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Lyrics: Only Solutions by Journey

Posted in lyrics, music by commorancy on May 12, 2020

TronPosterEvery once in a while, I come across a song that I decide to listen to the lyrics a bit more closely to deduce what’s going on. Journey was also one of my all-time favorite bands during the 80s. Let’s explore.

Diving into the lyrical end, some bands occasionally release a song with odd lyrics and odd phrasing by the singer. As an example, Only Solutions specifically comes to mind. Within this song’s primary verse + chorus, many believe this section of lyrics to be, ‘Don’t pull me down, I just want to hear’. Steve clearly pronounces a ‘j’ sound at the beginning of this specific verse every time. I believe he’s attempting to contract the words Just and Don’t together and then attempts to shorten the whole thing into a single word which comes out as ‘Jo’, short for just don’t or j’ont (as the contraction). He clearly is not singing Don’t. For confirmation of this, listen to how Steve pronounces the word Don’t in the line ‘You don’t fool me with cynical eyes’. That Don’t is completely different from the ‘Jo pull me down, I just want to hear’ line. With that said, let’s dive right into the rest of the lyrical oddities in this song.

The lyrics are just below and this article describes why I believe they are accurate to this song. This song is one of only but a few songs written by Journey for films. This one is called Only Solutions. This song was written for the 1982 Disney movie Tron, a computer animated and live action film about a computer simulation. Clearly, Journey was given this plot information when they were asked to pen this song.

The lines I transcribe in the below lyrics make much more logical sense with the lines that have come before. Let’s start with the first verse (which is already somewhat confusing), the first verse opens with ‘In the Jungle, I run tonight’. It opens stating someone running through a jungle of sorts. The second line is stated to be (on other lyric sites) ‘Find the peace to logical life’. I believe Steve is actually singing ‘Find the beast to logical life’. A ‘beast’ makes more sense in a jungle context and in which a runner might encounter said beast in that jungle. In fact, ‘Find the beast to logical life’ actually seems to be a statement of fact. While running in the jungle, the runner has just now encountered this ‘beast of logical life’ immediately to his left to which he then ‘runs right’. Of course, the beast to logical life in Tron refers to either the MCP or Sark (the MCP’s right hand).

Let’s try to understand the ‘peace’ idea. Why would someone find peace in a jungle? They wouldn’t. In a jungle you would find beasts, not peace.

The third line of this first verse further describes his jungle running escapade and is sometimes written as “No confusion, just wrong or right”. That doesn’t make any sense either. He’s in a jungle running, what does ‘wrong’ or ‘right’ have to do with jungle running and confusion? It doesn’t. However, by running TO the right, if a beast is on your left, this runner can, through no confusion, avoid the aforementioned ‘beast to logical life’. This line also confirms that the second line is a statement of fact at encountering a “beast”. Alternatively, the “just run right” could be a kind of question, like “just run, right?” to which he answers, “Oh yeah”. It’s like he’s saying to himself, “I’ve run into a beast. I should run, right?” (right meaning correct). Instead of running to his right, he’s telling himself to run away. Either meaning works for this line.

This is just the first verse in this song and we’re already confused by the lyrics and, more specifically, Steve’s pronunciation. However, we should no longer be confused about this first verse and we can move on with the rest of the song.

Now we stumble into the second verse which also has more confusion. Some lyric sites believe the lyric of the second line of the second verse to be ‘You don’t fool me with cynical lies’. There’s no other lyrics that discuss having conversations with anyone. However, the line immediately before it states ‘Faces, numbers I recognize’. Since he’s talking about faces, he would then be looking into the face (and the eyes) of that person. Seeing their eyes, he might be able to deduce cynicism. Thus, ‘You don’t fool me with cynical eyes’ seems more appropriate and logical to the line just before. Considering Steve’s pronunciation, it could go either way. I’m going with ‘eyes’.

The next pronunciation problem in this song is a little past halfway through in verse seven. There’s a line that many lyric sites claim to be ‘Now that the sun is shining’. Steve sings no phrase even similar to that. If you listen closely to what Steve is singing, the lyric sounds much more like ‘Now that the sun that shines’. But, that line doesn’t make any sense either. There’s nothing before or after talking about light or sunshine or anything similar. In fact, the line which Steve sings is actually ‘Logical Solutions’ or more specifically, he pronounces it ‘Logical Sol-U-Tions’ with small pauses where the dashes are. It’s odd phrasing and inflection at best. It’s the ‘tions’ portion that sounds like ‘shines’. It’s just that Steve so oddly pronounces the word Solutions, it’s easily misheard as something other than Solutions. Anything with the word ‘shines’ makes no sense, but ‘Logical Solutions’ makes perfect sense in the context of a song about solutions, since we’re also talking about logical life, mysteries and considering the song is titled Only Solutions, containing the word ‘Solutions’ in its title.

The final biggest pronunciation problem is in the final verse. Many lyric sites believe the first two phrases to be ‘People Reason’. I’ve even seen other people interpret it as ‘We fall even’. It’s neither of these two. Those two don’t even make sense in context of the song. The words he sings is ‘Need for reason’. When trying to create an ‘Only Solution’ with ‘Clear Visions’, you would have ‘Need for reason’. Reason and logic go hand in hand and makes much more sense in the context of the lyrics of this song.

With that said, here are the corrected lyrics for Journey’s Only Solutions. If I could get in touch with Steve Perry, I’d love to discuss the idea behind the lyrics of this song with him and determine if these lyrical deductions are actually correct. Only Steve can truly give us the actual lyrics to this song.

Enjoy!


Only Solutions

by Journey

In the jungle, I run tonight
Find the beast to logical life
No confusion, just run right, oh yeah

Faces, numbers I recognize
You don’t fool me with cynical eyes
No problems, no compromise, oh yeah

(Only Solutions) Jo pull me down, I just want to hear
(Only Solutions) Oh, it won’t be long, it won’t take too long

Modern times drivin’ me insane
Explanations I can’t explain
Leave me standin’ in the rain, oh yeah

Solvin’ mysteries with nothin’ to lose
Magic leaves you without any clues
There’s only so much one man can do, oh yeah

(Only Solutions) Jo pull me down, I just want to hear
(Only Solutions) Oh, it won’t be long, it won’t take too long
(Only Solutions) Jo pull me down, I just want to hear

Logical Solutions
Clear Visions
Clear Visions

In the jungle, I run tonight
Find the beast to logical life
No confusion, just run right, oh yeah

Faces, numbers I recognize
You don’t fool me with cynical eyes
No problems, no compromise, oh yeah

(Only Solutions) It’s my point of view
(Only Solutions) Oh, clear visions
(Only Solutions) No second thoughts
(Only Solutions) Now, now no contradictions

Need for reason
Need for reason
No escape

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Movie Dissection: Tron Legacy

Posted in entertainment, film, movies, reviews by commorancy on December 18, 2010

Updated: 1/7/2012 – Disney greenlights Tron Legacy sequel

To start off, I am a reasonably big fan of the original Tron film. Yes, the first Tron story was a bit of a letdown, but it worked for what it was. After all, it was the first film to use computer graphics to that level within a film.  Definitely a ground breaker.

Achievements

Tron Legacy is also a ground breaker once again, but much less so.  Its technological advancements in film are much more subtle.  A lot of people may not have thought about this, but Tron Legacy is the first film to use an actual actor’s likeness in a film to play the actor at a younger age using a CG head and real body. I had predicted that this would happen eventually, and here we are.  Tron Legacy now opens doors up to creation of new films by Marilyn Monroe and Elvis Presley.  Granted, the animation on the face is a bit stilted and unnatural, but it works for the CLU character.  It doesn’t work so much for Kevin Flynn’s younger self. Nevertheless, the character works in most instances.  If they had spent just a bit more time on the face, they could have made it look and act even better.  Avatar is proof of that.

Story

While I really wanted this story to work well, it doesn’t come together as I had hoped.  Basically, the CG is so strong that the story has to be twice as strong to overcome the incredible visuals.  The trouble is, it doesn’t.  But then, the same can be said of the first Tron film.

However, the two main problems with this film are 1) lack of formidable villain and, by association, lack of a real payoff at the end and 2) Tron is not the main character and is visibly absent most of the film.  After all, this film is named ‘Tron’.  Tron is the character we expect to see.  We do see him in flashbacks and, without spoiling the film, in other places as well.  However, for 95% of the film, Tron is absent.  In the small parts he’s in, Tron really contributes little to the overall story.

I realize that this one is about the ‘Legacy’ aspect of Kevin Flynn (i.e., Sam Flynn).  So, Sam takes the front stage in this production. That’s okay were Sam Flynn a super likable character.  Unfortunately, he’s not.  I liked him well enough, but not nearly as much as I liked Kevin Flynn in Tron.  In the first Tron film, we the viewers felt just like Kevin who was plopped into this fantasy world unexpectedly.  So, we’re experiencing it all for the first time just like he is.  With Tron Legacy, the audience already understands much about the world having seen the first film. So, wasting time on the introductions of the world isn’t really necessary.  To their credit, the producers/writers did try to skip much of it.  But, the whole clothes cutting and redressing scene was a bit overkill and kind of showed us just how cheesy the costumes were.  Like the first film, it would have worked better and saved lots of time if Sam had awoken in the world fully costumed. That whole costuming scene could have been skipped (which was awkward anyway).  I understand the setup between him and one of the female dressers, but that meet-and-greet could have happened in a different way.

Tron original film rules ignored

I also keep thinking more and more about Tron Legacy vs Tron and I keep coming up with more and more holes. Holes that are big enough to drive a truck through.  It’s really very obvious that the writers (former writers from Lost, I might add) just didn’t consult the original film before writing this story.  Without consulting the original film, they just arrived at an idea that didn’t really take into account all of the previous rules that had been established in Tron. Worse, it seems like the writers and producers thumbed their noses at the fans by not following these rules.  Following the rules, however, would have made Tron Legacy much more complete and true to the original film.  It would have also made Tron Legacy far better than it is now.  And, it would have shown that the writers were committed to providing a full experience to not only the casual viewer, but also to the die-hard fans of Tron.  Instead, this film only appeals to the casual viewer and completely ignores and, worse, insults the die-hard fan.

First example, the whole reason the game grid exists in Tron is as a result of the arcade video games in real life. The game grid is a virtualized, but identical active game as what the gamer sees on the arcade CRT.  Just as the gamer plays the game in real life in an arcade, so the game progresses identically in the virtual world with 3D people.  As a result, the game grid exists because of real life gamers.  As the gamers play games, so too do the game grid games.  In 2010, with games like World of Warcraft, Halo 3 and Assassin’s Creed, the writers could have had a field day with such an updated game grid.  Yes, it might have ruined the aesthetic of the game world to see people dressed as Master Chief or Ezio, but it would have made Tron Legacy far more true to what’s going on today in gaming and, at the same time, make Tron Legacy a lot more fun to watch.

In Tron Legacy, this entire arcade to game grid aspect was either forgotten or intentionally dropped.  The trouble is, this rule has already been established.  So, the movie should have at least popped out to the real world to see gamers playing on mobile phones, computers and Xbox 360s to show that the virtual game grid is still tied to a real world game.

Second issue… although, I have to admit I didn’t initially think of this one and don’t necessarily agree with the thinking behind it. Some people have surmised that the Encom mainframe had been shut off the whole time between Tron and Tron Legacy and thus the virtual world wouldn’t have existed. The reality is, there was a computer in Flynn’s Arcade that appeared to contain the virtual world.  So, while Encom’s computers may have been shut off, it appears Flynn had moved the entire world into his own personal server.  So, while some people seem to find this part of the film a problem, I don’t. Flynn was the CEO of Encom and easily had enough money and power to build a hugely powerful computer system in the basement of Flynn’s arcade to manage this world.  Sure, it might have been shut down for a time, but it certainly appears that Flynn had successfully transferred both the world and the computer into the arcade’s basement.  He certainly had enough money to do this. It also appears that this computer is fully functional when Sam arrives at the arcade.  So, I don’t see an issue with this part of the movie.

Third issue (see Encom below for more of this).  When Flynn took control over Encom after Tron defeated the MCP and released the files incriminating Ed Dillinger, I full well expected Flynn to drive Encom to become a game development company.  In fact, had this premise been realized, this would strengthen the idea behind the game grid and the existence of the virtual world.  Instead, for whatever reasons, the writers decided to turn Encom into an operating system company like Microsoft.  Now, that doesn’t mean that Encom doesn’t make video games, but it does mean that it is not Encom’s core business.  If that whole board room meeting had been related to a new video game title, the whole Tron Legacy story would have been dramatically strengthened.  Also, in Tron, Encom was an R&D group think tank.  That is, they designed extremely cutting edge prototyping products, like the digitizing laser.  The very same laser technology that digitizes and transports both Sam and Kevin into the virtual world.  Again, the writers ignored this part of Encom’s business completely to the detriment of Tron Legacy.  Considering that that digitizing laser was designed in 1982, I would have expected to see that digitizing system being sold on the market and people entering into their own virtual worlds (separate from Flynn’s world) by 2010.  Yet another lost opportunity for the writers to create an interesting spin on what happened with Encom.

Fourth issue,  after Sam ends up back in the real world at the end of Tron Legacy, he’s fully dressed in street clothes. As far as I know, he didn’t pack an extra set of clothes.  So, the whole costuming process inside the virtual world (where his clothes were cut off and discarded) doesn’t make sense.  Worse, Quorra, who isn’t even human, also pops out into the real world fully clothed in street clothes.  Again, where did these clothes come from?  I’m quite sure that Sam didn’t expect to be leaving Flynn’s with a female companion.  So, I’m quite sure that an old dusty arcade wouldn’t have such clothes stashed away.  So, again, this is a problem.  Although, some people surmise that Quorra didn’t actually make it out.  Instead, Sam is somehow having a delusion or an hallucination of Quorra and she’s not actually there. I don’t know that I agree with this.  I have my suspicions as to what’s going on, but I’ll leave that for Tron 3 to fully explain.

[Updated 1/16/2011]

Fifth issue is that the original digitizing laser consumed the space of at least 2-3 building stories and at least one football field.  This is a huge laser equipment laboratory.  In Tron Legacy, this digitizing laser is now located in the basement of Flynn’s Arcade?  Unfortunately, I just don’t think that this sized laser equipment fit within Flynn’s arcade basement space.  So, the question is, where is the rest of the huge laser infrastructure?  Just not thought out well enough.  However, if one of Encom’s newest products had been a self-contained USB digitizing laser (for home use) and that had been what was being discussed in the board room, then having this laser in Flynn’s basement would have made a lot more sense.  And, it would have made sense from a time perspective (all technology gets smaller).  But no, this issue was not addressed at all.

Sixth issue.. this is not so much an issue, but an observation about how the laser works.  According to the first film, the molecules are digitized and then suspended in the laser beam.  When the molecule model is played back, the object reintegrates.  With Quorra, it actually does make sense that she could end up in the real world.  How?  Well, there were two users in that world: Kevin and Sam.  Two real world users with real world molecules.  Kevin’s molecules would still have been suspended in the laser beam.  When Kevin explodes after reintegrating with CLU, those molecules are still trapped in the laser beam.  There’s nothing that says that those molecules have to play back out as Kevin.  In fact, Quorra could use Kevin’s suspended molecules to play back into her form and become human.  Of course, that would leave no more suspended molecules for anyone else to exit the grid.  That also means that for someone to leave the grid with a real form, that a real person would have to enter the virtual world.  I’m assuming that as long as that person lives, those molecules are tied to that individual.  If the user dies in the grid, then an ISO or another program could exit into the real world using that dead user’s molecules.  Another issue is that Kevin’s molecules would be suspended in Kevin’s form when he went in.  It would take at least Yori to reconfigure the laser beam protocol to play out Kevin’s molecules into Quorra’s form.  Yori was the program designed by Lora to manage parts of the digitizing system.  Unfortunately, Yori isn’t in Tron Legacy.  So, Quorra should have exited the virtual world in Kevin’s form and clothing.

Encom 2010

Other than the bored room meetings (pun intended), we really get very little of what Encom does in the present.  With technologies like the digitizing system that are displayed in Tron, I would have expected Encom to be a lot farther along in technological breakthroughs than selling ‘the latest greatest operating system’ (ala Microsoft). Clearly, this part of the film is an afterthought.  It wastes screen time without really telling us much about Encom.  It is really used as a vehicle to set up Sam Flynn’s character.  However, even that vehicle falls flat.  Honestly, the film would have been served better by not knowing or seeing that specific Sam Flynn escapade.

Villainy

Unfortunately, CLU isn’t the appropriate ‘Program’ to be a villain.  First, CLU is supposed to be Kevin Flynn’s helper program.  So, it seems odd that he has gone rogue anyway.  Secondarily, he isn’t really designed to be a villain.  So, turning him into one just seems somehow wrong.  Worse, he really isn’t a worthy adversary in the games.  If he is as good as he is supposed to be (along with his black guard henchman), they both should be able to best Sam Flynn easily.  So, this whole part of the film just doesn’t really work.  But then, Quorra interrupts the games early.  Kind of convenient, but at the same time gives us no payoff.

Adversary

Unlike Tron, which has the MCP, we have no such villain in Tron Legacy.  CLU is it, but CLU just doesn’t come across as a proper villain.  He seems more like a henchman for something bigger.  Yet, that something bigger just never materializes.  I actually expected to see Kevin Flynn emerge as the villain in this film. That would have been something.  It would have really justified the ending of this film, showed us a completely different side to Kevin and, at the same time, have given us a huge payoff at the end.  Alas, that doesn’t happen.

Action

The movie definitely starts the pacing off on the right foot and continues at a pretty solid pace until just after Sam Flynn exits the game grid.  After that, the story comes to a crawl, as does the action.  So, unfortunately too, this leads to a lack of payoff.  It also doesn’t give Sam Flynn any screen time to kick butt and take names which this film so desperately needs.  The wins we see with Sam are more out of luck and accidents than out of skill.  Sam never does get enough screen time to show that he has any skills that are translated from the real world.  Even his lightcycle skills don’t show through no matter how much Ducati footage is included in the opening. We need to see Sam win at something where the stakes are substantial.  Something that at the end of it, we cheer for him and his win.

Visuals and Audio

What’s to say about the visuals other than, “stunning”.  The music by Daft Punk and the audio effects are superb at doing what movies do best: set the mood and tone.

Payoff

In the end, there really is no payoff.  In the first film, Tron’s first goal is to get a message to his user.  So, Tron fights his way through to a communication tower.  In Tron Legacy, Sam’s and Kevin’s only objective is to get to the exit portal (not unlike the communication tower in Tron).  So, when they finally get to the portal, it seems trivially easy.  There is really no opposition along the way.  Just a quick trip with a Solar Sailer and they’re basically there.  No grid bugs, no hidden Mickey Mouse heads, no Recognizer chases, etc.  Just a trip without any incidents.  In Tron, getting to the communication tower is only half the way through the story.  Tron still must battle the MCP.  At the end of Tron Legacy, there was no battle.  In fact, there was nothing to battle at all, other than Kevin’s own guilt.

Unfortunately, the ending was really explained by Quorra about 20 minutes before the end.  So, I won’t give it away, even though Quorra does.  But at the portal, there is no real payoff with CLU or Tron.  In fact, there is no real positive payoff at all.  The ending leaves more questions than answers.  So, unless Disney plans on Tron 3, we may never know what happens.  This really feels like half of a film.  It feels like we’re missing the other half of this film.

Overall

The story could have been far better.  However, the producers rely on the visuals and the music (which, granted, both were very impressive) to carry this film.  Again I say, the plot could have been far far better. We need at least one payoff and we don’t get it.  I was even hoping for a little payoff with Sam on the game grid, but even that doesn’t happen.  Sam, like Kevin in Tron, also needed to befriend someone in the virtual world besides Quorra.  He needed another companion to travel around the virtal world and show him the ropes.  And, for a split second, I thought it might actually happen when one of his lightcycle mates almost gets his bike wand back.  That is until CLU runs him over and Quorra steps in.

Also, there are lots of subtle things that just don’t work or are missing.  For example, as a user in Tron (first film), Kevin is able to absorb energy and use it in unusual ways.  Clearly, he is still able to do that to create CLU in Tron Legacy.  He also uses this power to steal a non-working Recognizer in Tron. However, the writers don’t explore this aspect with Sam at all.  It could have helped out in several instances and would have made for a more cohesive film. There was also no comic relief element like the ‘bit’ in the Recognizer in Tron.  Not that we need ‘bit’ in this film, but I think that humor could have helped in places.

Even though the story is a bit weak in the film, the story for Tron Evolution (video game) is much stronger than this film.  In fact, it has many of the elements and payoffs that the movie lacks, including a proper villain with Abraxas.  However, that doesn’t mean that it’s the best game of 2010. Far from it. However, the story is definitely better than the Tron Legacy story. If you’re really into Tron lore, you should check out Tron Evolution to fill in the story gaps that the movie doesn’t fully explain (i.e., the ISOs).  I am disappointed that the film glosses over the ISO storyline and, instead, leaves it to the video game to fully explain these concepts.

I like the film, but the story really needed to be far stronger to match the visuals.  Overall, I rate this film 7.5 out of 10 stars.

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