing this perk card if you intend to let liquor ferment on your person. Of course, removing that card also means that any food items you are carrying will spoil much faster. This means you have to take the good with the bad… probably something Bethesda didn’t intentionally design. A separate and new perk card here would have been welcomed.
Recipes and Nukashine
Bethesda typically gives you a handful of recipes right off the bat with any workbench. The Brewing Station is no different. You get the crafting basics which include beer, wine, vodka, rum, bourbon, whiskey and the new Nukashine. If you want any other recipes, you have to go find them. Of course, you can’t make any specialty beers (without a recipe) like Old Possum, Pickaxe Pilsner or Old Holler Lager. You can only make ‘Beer’ once you get your station. Biv may award you recipes for these beers later. Still, some of these specialty beers will require more esoteric ingredients to be located and farmed… typically requiring ingredients you can’t grow at your base.
The new thing to make is ‘Nukashine’. Nukashine is a combination of a Nuka-Cola Quantum and various ingredients. You can ferment this one twice. Once to Nukashine and again to Vintage Nukashine.
Personally, I find Nukashine to be a pointless beverage. The Nuka Quantum grenades are much more useful uses of a Nuka Cola Quantum. Unlike Beer, Wine and Spirits which offer benefits when using Party Boy/Girl and Happy-Go-Lucky, Nukashine doesn’t extend these perk card benefits.
Worse, Nukashine only offers ‘Unarmed Damage’ benefits… as if anyone runs around in this world unarmed. On top of that, this drink is prone to having your character black out when it wears off. This means that your character will be randomly transported somewhere in the world. It could be some place innocuous like Flatwood or it could be in a Blast Zone with 3 Scorchbeasts and a bunch of high level Scorched. I would be fine with such a tactic IF the game weren’t so entirely problematic after fast travel. Because your character spawns into the game world up to a minute before the client’s visuals release controls to you, your character could be dead the instant the game releases controls. I don’t at all find this part of Fallout 76 challenging. In fact, I find it entirely frustrating… making the use of Nukashine even more pointless.
For this reason, this is why releasing something like Nukashine is an entirely premature addition to Fallout 76. The devs needed to have fixed these fundamental fast travel flaws long before releasing Nukashine. For example, they should have fixed the time it takes between when your character appears in the world and when the client releases controls to you. This time disparity allows the in-game enemies well enough time to kill your character many times over. For the unpredictability of Nukashine’s “blackouts”, this in no way makes this drink useful at all. It’s a novelty to try once, but for being actually useful all of the time, no way. In other words, no one is going to want Nukashine.
Rad Ant Lager and Biv’s Daily Quest
Yet another fail by Bethesda. They just seem to be racking them up. One of the first Atom Challenges in the new distillery world was to Fight a Rad Ant while under the influence of Rad Ant Lager. This would get you 10 Atom. To get the recipe to make Rad Ant Lager, you had to visit Biv at the Big Al’s Tattoo Parlor in Morgantown. He provides a ‘Daily’ quest that will get you that recipe. Unfortunately, because it’s a Daily quest, that means that once he’s issued this quest once in the day, he’s not likely to do it again until the next day.
Because this challenge was very specific and because it relied on a daily quest to get the recipe for Rad Ant Lager, it was almost impossible for MOST gamers to get this recipe to complete this challenge. This is, again, another fail by Bethesda.
Bethesda, if you’re reading, you need to provide more succinct ways to obtain recipes than being beholden to a bot to randomly give you a once-a-day quest. Instead, leave the recipe lying around somewhere easy to find. Have Rad Ants drop it occasionally. Additionally, Rad Ants are one of the harder enemies in the world to find. It just makes this quest all the more difficult. This challenge should never have been a daily challenge… especially not on the day of the release of the crafting stations. This should have been a weekly challenge. A total fail!
Overall
Bethesda is lost. Lost to their own weird ways and lost to what Fallout means as a franchise. It’s not about adding stupid things to the game, it’s about making the game challenging in ways that matter. Bethesda STILL needs to fix this game. There are so many instabilities, problems and crashes that these need to be tackled LONG BEFORE adding new features like brewing stations to the game. Yes, I’m thankful for the larger base budget, but not because I can craft brewing stations. I needed it to add more stuff to my base.
Bethesda, if you want us to buy into Atom and the Atom Store, you need to give us enough budget to craft the Atom Store items in our camps. Because my base has been at the hard edge of the budget for months, I couldn’t buy anything from the Atom Store that took budget. The only things I could buy were emotes, icons, skins and clothing items. That’s it. Statues and other budget consuming items have been pointless for months. That means I would need to delete items from my base to craft new items. Not doing that.
Even still, I am again at the edge of the budget even after the update. That budget addition didn’t go very far, though I was able to finally increase the size of my base… a much wanted facelift.
The distillery is interesting for about 5 minutes. However, adding vending machines, a bank, a way to transfer items between characters and decorating the camp via found world items is much more important to this longevity of this game. Please, stop with the time wasting additions and fix the problems that actually matter and add the features that are useful and that people actually want. When adding something new like the brewing stations, it’s also important to think through ALL of the supporting pieces, like perk cards. For example, should Super Duper apply? In this case, yes, it should. Yet, it doesn’t.
Wild Appalachia is a half-designed add-on added intended to recoup lost players. It’s a shallow and hollow add-on that overall adds little to the game. It’s also not likely to bring back lost players… at least, not for longer than for a day’s worth of play. DLC should keep players interested for weeks, not days. If the brewing station had been part of the game’s original release, it would have been useful for the questing. However, because many gamers are at Fallout 76’s endgame at this point, the brewing station adds little value to the game as the brews aren’t needed… even as hard as Bethesda is pushing players to use these new brews.
The Fasnacht event in Helvetia would have been a whole lot more fun with more variety. Because every play through is nearly identical, including where the enemies are likely to spawn, it makes playing this parade event boring after about the third time. Helvetia needs at least 3 different events that are randomly chosen and run at more frequent intervals. Doing the same event over and over is an exercise in tedium, particularly because you get duplicate rewards over and over… tedium much like talking to Biv at Big Al’s Tattoo Parlor. If you’re going to enforce a cool down timer when we can run another Biv quest, just show us this timer on the screen so we don’t waste our time (and caps) going over there trying to get Biv to give us a new quest. Even better, just have Biv issue the quest to us from afar.
Banned Users and Fallout 76
As a result of the object duping that occurred in several releases earlier, Bethesda created a bot to ‘detect’ possible duping on accounts. As a result, Bethesda banned a bunch of gamer accounts it suspected of having duped in-game items. For example, some of the ways in which it detected this was by seeing over 100,000 items amassed in a single account over a 30 day period. There were other markers it also used to make this determination.
Anyway, Bethesda had banned a number of gamers from Fallout 76 after its bot detected unusual activity on the account. As has been the case, Bethesda may or may not send out email to users it has banned from the game. When they do provide a message, it’s terse, generic and not always applicable to the gamer’s situation.
Here’s the rub. After the release of Wild Appalachia, many formerly banned gamers surprisingly found their accounts had been unbanned. Many took this as a sign that the ban was over. Yet, Bethesda had stated nothing of this situation. After 3-4 days of being able to enter and play Fallout 76 again, these same banned gamers found their accounts banned once again. Bethesda is entirely silent for why these accounts were both unbanned at the release of Wild Appalachia and why they were rebanned 3-4 days later. Bethesda is not forthcoming.
This company can’t really seem to get a break from all of these snafus, yet these problems are all of Bethesda’s own making. If their PR is tanking again, it’s simply because Bethesda doesn’t really seem to be a trustworthy company any longer. Personally, I think Bethesda should stick to offline single player worlds and give up this fantasy of producing MMORPGs which they are clearly ill prepared to manage.
Patch 9 — May 7
While I haven’t been updating this article for each individual patch, patch 9 needs to be discussed. While previous patches introduced one of the stupidest and most pointless items yet included in this game (the camera), patch 9 introduces an overly grindy new questline to obtain a simple and stupid item, the backpack. However, that’s not the reason I’m writing this update.
If you want to find all of the new stuff (which have, so far, all been very pointless), I suggest you play the game. But, before you run off to find the stupid that’s been included, please read on. The updated “new” stuff isn’t really even worth my time describing here, let alone finding it in the game. Yes, these updates are actually pointless and stupid, so there is no point writing about it here.
What is worth describing is exactly how broken Fallout 76, as a game, has become. We thought the Beta was bad, but now the game is entirely broken in so many more new ways. For example, VATs was questionable when the game launched, now it is entirely broken. At least 80-90% of the time, VATs won’t work on Melee weapons… AT ALL. When it does work. it doesn’t work as expected. When I say it doesn’t work, what I mean is… when you click to enable VATs, the percentage meter shows 0%, even when the enemy is standing an inch in front of you. Yes, well closer than needed for a melee weapon to connect and you STILL see 0%. As I said, entirely broken.
With ranged weapons, the VATs percent meter toggles between 0% and some random number between 0% and 90% every microsecond. This means that when you’re ready to release the trigger, it’s likely to be at a moment when the meter read 0% and you’ve wasted your ammo. This happens continuously in VATs. Even weapons that used to formerly offer extreme levels of accuracy (i.e., scoped weapons) can now show 35, 45 or 50% accuracy. Bethesda has ENTIRELY broken VATs in this release and the guns that rely on it.
AND… this is the bigger point I’m trying to make. With every single new patch, Bethesda makes Fallout 76 WORSE, never better. Sure, adding DLC might seem like a positive, but it is FAR overshadowed by all of the stupid fundamental bugs constantly being introduced into the required game engine features, like combat. Maybe Bethesda thinks this makes the game challenging, but in fact it makes the game absolute dogshit… to the point that there’s no point in playing Fallout 76.
All of these unpredictable changes and tweaks that Bethesda keeps introducing is turning this game into an unplayable turd of epic proportions. No, the game isn’t entirely unplayable yet, but it is fast becoming unplayable. With basic systems like VATs completely broken, you have to rely on hip-firing, which is also becoming fast problematic. Just like all other combat, hip firing has also become worse and worse with each new release. In fact, not VATs, not scoped and not hip-firing can you actually hit your target most of the time. I’ve wasted so much ammo to this problem, it just makes me want to scream.
If the point is to make Fallout 76 even more grindy than it already is, then well done Bethesda. But, I won’t be coming back to this game without some MAJOR improvements in the basic game engine. Right now, Fallout 76 is entirely in turd territory and fast becoming barf. Bethesda, stop with the unnecessary and stupid additions and FOCUS on the basics. Make them work. You can come back and add Sheepsquatches and Cameras and Backpacks when the engine actually works properly.
Combat Engine
One of the sorest points of Fallout 76 is its combat engine. In fact, it’s probably one of the worst combat engines I’ve experienced in a game to date. Not only does the game completely miss controller button presses entirely (a separate problem not related to combat), there are times when you can aim dead onto an enemy with a scope and the bullet doesn’t connect. It can do this several times in a row. Worse, some guns like Gauss rifles, entirely misfire. By misfire, I mean you press the trigger, release and the gun makes a sad noise and does nothing. You have to press the trigger and try again. It can even do this several times in a row. This makes the Gauss rifle currently THE WORST rifle in the game. It’s the only rifle in the game that has this misfire problem. No other weapon in the game does this… not even its sister, the Tesla rifle. I digress.
Let’s get back to the combat problems. In any other game, you can see what the enemy’s stats are. Perhaps not right away, but after leveling up and gaining a few perks, you get to see what you’re up against. Not in Fallout 76. The only stat information you are given about an enemy is its level. That’s it. You don’t get to see its HP, it’s attack types (i.e., poison, sonic, etc). You have to find out its attack type by entering combat, even then you don’t really know.
For example, the Sheepsquatch (a newly introduced enemy) has an attack that temporarily poisons you and slows your movement speed… by a LOT. In fact, it slows movement speed by WAY too much. Its attack is so overpowered, in fact, it’s way out of balance. But, that’s not the half of it. There is no counter to this movement speed attack. No perk cards to apply, no liquors to drink, no foods to consume, nothing. Bethesda introduced an enemy with an attack and NO player countermeasure. THIS is why this game is nearly unplayable.
Worse, and this problem has existed since day one, certain enemies can attack you once, but land 4 or 5 hits successively (you can hear your character grunt 4 or 5 times and the HP meter moves that many times)… an impossibility for a single enemy hit. For example, Molerats, Bloodbugs, and Stingwings have this attack. And then there’s robots. Level 52 Colonel Gutsy robots utilize 5.56 ammo weapons, which bypasses 100% of any armor you’re wearing (possibly more). Literally, a level 52 Colonel Gutsy or 68 level Supermutant can, while wielding a 5.56 ammo weapon and even at my character’s level of 152, eat all of my HP in probably 20-30 shots. There is no other weapon + ammo in the game capable of this feat except for the highly broken 5.56 wielding characters. This makes power armor, which is supposed to be some of the strongest armor in the game, actually some of the weakest armor. Even Sentinel armor (non-power armor) is stronger against this ammo type than the higher damage resistant Power Armor. Literally, the damage resistance in Fallout 76 means NOTHING.
Other stupidity is distance of attack. For example, I’ve had melee hits by many enemies from way too far a distance. Even though I can’t even strike an enemy when it’s inches from my character, the enemies can melee strike at distances nearing two or three car lengths away… literally impossible distances. Again, not at all a proper combat system.
Even worse, many of the enemies in the game can traverse vast distances in a fraction of a second. Player characters have no such capabilities at all, yet enemies can be a football field away and then right next to your character attacking in less than 2 seconds. I realize this is supposed to be a mutated wasteland, but that attack pattern is still entirely ridiculous.
When it comes to collision detection of bullets, I ask, “What collision detection?” Seriously, there’s practically none. This means that far too many bullets entirely miss their targets no matter how carefully you aim. Worse, with each new release, Bethesda keeps reducing the damage output of weapons making the weapons useless and the game less and less fun to play. It started with the two shot explosive weapons as a countermeasure to the duping. Since then, Bethesda has kept reducing weapon output damage on each new patch. Sometimes they do this by reducing perk card damage bonuses, sometimes they reduce the damage output of the weapon itself.
With each reduction, the game is fast becoming even more broken. Bethesda can’t even be bothered to fix some of the basic combat problems of VATs and collision detection, yet they’re more than willing to reduce weapon output damage? Bethesda, you need to get your priorities straight.
It’s not as if Fallout 76 wasn’t already one big grindy mess from the beginning, but now it’s just a grind. If you really like spending hours and hours with weapons that do 10 hit point damage against an enemy with thousands of hit points, then Fallout 76 might be your game. I don’t know about you, but I prefer to kill an enemy in some timely manner. I don’t want to spend 45 minutes or an hour entangled in a single enemy engagement for a literal crap loot drop. If you’re going to make me spend at least 45 minutes in combat with a single enemy, you better give me something WORTH spending that time. They’re not. Because the drops are entirely random, you might get nothing (yes, the entire drop could be empty), you might get a level 5 item or, very, very rarely, you might get something worth the time. Most of the time, the loot isn’t even worth picking up from the dead enemy.
At this point, this game should be getting better, not worse. Yet, it has gone from bad to worse. No, I’m not kidding. At this point, this game’s combat system is literally so bad, I actually classify it as “shit on a stick”. If you’re considering the purchase of Fallout 76, I would recommend you to think twice… especially considering how old this game is at this point. I literally cannot recommend this game to anyone.
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